As among men Krishna baffles our understanding, so does Draupadi among women. And how the critics look at Draupadi says more about the critics themselves than about Draupadi. What we see in others is only a reflection; others only serve as mirrors to us. We see in others only that which we want to see; in fact, we see what we are. We do nothing but project ourselves on the world. It is difficult to understand Draupadi. But our difficulty does not come from this great woman, it really emanates from us. Our ideas and beliefs, our desires and hopes come in our way of understanding Draupadi.
Krishna is utterly incomparable, he is so unique. Firstly, his uniqueness lies in the fact that although Krishna happened in the ancient past he belongs to the future, is really of the future. Man has yet to grow to that height where he can be a contemporary of Krishna’s. He is still beyond man’s understanding; he continues to puzzle and battle us. Only in some future time will we be able to understand him and appreciate his virtues. And there are good reasons for it.
The life of a princess raised by a loving father and three doting brothers would seem like a bed of roses to any woman. But born out of sacred fire, Draupadi is no ordinary woman, and her destiny cannot be to walk the beaten path. Witnessing estrangement and betrayal within her own family makes her perceptive and intuitive beyond her years. A complicated marital relationship, a meteoric rise and a fateful loss, humiliation unheard of and a pledge of revenge, all culminating in a bloody warher o
An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design.
I knew there was nothing poetic about death. I knew not that the most horrific battles are fought off the battlefield. Arjun: The idealist in a non-ideal world; the warrior whose deadliest opponent was his conscience. History forgot his voice, but misquoted his silence. My self-esteem originates from me and ends in me. Why does your honor depend on me? Find your own. Draupadi: The untamed tigress, the fragrant flame, the unbridled spirit. Power does not justify sin. Power is not virtue. Virtue is that which lasts in spite of power. Krishn: The enigma whose unique ideology churned the battlefield into a quest for Truth. The Missile …The Trajectory … The Vision. The trio that makes for the core of The Mahabharata (Indian Epic). This is their saga. Insightful, visceral and candid. Find ‘other’ famous Arjuns; compare Arjun vis-a-vis Achilles and Alexander; Explore Myths of Mahabharata. All this and much more in ‘Arjun: Without A Doubt’. First published in 2015 by Leadstart Publishing Pvt. Ltd. Genre: Epic/ Indian Mythology/ History/ Fiction Website: http://sweetyshinde.wordpress.com
Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.
Avinash Patra, Sr. provide a new idea of immense many-sided many-staged provision for a spiritual self-building and self-finding, it had some right to speak of itself by the only name it knew, the eternal religion, sanâtana dharma. It is only if we have a just and right appreciation of this sense and spirit of Indian religion that we can come to an understanding of the true sense and spirit of Indian culture.
Irawati Karve studies the humanity of the Mahabharata`s great figures, with all their virtues and their equally numerous faults. Sought out by an inquirer like her, whose view of life is secular, scientific, anthropological in the widest sense, yet appreciative of literary values, social problems of the past and present alike, and human needs and responses in her own time and in antiquity as she identifies them... Seen through her eyes the Mahabharata is more than a work which Hindus look upon as divinely inspired, and venerate. It becomes a record of complex humanity and a mirror to all the faces which we ourselves wear.
The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10- volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. The fourth volume of the Mahabharata includes Virata Parva and almost all of Udyoga Parva. It describes the Pandavas thirteenth year of exile which they spend in disguise in King Virata s court. When, during their stay, the Kouravas and Trigartas invade Matsya to rob Virata of his cattle, the Pandavas defeat them in battle. With the period of banishment over, the Pandavas ask to be returned their share of the kingdom. This is refused and Udyoga Parva recounts the preparations for the inevitable war. Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
The Mahabharat is renowned for its great battles, heroic men, and gods walking the pathways of mortals. However, the beating heart of the epic is often forgotten-the stories of its women. Many of these exceptional women appear in Song of Draupadi-the indomitable Satyavati, the otherworldly Ganga, the indestructible Kunti, and the tenacious Gandhari-but the passionate and fiery Draupadi rises above them all to grip the imagination of the reader. Born of a dangerous sacrifice, Draupadi and her brother Drishtadumna are called forth to avenge Drona's insult to their father. While Drishtadumna is expected to kill Drona on the battlefield, Draupadi's role is not set out, but she dreams of fire and blood. From beloved daughter and princess of Panchala to wife of the brave Pandavas and queen of Indraprastha, Draupadi finds herself exiled to the forest, humiliated and determined on vengeance. The novel is a symphony, in several keys, of her voice and those of the other women around her-arguing, pleading, reasoning, and often raised in righteous anger. The title masterfully retells the story of Draupadi, one of the most memorable characters from the epic Mahabharat. Song of Draupadi champions the voices of the exceptional women of Mahabharat. Ira Mukhoty is the author of bestselling titles addressing the erasure of women from mythology and history.
