A cozy book of gnomes (and gnomes), just in time for the holidays Kirsten Sevig grew up hearing about little gnomes in great Nordic folktales. When she realized that a “gnome” was also another word for a proverb, she brought the two together. The result is a charming collection of Scandinavian wisdom accented by whimsical illustrations. There are gnome women chopping wood (“chop your own wood and it will warm you twice”), men surreptitiously knitting (“two balls of yarn are better than one”), and gnome kids making snow angels, skiing, and more. In The Little Winter Book of Gnomes, Sevig invites readers into a cozy wonderland of her own prolific imagination. With recipes for holiday favorites like mulled cider and gingerbread, this book is the perfect gift to inspire readers to take joy in all of winter’s little happy-makers.
"A wise, lonely novel . . . [and an] honest reflection of exile." —The New Yorker In the tradition of Roberto Bolaño's Savage Detectives, a celebrated classic and heart-wrenching story of a family torn apart by the forces of history, by one of Latin America's most celebrated writers The late Mario Benedetti’s work was often ranked with “such esteemed Latin American writers as Gabriel García Márquez, Carlos Fuentes and Julio Cortázar” (The Washington Post) and his novel The Truce has sold millions of copies around the world. His extraordinary novel Springtime in a Broken Mirror revolves around Santiago, a political prisoner in Uruguay, who was jailed after a brutal military coup that saw many of his comrades flee elsewhere. Santiago, feeling trapped, can do nothing but write letters to his family and try to stay sane. Far away, his nine-year-old daughter Beatrice wonders at the marvels of Buenos Aires, but her grandpa and mother—Santiago’s beautiful, careworn wife, Graciela—struggle to adjust to a life in exile. Published now for the first time in English, Springtime in a Broken Mirror tells with tenderness and fury of the indelible imprint politics leaves on individual lives. Generous and unflinching, it asks whether the broken bonds of family and history can ever truly be mended. Written by one of the masters of the Latin American novel, this is the story of a fractured continent, chronicled through the lives of a single family.
Long before the official establishment of the Commonwealth, intrepid pioneers ventured west of the Allegheny Mountains into an expansive, alluring wilderness that they began to call Kentucky. After blazing trails, clearing plots, and surviving innumerable challenges, a few adventurers found time to pen celebratory tributes to their new homeland. In the two centuries that followed, many of the world's finest writers, both native Kentuckians and visitors, have paid homage to the Bluegrass State with the written word. In The Kentucky Anthology, acclaimed author and literary historian Wade Hall has assembled an unprecedented and comprehensive compilation of writings pertaining to Kentucky and its land, people, and culture. Hall's introductions to each author frame both popular and lesser-known selections in a historical context. He examines the major cultural and political developments in the history of the Commonwealth, finding both parallels and marked distinctions between Kentucky and the rest of the United States. While honoring the heritage of Kentucky in all its glory, Hall does not blithely turn away from the state's most troubling episodes and institutions such as racism, slavery, and war. Hall also builds the argument, bolstered by the strength and significance of the collected writings, that Kentucky's best writers compare favorably with the finest in the world. Many of the authors presented here remain universally renowned and beloved, while others have faded into the tides of time, waiting for rediscovery. Together, they guide the reader on a literary tour of Kentucky, from the mines to the rivers and from the deepest hollows to the highest peaks. The Kentucky Anthology traces the interests and aspirations, the achievements and failures and the comedies and tragedies that have filled the lives of generations of Kentuckians. These diaries, letters, speeches, essays, poems, and stories bring history brilliantly to life. Jesse Stuart once wrote, "If these United States can be called a body, Kentucky can be called its heart." The Kentucky Anthology captures the rhythm and spirit of that heart in the words of its most remarkable chroniclers.
John Burroughs is generally credited with having popularized the American nature essay as a literary genre. He journeyed to Yellowstone with President Theodore Roosevelt and hiked around the Grand Canyon and the Yosemite Valley with John Muir. Collected here are natural history essays from the books that span Burroughs's most productive years, from 1871 to 1912. In these essays, Burroughs writes of the seasons, of his beloved Catskill Mountains, the Adirondacks, the Maine woods, and the far west of Yosemite and coastal Alaska. Burroughs set the tone for a literary tradition that continues today. As Richard F. Fleck notes in the introduction: "Surely all American nature writers owe some debt to John Burroughs who takes the reader along the trail and gives him the sight, sound, and scent of the deep woods."
Furthermore! is a novel by Andrew M. Greeley, a priest, distinguished sociologist and bestselling author. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning. The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in libertà, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. André Breton's collection of poems Clair de terre (1923) contains several typographical variations for iconographic effect. René Magritte explored the relationship between words and images, juxtaposing signifiers to contradictory signifieds on the canvas. A final chapter introduces media other than poetry and painting on which words and images appear. Posters, the theater, and the relatively new medium of cinema foreground words and images constantly. This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies.
