Tales of the Floating Class, Writings 1982-2017; Essays and Fictions on Globalization and Neo-Feudalism

Tales of the Floating Class, Writings 1982-2017; Essays and Fictions on Globalization and Neo-Feudalism

Author: Norman M. Klein

Publisher:

Published: 2018-06

Total Pages: 0

ISBN-13: 9781732018006

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We rummage through the worlds where culture, entertainment and power share a contested space. This space could be a street that has been staged for effect. It is software where fake money circulates. Or the site of scripted pleasures, in games, casinos; architectural illusion. Inside this space we find the Floating Class, outliers who must survive casino capitalism. This cast of characters include artists, the semi-employed, hipsters; migrants; the racially ignored-- and always the immigrants. The Floating class is often afflicted by gold fevers. For almost forty years, Norman Klein has written about many such locations, and stories often blending the fictive within the factual, since the arrival of globalization and neo-feudalism. He also traces what for him is the most peculiar site of all-- the present itself. For Klein, the present is an archaeological irony overrun by mad policies, dominated by urban erasure and collective forgetting. In Tales of the Floating Class Klein creates tales of a comic picaresque, a comic tragedyin a historical journey that has barely started. Meanwhile, like mutant flora, new floating species grow ever more varied. This is clearly our Iliad and Odyssey combined-- what follows after the end of the Western Hegemony (ending formally in the 1970s). Featured are twenty-two essays that have been re-edited, covering writings from 1982 to 2017. Norman M. Klein is a cultural critic and historian. Much of his work deals with cities, media, collective and political history. Past works are, The History of Forgetting: Los Angeles and the Erasure of Memory; The Vatican to Vegas: The History of Special Effects; Bleeding Through: Layers of Los Angeles, 1920-86; (media novel) Freud in Coney Island and Other Tales, plus others. He is a professor at the California Institute of the Art


The Floating Book

The Floating Book

Author: Michelle Lovric

Publisher: A&C Black

Published: 2013-06-03

Total Pages: 595

ISBN-13: 140884284X

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Venice, 1468. Sosia Simeon, a free-spirited sensualist, is the lover of many men in the fabled city, though married to one she despises. On the edge of the Grand Canal, Wendelin von Speyer sets up the first printing press in Venice and looks for the book that will make his fortune. When he tempts fate by publishing Catullus, the poet whose desperate and unrequited love inspired the most tender and erotic poems of antiquity, a scandal is set in motion that will change all their lives forever.


The Floating Prince and Other Fairy Tales

The Floating Prince and Other Fairy Tales

Author: Frank Richard Stockton

Publisher: Good Press

Published: 2020-12-08

Total Pages: 171

ISBN-13:

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Step into a world of magic and wonder with "The Floating Prince and Other Fairy Tales" by Frank Richard Stockton. This collection of enchanting short stories offers readers a delightful escape into realms of fantasy and imagination. Stockton's masterful storytelling and vivid imagery make each tale a captivating adventure, perfect for readers of all ages.


Neck Tales

Neck Tales

Author: Thea Marshall

Publisher: Brandylane Publishers Inc

Published: 2009

Total Pages: 134

ISBN-13: 1883911869

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Contains stories first broadcast on NPR.


Floating Tales

Floating Tales

Author: Jeff Friedman

Publisher: Madhat, Incorporated

Published: 2017-08

Total Pages: 114

ISBN-13: 9781941196465

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Prose poetry


The Ghosts Went Floating

The Ghosts Went Floating

Author: Kim Norman

Publisher: Farrar, Straus and Giroux (BYR)

Published: 2020-07-14

Total Pages: 40

ISBN-13: 0374388601

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Inspired by the children's song "The Ants Went Marching" and involving early math concepts, writer Kim Norman and illustrator Jay Fleck's The Ghosts Went Floating is a spooktacular adventure perfect for Halloween. The ghosts went floating, one by one, BOO-rah! BOO-rah! when Halloween had just begun. BOO-rah! BOO-rah! The ghosts went floating, one by one, so why don’t YOU come join the fun? Trick-or-treat with ghosts, skeletons, witches, zombies, and all sorts of cute and creepy creatures in this fun-filled Halloween counting adventure!


An Artist of the Floating World

An Artist of the Floating World

Author: Kazuo Ishiguro

Publisher: Vintage

Published: 2012-09-05

Total Pages: 212

ISBN-13: 0307829065

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From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.


Picturing the Floating World

Picturing the Floating World

Author: Julie Nelson Davis

Publisher: University of Hawaii Press

Published: 2021-08-31

Total Pages: 225

ISBN-13: 0824889339

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Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.