Estampes, écoles anciennes... Gravures du XVIIIe et du début du XIXe siècle, en noir, imprimées en couleurs, en sanguine, ou coloriées... Estampes des XIXe et XXe siècles... Artistes de l'Ecole de Nancy, portraits, documents et vues XVIIe, sur la Lorraine, Ecole de Pont Aven, Le Bar de A. Seguin, planches des Bretonneries d'E. Bernard, Marie-José en robe jaune d'H. Matisse, caricatures, métiers, costumes, portraits, cartes et vues de France et de l'étranger

Estampes, écoles anciennes... Gravures du XVIIIe et du début du XIXe siècle, en noir, imprimées en couleurs, en sanguine, ou coloriées... Estampes des XIXe et XXe siècles... Artistes de l'Ecole de Nancy, portraits, documents et vues XVIIe, sur la Lorraine, Ecole de Pont Aven, Le Bar de A. Seguin, planches des Bretonneries d'E. Bernard, Marie-José en robe jaune d'H. Matisse, caricatures, métiers, costumes, portraits, cartes et vues de France et de l'étranger

Author:

Publisher:

Published: 1994

Total Pages:

ISBN-13:

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Silent Stars

Silent Stars

Author: Jeanine Basinger

Publisher: Knopf

Published: 2012-10-17

Total Pages: 799

ISBN-13: 0307829189

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From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin. This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.


Rethinking Boucher

Rethinking Boucher

Author: Melissa Lee Hyde

Publisher: Getty Publications

Published: 2006

Total Pages: 304

ISBN-13: 9780892368259

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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.


Immersion in the Visual Arts and Media

Immersion in the Visual Arts and Media

Author:

Publisher: BRILL

Published: 2015-10-27

Total Pages: 401

ISBN-13: 9004308237

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Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.


Architectural Space in Eighteenth-Century Europe

Architectural Space in Eighteenth-Century Europe

Author: Meredith Martin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 428

ISBN-13: 1351576062

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Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.