In this first translation in book form of his work, Latin American social commentator Carlos Monsivais presents an extraordinary chronicle of contemporary life south of the Rio Grande, ranging over subjects as various as Latino hip hop, Dolores del Rio, boleros, and melodrama. Monsivais's chronicles are laconic and satirical, taking as a constant theme the conflicts between Mexican and North American culture and between modern and traditional ways of life.
Dance and the Hollywood Latina asks why every Latina star in Hollywood history began as a dancer or danced onscreen. Introducing the concepts of ""inbetween-ness"" and ""racial mobility"" to further illuminate how racialized sexuality and the dancing female body operate in film, this book focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez and helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.
A pioneering work from a visionary anthropologist, The Children of Sanchez is hailed around the world as a watershed achievement in the study of poverty—a uniquely intimate investigation, as poignant today as when it was first published. It is the epic story of the Sánchez family, told entirely by its members—Jesus, the 50-year-old patriarch, and his four adult children—as their lives unfold in the Mexico City slum they call home. Weaving together their extraordinary personal narratives, Oscar Lewis creates a sympathetic but ultimately tragic portrait that is at once harrowing and humane, mystifying and moving. An invaluable document, full of verve and pathos, The Children of Sanchez reads like the best of fiction, with the added impact that it is all, undeniably, true.
MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema
Acclaimed author Alex Espinoza, whose writing Lisa See has called “fresh, magical, beautiful, and evocative,” returns with a captivating, unforgettable novel set in Hollywood’s Golden Age, as a gifted and determined young man leaves Mexico—and everything he’s ever known—to follow his dreams. Growing up in a rural village at the height of the Mexican Revolution, Diego León has many first loves: singing, dancing, and hearing the stories of his ancestors, the P’urhépecha. But when tragedy strikes, young Diego is sent to the city to live with his aristocratic grandparents, who insist he forget his roots and groom him to take over the family business. Under pressure to enter a profession—and a life—he cares nothing for, and haunted by the violence once again erupting all around him, Diego flees his war-torn country to forge his own destiny. Diego arrives in Hollywood in 1927, when silent films are giving way to talkies, Prohibition is in full swing, and “Latin lover” types are sought out even as they are looked down upon. Working his way up in the movie business with talent and ingenuity, Diego soon figures out that getting one’s face on the silver screen has as much to do with what goes on behind the camera as what goes on in front of it. But the closer Diego comes to stardom, the more he finds that the past is not so easily escaped, as he is drawn again and again to the painful legacy of history and the wounds of his homeland. A sweeping, sensual novel of love, ambition, and identity, The Five Acts of Diego León bears all the marks of a classic Hollywood story: romance, betrayal, glamour, and an underdog hero to root for till the end. “An elegant, startling vision of a Mexican in America, The Five Acts of Diego León proclaims the ascendance of a unique new talent, Alex Espinoza—a Chicano in America certain to surpass the fame of his novel’s silent Hollywood hero. Espinoza takes our literature from a mute, black-and-white era to a national stage with full-spectrum color, in high-tech surround sound.”—Dagoberto Gilb, author of Before the End, After the Beginning
Heroes, Lovers, and Others tells the fascinating history of Latino actors in American film from the silent era to today. Rodriguez examines such Latino legends as Desi Arnaz, Dolores del Rio, Rita Hayworth, Raquel Welch, Anthony Quinn, Selma Hayek, and Antonio Banderas. More than just a collection of celebrity stories, the book explores the attitudes, cultural conditions, and assumptions that influenced the portrayal of Latinos in film as well as their reception by the public. Heroes, Lovers, and Others is a comprehensive volume packed with carefully researched information and analysis for both students and cinema enthusiasts alike.
