A fun-to-play collection of 62 favorite fiddle and Irish tunes arranged in notation and tablature for mandolin solo. Ideal music for intermediate level technical study in sight reading. the CD is in split-track format, thus allowing the mandolin student to play along with the mandolin solo, lively guitar accompaniment, or both. Due to time constraints, the CD contains only 18 songs from the book.
An exciting collection of 29 traditional tunes from Ireland, arranged for easy fiddle. All tunes are written clearly in standard notation with bow directions. an accompanying CD contains all the tunes, played at a manageable speed, with guitar accompaniment.The collection contains airs, well known songs, polkas, slip jigs, slides, double jigs, hornpipes and reels, all of which are specially arranged by the author with the beginning/intermediate fiddle player in mind. on the CD, the tunes are played 2 or 3 times, so you can really get into the feel of the tune, when playing along. the speed of the tunes is quite slow, but not so slow as to take away from the essential feel of the music.Irish music is rightly popular all over the world. the haunting beauty of the slow airs and infectious foot-tapping rhythms of jigs and reels are here to be discovered in this selection of great traditional music.
Learn to Play Irish Fiddle is a book and two CD set that introduces the absolute beginner to the great traditional fiddle music of Ireland, going right from the basics of how to hold and make the first sounds on the instrument - through specially composed, manageable tunes in the Irish style - right up to playing traditional reels, jigs and other dance tunes from the traditional repertoire (the specially composed tunes bridge the gap between the basics and the traditional music). Embellishments and techniques that make good Irish fiddle playing so infectious, such as rolls, cuts, triplets and slides are gradually introduced. the student will also become familiar with some of the more advanced ideas concerning playing Irish traditional music such as variations and dynamics - subjects which are covered in greater detail in "Irish Fiddle Playing: A Guide for the Serious Player" book/CD sets by the same author. Useful appendices and a cross-referenced glossary are also included.The accompanying CDs contain all the tunes in the book (played at a slow tempo) plus many exercises.There is NO NEED FOR ANY PRIOR MUSICAL KNOWLEDGE in order to use this book. Each aspect of playing and theory is covered in an accessible and manageable way.
Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGADtuning to play traditional tunes, including twenty-four complete arrangements ofcommon American, Irish and Scottish ballads, airs, jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings, producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire, the material demonstrates ways to arrange your own melodies or even write your own tunes based on thetechniques provided. This is a perfect follow-up for guitarists who have studiedUnderstanding DADGAD for Fingerstyle Guitar and are looking for tunes to learn, or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
An exciting collection of 29 traditional tunes from Ireland, arranged for easy flatpicking guitar. All tunes are written clearly in standard notation as well as guitar tablature. an accompanying CD contains all the tunes, played at a manageable speed, with guitar accompaniment.The collection contains airs, well known songs, polkas, slip jigs, slides, double jigs, hornpipes and reels, all of which are specially arranged by the author with the beginning/intermediate guitarist in mind. on the CD, the tunes are played 2 or 3 times, so you can really get into the feel of the tune, when playing along. the speed of the tunes is quite slow, but not so slow as to take away from the essential feel of the music.Irish music is rightly popular all over the world. the haunting beauty of the slow airs and infectious foot-tapping rhythms of jigs and reels are here to be discovered in this selection of great traditional music.
A sparkling, comprehensive collection of 75 lively flatpicking guitar fiddle tunes! Beginning with 18 pages of introductory, performance and tutorial notes. the all-Irish titles are presented in sections: reels, strathspeys, breakdowns, hornpipes, jigs, slip- jigs, set dances, airs and waltzes. All tunes are written as single-line melodies for flat-picked guitar chords over the staff. Additional notes and references, plus a discography are included at the end. Tunes from the book are derived from different cultures, there is little or no overlap of titles regarding the book and Complete Fiddle Tunes for Acoustic Guitar (95471). In notation and tablature. the split-track recording includes Dan Gelo's teaching on the various techniques.
