Fifteen Stained Glass Windows of Lincoln Cathedral
Author: Lincoln Cathedral
Publisher:
Published: 1991
Total Pages:
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Lincoln Cathedral
Publisher:
Published: 1991
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Nigel J. Morgan
Publisher: Scala Arts Publishers Incorporated
Published: 2012
Total Pages: 0
ISBN-13: 9781857597745
DOWNLOAD EBOOKA stunning guidebook to the little known but very important collection of glass at Lincoln Cathedral.
Author: Ivona Posedi
Publisher:
Published: 2019
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Carol Bennett
Publisher:
Published: 2011
Total Pages: 16
ISBN-13: 9781857597301
DOWNLOAD EBOOKAuthor: Jean Lafond
Publisher:
Published: 1947
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Penny Hebgin-Barnes
Publisher: Oxford University Press, USA
Published: 1996
Total Pages: 480
ISBN-13:
DOWNLOAD EBOOKThis comprehensive catalogue describes all the remaining medieval glass of the county of Lincolnshire. It is heavily illustrated in both black-and-white and color and provides essential reading for all those interested in medieval art history and in the local history of Lincolnshire.
Author: Albert Frank Kendrick
Publisher:
Published: 1899
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOKAuthor: Frederick Sydney Eden
Publisher: CUP Archive
Published: 1933
Total Pages: 258
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Marks
Publisher: Routledge
Published: 2006-01-16
Total Pages: 356
ISBN-13: 1134967500
DOWNLOAD EBOOKFirst published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
Author: Hugh Arnold
Publisher:
Published: 1913
Total Pages: 490
ISBN-13:
DOWNLOAD EBOOKI have therefore chosen for study certain typical windows in each century, and have written about them some of the things which interest me and which, I hope, will interest others. The work of the countries and period I have chosen is of course the most important of all. There is beauty, it is true, in much Renaissance work (only a prig could resist the gaiety and charm of the windows of St. Vincent at Rouen), but it is for the most part beauty achieved in spite of, and not through, the material. There is beautiful medieval work in Germany and Italy, but the Germans, till the Renaissance, clung to a rather lifeless and archaic convention, and the Italians were hampered by their greater knowledge of painting. The art has found its noblest expression in the work of the great school which for nearly the whole of the Middle Ages was common to France and England. There is especial reason why we English should study the work of our own mediaeval glass painters.