The rules are simple: you're either a fox or a bunny. Foxes oppress and devour, bunnies suffer and die. Everyone knows their place. Everyone's satisfied. So what happens when a secret desire puts you at odds with your society? Starting from a simple premise — and without using a single word — Fox Bunny Funny leads the reader on a zigzag chase in and out of rabbit holes, and through increasingly strange landscapes where funny animals have serious identity problems. The tale swerves from slapstick to horror and back again before landing at the inevitable climax, in which all the old rules are shattered. When you emerge, you'll find yourself gazing at our own fragmenting society with new eyes.
A new graphic novel series for emerging readers about the simple magic of true friendship Easygoing Fox and anxious Rabbit seem like total opposites. But, somehow, they make the perfect pair! Whether searching for hidden treasure or planting a garden in their own backyard, Fox and Rabbit find everyday magic at every turn. On this first adventure, the pair will discover some new favorite things like sunsets, dandelions, and cotton candy. And they’ll face new fears like heights, swimming, and (poisonous!) frogs. Thankfully, there’s nothing Fox and Rabbit can’t do together!
In this introduction to the Anishinaabe tradition of totem animals, young children explain why they identify with different creatures such as a deer, beaver or moose. Delightful illustrations show the children wearing masks representing their chosen animal, while the few lines of text on each page work as a series of simple poems throughout the book. In a brief author’s note, Danielle Daniel explains the importance of totem animals in Anishinaabe culture and how they can also act as animal guides for young children seeking to understand themselves and others.
A hopping good "tail" about the ups and downs siblings face! It's not easy being Honey Bunny Funnybunny—P.J. Funnybunny's little sister. Like most big brothers, P.J. loves to tease and play jokes on his little sister. Poor patient Honey Bunny puts up with almost everything. But the jokes stop short when P.J. paints the sleeping Honey Bunny's face bright green. Mr. and Mrs. Funnybunny are hopping mad...From now on, things are going to be different in the Funnybunny household! But does Honey Bunny really want something different? Beginner Books are fun, funny, and easy to read! Launched by Dr. Seuss in 1957 with the publication of The Cat in the Hat, this beloved early reader series motivates children to read on their own by using simple words with illustrations that give clues to their meaning. Featuring a combination of kid appeal, supportive vocabulary, and bright, cheerful art, Beginner Books will encourage a love of reading in children ages 3–7.
You’ve heard of the Battle of Waterloo? Now read the story of Bunnyloo. Contrary to popular belief, Waterloo may not have been Napoleon Bonaparte’s most crushing defeat. It may have been an event that occurred in 1807. You see, Napoleon’s staff had been ordered to round up rabbits for a celebratory hunt, only, they captured domesticated, not wild, rabbits. So, rather than run away when they were released, the rabbits ran straight at Napoleon. Now, some might think Napoleon — king overthrower, army commander, territory conqueror — would only laugh at an advancing battalion of cute, fluffy bunnies. Well, think again! Napoleon? Afraid of bunnies? It’s a hare-raising idea!
Rufus the fox is up to something-- find out why he's acting so crazy in this clever simile story. All night, he's been sleeping like a log. When the sun rises, he feels as fresh as a daisy. In a story told entirely with similes, Rufus sneaks up and startles his friend Babette, and leads her on a wild chase through the woods. Perfect for teaching figurative language, this brightly-illustrated picture book includes the definition of a simile, as well as a brief introduction to idioms and cliches-- and examples on every page of different sayings and similes. Loreen Leedy's zany illustrations depic the figurative sayings in literal ways-- a wooden fox sleeping like a log, a yellow and black striped sheep who's as mad as a hornet-- to bring home the meanings of the expressions. Perfect for kids studying creative writing, or English language learners who may not be familiar with common but less literal sayings, Crazy Like a Fox will make readers happy as a clam-- and help them incorporate similes into their own writing.
A pop-through-the-slot book with a magical theme, this has lots of play value for toddlers. The full colour illustrations are by Richard Fowler. Children are able to do magic tricks and can lift-the-flaps to play Find the Bunny, watch him change colour and see him escape from a locked chest.
Wonderfully Wordless: The 500 Most Recommended Graphic Novels and Picture Books is the first comprehensive best book guide to wordless picture books (and nearly wordless picture books). It is an indispensable resource for parents and teachers who love graphic storytelling or who recognize the value of these exceptional books in working with different types of students, particularly preschool, English as a Second Language (ESL), and special needs, and creative writers. Every age group will benefit from Wonderfully Wordless, from babies and toddlers encountering their first books, to elementary age children captivated by the popular fantasy and adventure themes, to teenagers attracted to graphic novels because of their more intense content and comic book format. Even adults who are not yet readers will benefit from this uniquely authoritative resource because it will provide a bridge to literacy and give them books that they can immediately share with their children. Wonderfully Wordless is the ultimate guide to wordless and almost wordless books. Its 500 exemplary titles are a composite of 140 sources including recommendations from reference books, award lists, book reviews, professional journals, literary blogs, and the collections of many of the most prominent libraries in the United States and the English-speaking world. The US libraries include the Boston Public Library, Carnegie Library of Pittsburgh, Denver Library, New York Public Library, and Seattle Public Library, as well as the academic libraries at Bank Street College, Miami University, Michigan State University, Penn State University, Stanford University, and University of Chicago. The international libraries include the University of Oxford, British Council Library India, British Library, Hong Kong Public Libraries, National Library of the Philippines, Toronto Public Library, Trinity College Library (Dublin), Vancouver Public Library, and the National Library of New Zealand. The 500 books included here are generated from a database with 7,300 booklist entries. In essence, the ranked list emerging from this compilation will constitute “votes” for the most popular titles, the ones most experts agree are the best. By pooling the expertise from the US and other English-speaking countries, Wonderfully Wordless is an unrivaled core list of classic and contemporary titles. This authoritative reference book conveys not the opinion of one expert, but the combined opinions of a legion of experts. If a single picture is worth a thousand words, then a multitude of the picture-only texts is worth a compendium. Wonderfully Wordless is organized by theme and format and readers should have no problem zeroing in on their favorite topics. There are thirty-one chapters organized by topics such as Christmas Cheer, Character Values, Comedy Capers, Pet Mischief, Creative Journeys, Fascinating Fantasies, and Marvelous Mysteries. There is a full spectrum of wordless fiction and nonfiction, concept books, visual puzzles, board books, cloth books, woodcut novels, graphic novels, and more.
Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.
