Ethnomusicology and the Historical Dimension
Author: Margot Lieth Philipp
Publisher: C. Philipp Pub.
Published: 1989
Total Pages: 156
ISBN-13:
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Theory and Method in Historical Ethnomusicology
Author: Jonathan McCollum
Publisher: Lexington Books
Published: 2014-09-11
Total Pages: 431
ISBN-13: 1498507050
DOWNLOAD EBOOKHistorical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Historical Sources of Ethnomusicology in Contemporary Debate
Author: Ingrid Åkesson
Publisher: Cambridge Scholars Publishing
Published: 2017-05-11
Total Pages: 280
ISBN-13: 1443892238
DOWNLOAD EBOOKThis anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today’s recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
Ethnomusicology and Modern Music History
Author: Stephen Blum
Publisher: University of Illinois Press
Published: 1993
Total Pages: 336
ISBN-13: 9780252063435
DOWNLOAD EBOOKDesigned as a tribute to world-renowned ethnomusicologist Bruno Nettl, this volume explores the ways in which ethnomusicologists are contributing to the larger task of investigating music history. The fifteen contributors explore topics ranging from meetings with the Suyá Indians of Brazil to the German-speaking Jewish community of Israel; from Indian music in Felicity, Trinidad, to Ravi Shankar's role as cultural mediator. "This book is unique not only for its approach but also for the scope of its content. . . . It is definitely a must for libraries of research centers and institutions with ethnomusicology programs." -- Choice
Ethnomusicology: A Very Short Introduction
Author: Timothy Rice
Publisher: Oxford University Press
Published: 2014
Total Pages: 168
ISBN-13: 0199794375
DOWNLOAD EBOOKExplaining that musicality is an essential touchstone of the human experience, a concise introduction to the study of the nature of music, its community and its cultural values explains the diverse work of today's ethnomusicologists and how researchers apply anthropological and other social disciplines to studies of human and cultural behaviors. Original.
Ethnomusicology: An Introduction
Author: H. Myers
Publisher: Palgrave Macmillan
Published: 1993-04-28
Total Pages: 584
ISBN-13:
DOWNLOAD EBOOKThis is intended as a general introduction to the subject. Part One includes basic definitions, touching upon anthropology and comparative studies. Part Two deals with theory and method. Part Three deals with gender, the music industry and ethical concerns. A collection of reference aids rounds off the volume. Today, when Eurocentricity is being challenged throughout the world, these glimpses into a discipline that focuses on ethnic diversity will be of immense interest. Contributors: John Blacking; Helen Myers; Anthony Seeger; Ter Ellingson; Stephen Blum; Richard Widdess; Tilman Seebass; Genevive Dournon; Judith L. Hanna; Margaret Sarkissian; Krister Malm; Mark Slobin; Shubha Chaudhuri; Bruno Nettl; Jennifer Post; Laurence Libin; Kathryn Vaughn.
Theory for Ethnomusicology
Author: Ruth M. Stone
Publisher: Routledge
Published: 2015-07-14
Total Pages: 391
ISBN-13: 1317343123
DOWNLOAD EBOOKFor courses in ethnomusicological theory. This book covers ethnomusicological theory, exploring some of the underpinnings of different approaches and analyzing differences and commonalities in these orientations. This text addresses how ethnomusicologists have used and applied these theories in ethnographic research.
Music and the Historical Imagination
Author: Leo Treitler
Publisher: Harvard University Press
Published: 1989
Total Pages: 352
ISBN-13: 9780674591295
DOWNLOAD EBOOKLeo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis. In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. His aim is an understanding of the music of the past not only in its own historical context but also as we apprehend it now, and as we assimilate it to our current interests and concerns. He elucidates his views through unique new interpretations of major works from the fifteenth through the twentieth centuries.
Ethnomusicology
Author: Kay Kaufman Shelemay
Publisher: Routledge
Published: 2013-10-28
Total Pages: 473
ISBN-13: 1136509720
DOWNLOAD EBOOKThis anthology of 25 scholarly articles offers a broad historical overview of the history, definition, and scope of ethnomusicology. The essays range from early summaries of the field's subject matter and state of research to later, comprehensive discussions spanning the discipline at large, its intellectual history, and future prospects. Ethnomusicology surveys the field, its methods, philosophy, and goals, and is well-suited for use as an introductory text. SPECIAL FEATURES The study of non-Western, or world music, which is the subject of this anthology, is currently one of the hottest areas in music education * Covers key historical, methodological, and theoretical topics from the early part of the century to the mid-1980s, providing a scholarly overview to research topics. * Collects in a single volume articles that come from a wide variety of sources. Suitable for Courses in Ethnomusicology/Multiculturalism in Music, Introduction to Music, Music History, World Music, Cultural and Social Anthropology, Folk Music, and Folklore and Myth.
This Thing Called Music
Author: Victoria Lindsay Levine
Publisher: Rowman & Littlefield
Published: 2015-05-21
Total Pages: 537
ISBN-13: 1442242086
DOWNLOAD EBOOKThe most fundamental subject of music scholarship provides the common focus of this volume of essays: music itself. For the distinguished scholars from the field of musicology and related areas of the humanities and social sciences, the search for music itself—in its vastly complex and diverse forms throughout the world—characterizes the lifetime of reflection and writing by Bruno Nettl, the leading ethnomusicologist of the past generation. This Thing Called Music: Essays in Honor of Bruno Nettl salutes not only a great scholar and beloved teacher, but also a thinker whose search for the meaning and ontology of music has exerted a global influence. Editors Victoria Lindsay Levine and Philip V. Bohlman have gathered essays that represent the many dimensions of musical meaning, addressing some of the most critically important areas of music scholarship today. The social formations of musical communities play counterpoint to analytical studies; investigations into musical change and survival connect ethnography to history, offering a collection of essays that can serve as an invaluable resource for the intellectual history of ethnomusicology. Each chapter explores music and its meanings in specific geographic areas—North and South America, Europe, Asia, and the Middle East—crossing the boundaries of genre, repertory, and style to provide insight into the aesthetic zones of contact between and among the folk, classical, and popular musics of the world. Readers from all disciplines of music scholarship will find in this collection a proper companion in an era of globalization, when the connections that draw musicians and musical practices together are more sweeping than ever. Chapters offer models for detailed analysis of specific musical practices, while at the same time they make possible new methods of comparative study in the twenty-first century, together posing a challenge crucial to all musicians and scholars in search of “this thing called music.”
