Perception of the Visual Environment
Perception of the Visual Environment

Author: Ronald G. Boothe

Publisher: Springer Science & Business Media

Published: 2001-11-16

Total Pages: 416

ISBN-13: 0387987908

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Aimed at students taking a course on visual perception, this textbook considers what it means for a man, a monkey and a computer to perceive the world. After an introduction and a discussion of methods, the book deals with how the environment produces a physical effect, how the resulting "image" is processed by the brain or by computer algorithms in order to produce a perception of "something out there". It also discusses color, form, motion, distance, and also the sensing of three dimensionality, before dealing with visual perception and its role in awareness and consciousness. The book concludes with discussions of perceptual development, blindness, and visual disorders. Visual perception is by its very nature an interdisciplinary subject that requires a basic understanding of a range of topics from diverse fields, and this is a very readable guide to all students whether they come from a neuroscience, psychology, cognitive science, robotics, or philosophy background.

Cerebral Visual Impairment in Children
Cerebral Visual Impairment in Children

Author: Josef Zihl

Publisher: Springer

Published: 2014-10-24

Total Pages: 347

ISBN-13: 3709118158

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Cerebral visual disorders have far-reaching consequences for child development. These have profound adverse effects on children’s education and success in school and also in later life, but, unfortunately, cerebral visual disorders often remain undiagnosed and untreated in the pediatric population. This book provides a state-of-the-art account of what is known about the development and disorders of visual perception in children. It covers the development and disorders of visual perception in children, their assessment, early intervention and management in an interdisciplinary context, both from a scientific as well as clinical perspective. Case studies illustrate the recommended assessment and rehabilitation procedures; synopses, boxes and check-lists complement the presentation of our recommendations for clinical practice.

The Ladies and the Cities
The Ladies and the Cities

Author: Edith M. Humphrey

Publisher: Bloomsbury Publishing

Published: 2018-09-20

Total Pages: 170

ISBN-13: 0567685276

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Transcendence in general and transformation in particular have long been established as key motifs in apocalypses. The transformation of a seer during a heavenly journey is found commonly in such esoteric apocalypses as I Enoch. No heavenly journey occurs in the apocalypses treated here. Rather, symbolic women figures--"ladies" in the classical sense--who are associated with God's city or Tower, undergo transformation at key points in the action. The surface structures of Joseph and Aseneth, 4 Ezra, the Apocalypse and The Shepherd of Hermas are traced, and the crucial transformation episodes are located within each structure. Transformation of figures which represent God's people points to the significance of identitiy within the apocalyptic perspective. Earlier analyses have demonstrated that the apocalyptic perspective urges the reader to consider life from a different stance in time and in space ("temporal" and "spatial" axes). The present analysis suggests that the apocalypse also charts its revelations along an "axis of identity" so that the reader is invited to become, as it were, someone more in tune with the mysteries he or she is viewing. Of special interest is the treatment of the increasingly well-known romance Joseph and Aseneth alongside apocalypses, a parallel which is fruitful because of the curious visionary sequence, closely related to apocalypse in content and form, which is found in the inner centre of that work.

Changing Concepts of the Nervous System
Changing Concepts of the Nervous System

Author: Adrian Morrison

Publisher: Elsevier

Published: 2012-12-02

Total Pages: 847

ISBN-13: 0323142249

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Changing Concepts of the Nervous System, presents the proceedings of the First Institute of Neurological Sciences Symposium in Neurobiology, held at the University of Pennsylvania in October 1980. The book is divided into four parts consisting of mini symposia on different aspects of the neurosciences. The first mini symposia discuss the anatomical, physiological, developmental, and behavioral plasticity of the nervous system. The second mini symposia cover the changing concepts of the central visual system. The idea of the biological basis of the concept of motivation and its behavioral manifestations from both theoretical and experimental aspects is examined in the third mini symposia. The final mini symposia tackle the four aspects of studies on memory: amnesia (consolidation and retrieval), the role of catecholamines, the role of proteins, and the role of peptides. Anatomists, neurobiologists, neuroscientists, and students and researchers in the field of neuroscience will find the book invaluable.

Anatomy Live
Anatomy Live

Author: Maaike Bleeker

Publisher: Amsterdam University Press

Published: 2008

Total Pages: 271

ISBN-13: 9053565167

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Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.