French Music, Culture, and National Identity, 1870-1939

French Music, Culture, and National Identity, 1870-1939

Author: Barbara L. Kelly

Publisher: University Rochester Press

Published: 2008

Total Pages: 300

ISBN-13: 9781580462723

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Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.


Historical Interplay in French Music and Culture, 1860–1960

Historical Interplay in French Music and Culture, 1860–1960

Author: Deborah Mawer

Publisher: Routledge

Published: 2017-11-22

Total Pages: 439

ISBN-13: 1317121805

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This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860–1960, and its own historical ‘others’, referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers’ celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.


Folklore and Nationalism in Europe During the Long Nineteenth Century

Folklore and Nationalism in Europe During the Long Nineteenth Century

Author:

Publisher: BRILL

Published: 2012-07-25

Total Pages: 439

ISBN-13: 9004211837

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Using an interdisciplinary approach, this book brings together work in the fields of History, Literary Studies, Music and Architecture to examine the place of folklore and representations of ‘the people’ in the development of nations across Europe during the nineteenth century.


Greek Orthodox Music in Ottoman Istanbul

Greek Orthodox Music in Ottoman Istanbul

Author: Merih Erol

Publisher: Indiana University Press

Published: 2015-12-07

Total Pages: 289

ISBN-13: 0253018420

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A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion


Whose Spain?

Whose Spain?

Author: Samuel Llano

Publisher: Oxford University Press

Published: 2013

Total Pages: 295

ISBN-13: 0199858462

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English with excerpts in Spanish and French.


Confronting the National in the Musical Past

Confronting the National in the Musical Past

Author: Elaine Kelly

Publisher: Routledge

Published: 2018-04-19

Total Pages: 363

ISBN-13: 1351975579

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This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.


The Cambridge Companion to French Music

The Cambridge Companion to French Music

Author: Simon Trezise

Publisher: Cambridge University Press

Published: 2015-02-19

Total Pages: 441

ISBN-13: 0521877946

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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.


Music and Ultra-modernism in France

Music and Ultra-modernism in France

Author: Barbara L. Kelly

Publisher: Boydell & Brewer Ltd

Published: 2013

Total Pages: 272

ISBN-13: 1843838109

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Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.


French Art Song

French Art Song

Author: Emily Kilpatrick

Publisher: Boydell & Brewer

Published: 2022

Total Pages: 468

ISBN-13: 1648250548

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A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.


The Ballets Russes and Beyond

The Ballets Russes and Beyond

Author: Davinia Caddy

Publisher: Cambridge University Press

Published: 2012-04-26

Total Pages: 255

ISBN-13: 1107014409

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A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.