The New York Market for French Art in the Gilded Age, 1867–1893
The New York Market for French Art in the Gilded Age, 1867–1893

Author: Leanne M. Zalewski

Publisher: Bloomsbury Publishing USA

Published: 2022-12-15

Total Pages: 372

ISBN-13: 1501358324

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This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.

New York: Art and Cultural Capital of the Gilded Age
New York: Art and Cultural Capital of the Gilded Age

Author: Margaret R. Laster

Publisher: Routledge

Published: 2018-08-06

Total Pages: 273

ISBN-13: 1351027565

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Fueled by a flourishing capitalist economy, undergirded by advancements in architectural design and urban infrastructure, and patronized by growing bourgeois and elite classes, New York’s built environment was dramatically transformed in the 1870s and 1880s. This book argues that this constituted the formative period of New York’s modernization and cosmopolitanism—the product of a vital self-consciousness and a deliberate intent on the part of its elite citizenry to create a world-class cultural metropolis reflecting the city’s economic and political preeminence. The interdisciplinary essays in this book examine New York’s late nineteenth-century evolution not simply as a question of its physical layout but also in terms of its radically new social composition, comprising the individuals, institutions, and organizations that played determining roles in the city’s cultural ascendancy.

The Opulent Interiors of the Gilded Age
The Opulent Interiors of the Gilded Age

Author: Arnold Lewis

Publisher: Courier Corporation

Published: 2016-06-23

Total Pages: 193

ISBN-13: 0486319474

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Best source of information and illustrations for private houses in Eastern cities during the early 1880s. Rare photographs of mansions belonging to Vanderbilt, Morgan, Grant, and many others. Extensive, informative new text.

Report
Report

Author: National Endowment for the Humanities

Publisher:

Published:

Total Pages: 668

ISBN-13:

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"Artistic Furniture of the Gilded Age"

Author: Alice Cooney Frelinghuysen

Publisher: Metropolitan Museum of Art

Published: 2016-01-04

Total Pages: 48

ISBN-13: 1588395839

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This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.

Collecting in the Gilded Age
Collecting in the Gilded Age

Author: Gabriel P. Weisberg

Publisher:

Published: 1997

Total Pages: 456

ISBN-13:

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The family names of Byers, Lockhart, Porter, Watson, Peacock, Oliver, and Thaw stand out among those collectors whose prized paintings have been dispersed over the decades, leaving behind mere hints of Pittsburgh's active role in the international art market.

Monet and Chicago
Monet and Chicago

Author: Gloria Groom

Publisher: Yale University Press

Published: 2020-09-08

Total Pages: 149

ISBN-13: 0300250835

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The catalogue of the sold-out exhibition at the Art Institute of Chicago, a rich and unprecedented exploration of Chicago’s embrace of Claude Monet’s modernism "Monet and Chicago is a stunner."—The Chicago Tribune (exhibition review) In 1903, the Art Institute of Chicago became the first American museum to buy a painting by Claude Monet (1840–1926), beginning a tradition of collecting that has inextricably connected this midwestern city to the French Impressionist master. Tracing Chicago’s unique relationship with the artist, this generously illustrated volume not only features well-known works in the Art Institute’s holdings, such as the six Stacks of Wheat paintings and four Water Lilies, but also includes works on paper and rarely seen still lifes, landscapes, and photographic material from private Chicago collections. Stunning reproductions of details at actual size, a delightful essay by Adam Gopnik, and a richly illustrated chronology combine to reveal the depth of the city’s continuing devotion to an adopted artistic hero.