Return of the Epic Film

Return of the Epic Film

Author: Andrew Elliot

Publisher: Edinburgh University Press

Published: 2015-03-05

Total Pages: 241

ISBN-13: 1474402852

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With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain unanswered. Why did the epic come back, and why did it fall out of fashion? Are these the same kinds of epics as the 1950s and 60s, or are there aesthetic differences? Can we treat Kingdom of Heaven, 300 and Thor indiscriminately as one genre? Are non-Western histories like Hero and Mongol epics, too? Finally, what precisely do we mean when we talk about the return of the epic film, and why are they back? The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.


Holding the Line

Holding the Line

Author: Thomas McKelvey Cleaver

Publisher: Bloomsbury Publishing

Published: 2019-03-21

Total Pages: 357

ISBN-13: 1472831705

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Naval and air power were crucial to the United Nations' success in the Korean War, as it sought to negate the overwhelming Chinese advantage in manpower. In what became known as the 'long hard slog', naval aviators sought to slow and cut off communist forces and support troops on the ground. USS Leyte (CV-32) operated off Korea in the Sea of Japan for a record 93 continuous days to support the Marines in their epic retreat out of North Korea, and was crucial in the battles of the spring and summer of 1951 in which the UN forces again battled to the 38th Parallel. All of this was accomplished with a force that was in the midst of change, as jet aircraft altered the entire nature of naval aviation. This paperback edition of Holding the Line chronicles the carrier war in Korea from the first day of the war to the last, focusing on front-line combat, while also describing the technical development of aircraft and shipboard operations, and how these all affected the broader strategic situation on the Korean Peninsula.


Doniphan's Epic March

Doniphan's Epic March

Author: Joseph G. Dawson

Publisher:

Published: 1999

Total Pages: 352

ISBN-13:

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In 1846-1847, a ragtag army of 800 American volunteers marched 3,500 miles across deserts and mountains, through Indian territory and into Mexico. There they handed the Mexican army one of its most demoralizing defeats and helped the United States win its first foreign war. Their leader Colonel Alexander Doniphan, also a volunteer, was a "natural soldier" of towering stature who became a national hero in the wake of his wartime exploits. Doniphan was a small-town Missouri lawyer untrained in military matters when he answered President Polk's call for volunteers in the war with Mexico. Working from a host of primary sources, Joseph Dawson focuses on Doniphan's extraordinary leadership and chronicles how the colonel and his 1st Missouri Mounted Regiment helped capture New Mexico and went on to invade Chihuahua. Contending with wildfires, sandstorms, poor provisions, and the threat of attack from Apaches, they eventually came face-to-face with the formidable cannon and cavalry of a much larger Mexican force. Yet, at the Battle of Sacramento, these hardy volunteers outflanked General Jose Heredia's army and claimed a stunning American victory on foreign soil. Dawson explores and analyzes the many facets of Doniphan's exploits, from the decision to proceed to Chihuahua in the wake of the Taos Revolt to the tactics that shaped his victory at Sacramento, describing that battle in heart-stopping detail. He tells how Doniphan's legal expertise enabled him to supervise America's first military government administering a conquered land at Santa Fe and highlights Doniphan's remarkable cooperation with U.S. Army officers at a time when antagonism typified relationships between volunteers and regulars. He also introduces readers to other key personalities of the campaign, from fellow officers Stephen W. Kearny and Meriwether L. Clark to James Kiker, the controversial scout whom Doniphan reluctantly trusted. Dawson's thorough account captures the expansionist mood of America in the mid-nineteenth century and helps us understand how American soldiers were motivated by the idea of Manifest Destiny. His portrait of Doniphan and his troops reinforces the importance of the citizen-soldier in American history and provides a new window on the war that changed forever the hopes and dreams of our border nations.


Archie's Rivals in Teen Comics, 1940s-1970s

Archie's Rivals in Teen Comics, 1940s-1970s

Author: Michelle Nolan

Publisher: McFarland

Published: 2020-05-22

Total Pages: 267

ISBN-13: 1476639760

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This is the first book to comprehensively examine the multitude of non-Archie teen humor comic books, including girls and boys such as Patsy Walker, Hedy Wolfe, Buzz Baxter and Wendy Parker from Marvel; Judy Foster, Buzzy, Binky and Scribbly from DC; Candy from Quality Comics; and Hap Hazard from Ace Comics. It covers, often for the first time, the history of the characters, who drew them, why (or why not) they succeeded as rivals for the Archie Series, highlights of both unusual and typical stories and much more. The author provides major plotlines and a history of the development of each series. Much has been written about the Archie characters, but until now very little has been told about most of their many comic book competitors.


To The Last Round

To The Last Round

Author: Andrew Salmon

Publisher: Aurum

Published: 2010-04-25

Total Pages: 280

ISBN-13: 1845138317

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NEW PAPERBACK EDITION ‘Salmon’s vivid use of recollections and dramatic quotes brings alive an unjustly forgotten conflict’ Time Out With even World War II now just on the edges of living memory, and with British forces now engaged in a lengthy, brutal and attritional old-fashioned war in Afghanistan, historical attention is starting to turn to the Korean War of the early 1950s. And remarkably, the most notorious and celebrated battle in that conflict, from a British point of view, has never previously been written about at length. Andrew Salmon’s book, which has garnered excellent reviews and sold out two hardback printings already, has filled that gap. This is the story of the Battle of the Imjin River, when the British 29th Infantry Brigade, and above all the “Glorious Glosters” of the Gloster Regiment, fought an epic last stand against the largest communist offensive of the war. It lasted three days, of bitter hand-to-hand combat. By the end of it one battalion of the Glosters – some 750 men – had been reduced to just 50 survivors. Andrew Salmon’s definitive history, which gained excellent reviews in hardback and sold very steadily, is very much in the Antony Beevor mould: accessible, pacy, narrative, and painting a moving and exciting picture through the extensive use of eyewitness accounts of veterans, of whom he has tracked down and interviewed dozens. Andrew Salmon is a Seoul-based journalist who writes for The Times, The Washington Times, and Forbes magazine. He first became fascinated by the battle in 2001 when he met British veterans returning to the Imjin River to mark the 50th anniversary.


High Tide in the Korean War

High Tide in the Korean War

Author: Leo Barron

Publisher: Stackpole Books

Published: 2015-11-15

Total Pages: 338

ISBN-13: 0811762831

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By early 1951, American forces and their UN allies had been driven more than 100 miles down the Korean peninsula by the Chinese. The situation was bleak when Gen. Matthew Ridgway ordered a last stand at the village of Chipyong-ni. There a single regiment (the 23rd Infantry) of fewer than 5,000 U.S. soldiers defeated a Chinese division of 25,000 men in what has been called the Gettysburg of the Korean War.


Writing through Jane Crow

Writing through Jane Crow

Author: Ayesha K. Hardison

Publisher: University of Virginia Press

Published: 2014-05-13

Total Pages: 381

ISBN-13: 0813935946

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In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregation—a time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movement—black writers also addressed the effects of "Jane Crow," the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson. By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women’s writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era. A 2014 CHOICE Outstanding Academic Title


Ballet in the Cold War

Ballet in the Cold War

Author: Anne Searcy

Publisher: Oxford University Press

Published: 2020-04-01

Total Pages: 199

ISBN-13: 0190945117

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In 1959, the Bolshoi Ballet arrived in New York for its first ever performances in the United States. The tour was part of the Soviet-American cultural exchange, arranged by the governments of the US and USSR as part of their Cold War strategies. This book explores the first tours of the exchange, by the Bolshoi in 1959 and 1962, by American Ballet Theatre in 1960, and by New York City Ballet in 1962. The tours opened up space for genuine appreciation of foreign ballet. American fans lined up overnight to buy tickets to the Bolshoi, and Soviet audiences packed massive theaters to see American companies. Political leaders, including Khrushchev and Kennedy, met with the dancers. The audience reaction, screaming and crying, was overwhelming. But the tours also began a series of deep misunderstandings. American and Soviet audiences did not view ballet in the same way. Each group experienced the other's ballet through the lens of their own aesthetics. Americans loved Soviet dancers but believed that Soviet ballets were old-fashioned and vulgar. Soviet audiences and critics likewise appreciated American technique and innovation but saw American choreography as empty and dry. Drawing on both Russian- and English-language archival sources, this book demonstrates that the separation between Soviet and American ballet lies less in how the ballets look and sound, and more in the ways that Soviet and American viewers were trained to see and hear. It suggests new ways to understand both Cold War cultural diplomacy and twentieth-century ballet.