Epistemologies of Aesthetics

Epistemologies of Aesthetics

Author: Dieter Mersch

Publisher:

Published: 2015

Total Pages:

ISBN-13: 9783037345917

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"The idea of "art in research" and "research as art" have risen over the past two decades as important critical focuses for the philosophy of media, aesthetics, and art. Of particular interest is how the methodologies of art and science might be merged to create a better conceptual understanding of art-based research. In this book, Dieter Mersch deconstructs and displaces the terminology that typically accompanies the question of the relationship between art and scientific truth. Identifying artistic practices as modes of thought that do not make use of language in a way that can easily be translated into scientific discourse, Mersch advocates for an aesthetic mode of thought beyond the "linguistic turn," a way of thinking that cannot be substituted by any other disciplinary system"--Back cover.


Epistemologies of Aesthetics

Epistemologies of Aesthetics

Author: Dieter Mersch

Publisher: Diaphanes

Published: 2015

Total Pages: 0

ISBN-13: 9783037345214

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Art as research, art-based research, and research as art have become popular issues since the 1990s. This conceptual understanding aims at combining the methods of arts and sciences, but oftentimes falls short of considering the different forms of knowledge that arts and sciences create. This essay investigates the long tradition of the philosophical struggle with and for the epistemological status of the Aesthetic and its relation to scientific truth. Its aim is to deconstruct and displace the common terminology that constitutes this struggle. Furthermore, the purpose of this essay is to identify artistic practice as a mode of thought which does not utilize language in its propositional form and therefore cannot be translated into the discursive strategies of science: an aesthetic mode of thought beyond the linguistic turn and the (self-)understanding of philosophical hermeneutics and post-structuralism, a way of thinking which cannot be substituted by any other system than itself."


The Aesthetic Experience

The Aesthetic Experience

Author: William Davis Furry

Publisher:

Published: 2015-07-01

Total Pages: 176

ISBN-13: 9781330529454

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Excerpt from The Aesthetic Experience: Its Nature, and Function in Epistemology That the epistemological problem is the most urgent in current philosophical discussion is to be inferred from the introduction into the more complete works of Logic and Metaphysics of topics that directly pertain to neither. The preliminary discussions found in such works as Bradley's, Bosanquet's, and Sigwart's Logic are not however psychological precisely, neither are they to be regarded as an indication that Psychology is becoming sufficiently ample in its programme to include what previously was regarded as subject-matter of more or less independent philosophical disciplines. The introductory chapters in the works thus named are rather epistemological than psychological. Paulsen is historically justified in holding that Epistemology arises always as a critical reflection on Metaphysics with which it is, at the first, identified. From Kant and Locke until now the conviction has been growing that knowing precedes being, so that the priority which Metaphysics so long held should be given to Epistemology. The limitations as well as the possibilities of human knowledge are to be sought within the knowing process rather than in some already determined objective existence. Since the time of Locke and Kant, epistemological inquiry has been increasingly to the fore. There was 'constant whetting of the knife' until the time of Lotze, who felt that the whetting process should end and an actual theory of the object of knowledge established. But despite the constant whetting of the knife the conviction will not down that the whetting has not yet been sufficiently done. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Art Theory as Visual Epistemology

Art Theory as Visual Epistemology

Author: Harald Klinke

Publisher: Cambridge Scholars Publishing

Published: 2014-06-26

Total Pages: 155

ISBN-13: 1443862517

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How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.


The Aesthetic Experience

The Aesthetic Experience

Author: William Davis Furry

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781019104903

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Aesthetic Experience

The Aesthetic Experience

Author: William Davis Furry

Publisher: Palala Press

Published: 2015-11-20

Total Pages: 176

ISBN-13: 9781347035238

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.