Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work--the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella's dynamic engagement with literature paralleled the artist's experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.
Undaunted by Stella's infamous comment "Only what can be seen there is there," Guberman traces Stella's career, exploring sources as diverse as Jasper Johns, Jean Arp, and Henri Matisse, investigating the technical complexity of the work, and interweaving more personal insights into the events of his life, his passion for sport and speed, and the role of his family and colleagues in the art world.
Catalog of an exhibition held at the Whitney Museum of American Art, New York, Oct. 30, 2015-Mar. 7, 2016; Modern Art Museum of Fort Worth, Apr. 17-Sept. 4, 2016; and the de Young, San Francisco, Nov. 5, 2016-Feb. 26, 2017.
Philip Roth's fictional alter-ego returns in Zuckerman Unbound, "...masterful, sure in every touch." (The New York Times) The sensationalizing sixties are coming to an end, and even writing a novel can make you a star. The writer Nathan Zuckerman publishes his fourth book, an aggressive, abrasive, and comically erotic novel entitled Carnovsky, and all at once he is on the cover of Life, one of the decade's most notorious celebrities. This is the same Nathan Zuckerman who in Philip Roth's much praised The Ghost Writer was the dedicated young apprentice drawing sustenance from the great books and the integrity of their authors. Now in his mid-thirties, Zuckerman, a would-be recluse despite his fame, ventures out on the streets of Manhattan, and not only is he assumed to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), but he also finds himself the target of admirers, admonishers, advisers, and would-be literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Nathan Zuckerman to wonder if "target" may be more than a figure of speech. Yet, streetcorner recognition and media notoriety are the least disturbing consequences of writing Carnovsky. Against his best interests, the newly renowned novelist retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother and his family. Even when finally he lives out the fantasies of his fans and enjoys an exhilarating night with the beautiful and worldly film star Caesara O'Shea (a rather more capable celebrity), he is dismayed the following morning by the caliber of the competition up in the erotic big leagues. In some of Zuckerman Unbound's funniest episodes Zuckerman endures the blandishments of another New Jersey boy who has briefly achieved his own moment of stardom. He is the broken and resentful fan Alvin Pepler, in the fifties a national celebrity on the TV quiz show "Smart Money." Thrust back into obscurity when headlined scandals forced the quiz show off the air, Pepler now attaches himself to Zuckerman and won't let go--an "Angel of Manic Delights" to the amused novelist (who momentarily sees him as his "pop self"), and yet also the likely source of a demonic threat. But the surprise that fate finally delivers is more devilish than any cooked up by Alvin Pepler, or even by Zuckerman's imagination. In the coronary-care unit of a Miami Hospital, Nathan's father bestows upon his older son not a blessing but what seems to be a curse. And, in an astonishingly bitter final turn, a confrontation with his brother opens the way for the novelist's deep and painful understanding of the deathblow that Carnovsky has dealt to his own past.
This book pushes nihilism to its ultimate conclusion by linking revisionary naturalism in Anglo-American philosophy with anti-phenomenological realism in French philosophy. Contrary to the 'post-analytic' consensus uniting Heidegger and Wittgenstein against scientism and scepticism, this book links eliminative materialism and speculative realism.
Leading art collector Chara Schreyer's forty-year collaboration with interior designer Gary Hutton has produced five residences designed to house 600 works of art, including masterpieces by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella. Art House takes readers on a breathtaking visual tour of these stunning spaces, which range from an architectural tour-de-force to a high-rise "gallery as home." An exploration of a life devoted to living with art and to designing homes that honor it, this title is an inspiration for art and design lovers alike.
A CHRISTIAN ROMANTIC SUSPENSE SERIES A veteran air hostess scarred by her past. A US Marshal determined to nab an elusive fugitive. And a lunatic from the past who won't stay in the past. Will their collision destroy them or prove redemptive? Experienced flight attendant Erica Heart wanted nothing more to do with US Marshal Jim Denison. Her gratitude to him for his key role in rescuing her sister's fiancé, Michael, stopped at the gate of their final goodbye. But when she urgently required the services of a US Marshal aboard a flight to accompany her team of newly recruited flight attendants, she hesitantly turned to Jim for help. Will her heart heed her plea to not get involved and risk having it broken? US Marshal Jim Denison knew in his gut that something was wrong when their flight left the tarmac. He yearned for Erica Heart's support without rattling her, the same woman responsible for his sleepless nights since they parted ways after her sister's wedding one year ago. Her Christian values, charming attitude, and wit proved he had his work cut out for him--to rein in his wildly hoping heart But when things go wrong after take-off, her faith and calm during a crisis proved vital in defeating a cloaked enemy on the plane. UNBOUND HOPE is Book Two of the Pleasant Hearts & Elliot-Kings Christian suspense series. Christian fiction Christian Suspense Christian Romance Christian Romantic Suspense Young Adult Romance Books Contemporary Romance Clean & Wholesome Romance Teen Romance Novels Mystery Thrillers Suspense Romance Emotions & Feelings Social Issues Action Adventure Contemporary Fiction ebooks Social Issues Crime Violence kidnapped romance New clean suspense mystery thriller Series teen love story YA mystery suspense Christian mystery suspense romance series contemporary romance modern survival stories thriller thriller award-winning thriller series mystery suspense author
For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling. Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.
Security concerns have mushroomed. Increasingly numerous areas of life are governed by security policies and technologies. Security Unbound argues that when insecurities pervade how we relate to our neighbours, how we perceive international politics, how governments formulate policies, at stake is not our security but our democracy. Security is not in the first instance a right or value but a practice that challenges democratic institutions and actions. We are familiar with emergency policies in the name of national security challenging parliamentary processes, the space for political dissent, and fundamental rights. Yet, security practice and technology pervade society heavily in very mundane ways without raising national security crises, in particular through surveillance technology and the management of risks and uncertainties in many areas of life. These more diffuse security practices create societies in which suspicion becomes a default way of relating and governing relations, ranging from neighbourhood relations over financial transactions to cross border mobility. Security Unbound demonstrates that governing through suspicion poses serious challenges to democratic practice. Some of these challenges are familiar, such as the erosion of the right to privacy; others are less so, such as the post-human challenge to citizenship. Security unbound provokes us to see that the democratic political stake today is not our security but preventing insecurity from becoming the organising principle of political and social life.
