A visceral account of the Grand Inquisitor Tomas Torquemada, and this method of torture during the murder of thousands of heretics throughout the Spanish Inquisition.
Jesus Christ is not a human man, Jesus Christ is a deity. He can transform himself into anything. Jesus Christ and his angels can make human beings experience ectoplasm and can possess you in broad daylight and at night. Any spirit or deity that can shift-shape himself into anything like a fog, smoke, fire, clouds, insects, people or animals is considered not human, suspicious, unknown, scary, sneaky, secretive, and evil.
Charles Bowden has been an outspoken advocate for the desert Southwest since the 1970s. Recently his activism helped persuade the U.S. government to create the Sonoran Desert National Monument in southern Arizona. But in working for environmental preservation, Bowden refuses to be one who “outline[s] something straightforward, a manifesto with clear rules and a set of plans for others to follow.” In this deeply personal book, he brings the Sonoran Desert alive, not as a place where well-meaning people can go to enjoy “nature,” but as a raw reality that defies bureaucratic and even literary attempts to define it, that can only be experienced through the senses. Inferno burns with Charles Bowden's passion for the desert he calls home. “I want to eat the dirt and lick the rock. Or leave the shade for the sun and feel the burning. I know I don't belong here. But this is the only place I belong,” he says. His vivid descriptions, complemented by Michael Berman's acutely observed photographs of the Sonoran Desert, make readers feel the heat and smell the dryness, see the colors in earth and sky, and hear the singing of dry bones across the parched ground. Written as “an antibiotic” during the time Bowden was lobbying the government to create the Sonoran Desert National Monument, Inferno repudiates both the propaganda and the lyricism of contemporary nature writing. Instead, it persuades us that “we need these places not to remember our better selves or our natural self or our spiritual self. We need these places to taste what we fear and devour what we are. We need these places to be animals because unless we are animals we are nothing at all. That is the price of being a civilized dude.”
In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"
This is one of the first textbooks to try to set the entire discipline of Jewish philosophy in its proper cultural and historical contexts. In so doing, it introduces the vibrant Jewish philosophical tradition to students while also making a significant contribution to inter-religious dialogue. Victor J Seidler argues that the dominant Platonic tradition in the West has led to a form of cultural ethics which asserts false superiority in its relationships with others. He offers a critical reappraisal of the philosophical underpinnings of this western Christian culture which for so long has viewed Judaism with hostility. Examining the work of seminal Jewish thinkers such as Philo, Buber, Mendelsohn, Herman Cohen, Leo Baeck, Levinas, Rosenzweig and others, the author argues for a code of ethics which prioritises particular and personal moral responsibility rather than the impersonal and universal emphases of the Greek tradition. His provocative and original overview of Jewish philosophy uncovers a vital and neglected tradition of thought which works against the likelihood of a Holocaust recurring.
Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woon Kim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.
A stunning new full-length biography of Queen Catherine of Aragon, Henry VIII's wife of over twenty years. The first ever written by a female historian and to concentrate on Catherine as a Tudor woman, rather than a pawn of in the dynastic power plays of men.