An exhaustive analysis of political and economic change right through the sequence of Maya civilization, based on the direct evidence of chipped stone assemblages from a wide variety of contexts in two regions. The acquisition of raw materials, the production of tools, and the use of tools are all fully considered for what they can tell us about long-distance political and economic relations and local economic organization. An unexpected bonus of the study was information on the use of chipped stone in warfare. The full dataset is provided electronically. Complete text in English and Spanish.
The ancient Maya created one of the most studied and best-known civilizations of the Americas. Nevertheless, Maya civilization is often considered either within a vacuum, by sub-region and according to modern political borders, or with reference to the most important urban civilizations of central Mexico. Seldom if ever are the Maya and their Central American neighbors of El Salvador and Honduras considered together, despite the fact that they engaged in mutually beneficial trade, intermarried, and sometimes made war on each other. The Maya and Their Central American Neighbors seeks to fill this lacuna by presenting original research on the archaeology of the whole of the Maya area (from Yucatan to the Maya highlands of Guatemala), western Honduras, and El Salvador. With a focus on settlement pattern analyses, architectural studies, and ceramic analyses, this ground breaking book provides a broad view of this important relationship allowing readers to understand ancient perceptions about the natural and built environment, the role of power, the construction of historical narrative, trade and exchange, multiethnic interaction in pluralistic frontier zones, the origins of settled agricultural life, and the nature of systemic collapse.
A vibrant, oversized hardcover showcasing the concept and production art from the beautiful Netflix series by visionary animator and filmmaker, Jorge R. Gutierrez. Meet Maya, the eagle-warrior princess and all the dazzling characters that breathe life into lush and detailed landscapes magically inspired by Mesoamerican, Incan, and Caribbean cultures. Behold the original vision for the series taken from early sketches to final animated wonders, with detailed storyboards, color scripts, and in-depth, bilingual (English and Spanish) commentary. Welcome to the vivid world of Maya and the Three! Bilingual Captions in English and Spanish.
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.
