Eli’s New Clothes By: Kerri Mullen This is a gentle story about gender identity and self-expression. When Chloe leaves for school one morning, she leaves her three favorite dolls having tea. The dolls come alive, and one doll shares that they don’t feel comfortable in their puffy pink dress and sparkly shoes. The other dolls help them find more comfortable clothing in the toy bin, while discussing how being a true friend is about supporting and accepting others. It is an inspiring story about being your authentic self, kindness, and friendship.
Eli Michaels is the school "goody two-shoes." As the son of a well-known pastor, Eli is expected to do the right thing at all times. But when Eli tries out for the football team, he's expected to go along with team traditions. And one of the traditions means breaking school rules and defacing school property. Will Eli try to break out of his goody two-shoes role to join the team?
Eli,Ely - a San Francisco dramedy of sex, tears, and a life lived in not-so-quiet desperation Unstable, struggling writer, Eli Trocchi is in a relationship with serious grad student, Jennifer Ely. Friends speculate they hooked-up to say their own names during sex. In this tragicomedy, Miss Ely breaks up with Eli the same week he is fired from a sales job. Humiliated, the writer proceeds to have a meltdown both hilarious and sad, reflecting upon a lifetime of bad decisions, abject failure and vivid experiences. Through Eli, we discover another San Francisco, one as eccentric and deeply flawed as the character himself.
In his timely YA debut, a best-selling novelist revisits a summer of tumult and truth for a young narrator and his war-torn family. Bicentennial fireworks burn the sky. Bob Seger growls from a transistor radio. And down by the river, girls line up on lawn chairs in pursuit of the perfect tan. Yet for ten-year-old Eli Book, the summer of 1976 is the one that threatened to tear his family apart. There is his distant mother; his traumatized Vietnam vet dad; his wild sister; his former warprotester aunt; and his tough yet troubled best friend, Edie, the only person with whom he can be himself. As tempers flare and his father’s nightmares rage, Eli watches from the sidelines, but soon even he cannot escape the current of conflict. From Silas House comes a tender look at the complexities of childhood and the realities of war -- a quintessentially Southern novel filled with music, nostalgic detail, a deep respect for nature, and a powerful sense of place.
First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare's exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.
“Lindqvist’s short stories pack the same emotional punch as his novels. . . . excellent . . . well worth reading—just not alone in a cold, dark house.” —Booklist A classic short story collection from the writer called Sweden's Stephen King that continues the breathtaking story begun in the internationally acclaimed classic Let the Right One In Because of the two superb films made of John Ajvide Lindqvist's vampire masterpiece Let the Right One In, millions of people around the world know the story of Oskar and Eli and of their final escape from Blackeberg at the end of the novel. Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. “Let the Old Dreams Die” is not the only stunner in this collection. In “Final Processing,” Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. ”Equinox” is a story of a woman who takes care of her neighbor's house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today. Praise for John Ajvide Lindqvist: “John Ajvide Lindqvist is a force to reckoned with. Brilliant.” ―MTV.com “Sweden's answer to Stephen King.” ―Daily Mirror (UK)
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught. Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.
ELI'S PRESENT is the story about a trouble middle-aged man who prays for a second chance at life. Upon waking up the next morning, Eli finds himself back in college, but with the wisdom and memories that he had from his previous life. He vows to make the most of this opportunity by making better decisions and correcting many of his past wrongs.
Eli Gottlieb’s previous novel, Now You See Him, was acclaimed by reviewers as “irresistible … moving” (New York Times Book Review), “a triumph…of literary suspense” (Los Angeles Times), and “gorgeous” (USA Today). With The Face Thief, he returns with a driving, compulsively readable novel that probes the wellsprings of human greed and loyalty beset by temptation. Gottlieb introduces the mystery of the charismatic Margot, a promising journalist who morphs—with stunning panache—from a high-achieving affluent twentysomething into a grifter making her living preying on the weaknesses of men. Having studied the ancient Chinese art of face reading, she becomes an expert at reading people and is also able to rearrange her look and persona with uncanny skill to fit any social situation. She is an avenging angel, shattering marriages and draining bank accounts. What drives her quest to deceive and disarm? Exploring this question, The Face Thief moves fluidly forward and back in time, drawing vivid portraits of Margot’s rocky childhood and her adult victims: an amiable, newly married man enticed into a catastrophic fraud; an esteemed teacher outwitted by his most dangerous student; and a well-meaning New York City cop tripped up by his belief in redemption. Ingeniously constructed and exquisitely written, The Face Thief swirls a hypnotic dance of predator and prey, creating a contemporary landscape where the educated are violent, the beautiful ugly, and the well-intentioned hapless. And yet we never give way to despair, because the protagonists of the book push back against the maelstrom and attempt tirelessly to right their toppled lives. Rich in suspense, psychological depth, and nuance, The Face Thief confirms Gottlieb’s standing as “a master” (Denver Post) and, in the words of essayist Phillip Lopate, “an enthralling stylist who[se] . . . characters are shockingly, electrically alive.”
Ten-year-old Eli Hawkins watches from his hiding place in a creek bed as his parents are massacred by Paiute Indians and Mormon militia at Mountain Meadows, Utah; his six-year-old sister is taken by the marauders. The massacre, a black mark in Mormon history, is not talked about and almost buried until it is learned that one of the potential victims escaped the tragedy and is seeking revenge, as well as the whereabouts of one of the infant survivors. As Eli continues his quest to locate his sister, he opens the wounds of denial and potentially exposes the Mormon participants in the massacre. Framed by the second largest silver strike in Pioche, Nevada, the Mormons, the miners, and the Paiutes play an integral role in this tragic incident and in the history of southern Utah, eastern Nevada, and northern Arizona.
