The Church of Jesus Christ of Latter-day Saints (LDS or Mormons), often heralded as the fastest growing religion in American history, is facing a crisis of apostasy. Rather than strengthening their faith, the study of church history and scriptures by many members pushes them away from Mormonism and into a growing community of secular ex-Mormons. In Disenchanted Lives, E. Marshall Brooks provides an intimate, in-depth ethnography of religious disenchantment among ex-Mormons in Utah. Showing that former church members were once deeply embedded in their religious life, Brooks argues that disenchantment unfolds as a struggle to overcome the spiritual, social, and ideological devotion ex-Mormons had to the religious community and not out of a lack of dedication as prominently portrayed in religious and scholarly writing on apostasy.
Leads scholars and anyone who cares about the humanities into more effectively analyzing the fate of the humanities and digging into the very idea of the humanities as a way to find meaning and coherence in the world. The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show, this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. ,
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
Wolfgang Schivelbusch tells the story of the development of artificial light in the nineteenth century. Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subjects including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.
When we're young, it's easy to believe in the supernatural. But as we grow older, even as Christians who believe in the resurrection, we live as if reality is merely what we can see. Mike Cosper has discovered disciplines that awaken the possibility of living again in an enchanted world. With thoughtful practices woven throughout, this book will feed your soul and help you recapture the wonder of your Christian walk.
This companion to Grounded combines humor, revolution, magic, and romance for the most delightful "Cinderella" retelling since Ella Enchanted. Ella Coach has one wish: revolution. Her mother died working in a sweatshop, and Ella wants every laborer in the Blue Kingdom to receive fairer treatment. But to make that happen, she'll need some high-level support...Prince Dash Charming has one wish: evolution. The Charming Curse forced generations of Charming men to lie, cheat, and break hearts -- but with the witch Envearia's death, the curse has ended. Now Dash wants to be a better person, but he doesn't know where to start...Serge can grant any wish -- and has: As an executive fairy godfather, he's catered to the wildest whims of spoiled teenagers from the richest, most entitled families in Blue. But now a new name has come up on his list, someone nobody's ever heard of... Ella Coach.This is a story about three people who want something better and who together find the faith to change their worlds. It's "Cinderella," brilliantly reimagined, and a delightful expansion of the wonderful world of Tyme.
She hates her family. He's hiding behind his teenage sex life. They form a band as an escape. On tour, can they start over....or will all secrets come out on the open road? Carla Bucchio never cared about things like boyfriends and SATs. If she did, maybe life at 20 would be more exciting than developing photos on Long Island. When she chooses the guitar over a social life, it only makes sense because no one talks to her anyway. Music may be Pete Albrecht's life but what good is his talent if he has no one to share it with? When he's not getting bitched about coffee at work, he's getting nagged about college by his girlfriend. What would they say if they really knew about him? At the outset of the new millennium where boy bands and backup dancers have saturated pop culture, the two college dropouts start a rock band. Despite his girlfriend's manipulations and her mother's drunken disapproval, they form a secret connection through the music. Before heading out on their cross-country tour, tragedy turns the world upside down forcing them to decide if the band is just a teenage dream or their gateway to freedom...and to each other? Slanted and Disenchanted is the provocative first book in Lisa Czarina Michaud's coming-of-age Disenchanted series. Told with wry humor with nostalgic 90's undertones, it's High Fidelity meets Moxie that explores sexual tension in friendships, the confusion of adulting, the love and chaos of family....and the soundtracks that get us through it all. Readers of Moxie by Jennifer Mathieu, Girl by Blake Nelson, and Nick and Nora's Infinite Playlist by Rachel Cohn and David Levithan will fall for Slanted and Disenchanted! Jump on tour today!
Marcel Gauchet has launched one of the most ambitious and controversial works of speculative history recently to appear, based on the contention that Christianity is "the religion of the end of religion." In The Disenchantment of the World, Gauchet reinterprets the development of the modern west, with all its political and psychological complexities, in terms of mankind's changing relation to religion. He views Western history as a movement away from religious society, beginning with prophetic Judaism, gaining tremendous momentum in Christianity, and eventually leading to the rise of the political state. Gauchet's view that monotheistic religion itself was a form of social revolution is rich with implications for readers in fields across the humanities and social sciences. Life in religious society, Gauchet reminds us, involves a very different way of being than we know in our secular age: we must imagine prehistoric times where ever-present gods controlled every aspect of daily reality, and where ancestor worship grounded life's meaning in a far-off past. As prophecy-oriented religions shaped the concept of a single omnipotent God, one removed from the world and yet potentially knowable through prayer and reflection, human beings became increasingly free. Gauchet's paradoxical argument is that the development of human political and psychological autonomy must be understood against the backdrop of this double movement in religious consciousness--the growth of divine power and its increasing distance from human activity. In a fitting tribute to this passionate and brilliantly argued book, Charles Taylor offers an equally provocative foreword. Offering interpretations of key concepts proposed by Gauchet, Taylor also explores an important question: Does religion have a place in the future of Western society? The book does not close the door on religion but rather invites us to explore its socially constructive powers, which continue to shape Western politics and conceptions of the state.
A Breton princess at the peak of the French Renaissance, Lilac lives prisoner in her parents' castle after a wicked secret is revealed on the eve of her tenth birthday soirée. Years later, her coronation ceremony looms, and between the riotous townsfolk and scheming nobleman bent on snatching the throne, Lilac prepares for the worst... Until a mysterious letter arrives from The Witch of Lupine Grotto, detailing a curious offer to cure her darkness forever. Lilac begrudgingly trades her coronet for a cloak and ventures into the forest Brocéliande in pursuit of the impious enchantress at the edge of town. With only the protection of an inherited dagger-and unsolicited help of the sardonic stranger who inserts himself on her quest-she must traverse Brocèliande and return in time to claim her rightful position as sovereign monarch. This is the story of a cursed princess, A crestfallen killer, The town that wants them to burn, And the witch that can save them both.
Disenchanted Wanderer is the first comprehensive English-language study in over half a century of the life and ideas of Konstantin Nikolaevich Leontiev (1831–1891), one of the most important thinkers in nineteenth-century Russia on political, social, and religious matters. Glenn Cronin gives the reader a broad overview of Leontiev's life and varied career as novelist, army doctor, diplomat, journalist, censor, and, late in life, ordained monk. Reviewing Leontiev's creative work and his writing on aesthetics and literary criticism—notable figures such as Belinsky, Turgenev, Gogol, Dostoevsky, and Tolstoy appear—Cronin goes on to examine Leontiev's sociopolitical writing and his theory of the rise and fall of cultures and civilizations, placing his thought in the context of his contemporaries and predecessors including Hegel, Herzen, and Nietzsche, as well as Danilevsky, Pobedonostsev, and other major figures in Slavophile and Russian nationalist circles. Cronin also examines Leontiev's religious views, including his ascetic brand of Orthodoxy, informed by his experiences of the monastic communities of Mount Athos and OptinaPustyn, and his late attraction to Roman Catholicism under the influence of the theologian Vladimir Solovyev. Disenchanted Wanderer concludes with a review of Leontiev's prophetic vision for the twentieth century and his conviction that, after a period of wars, socialism would triumph under the banner of a new Constantine the Great. Cronin considers how far this vision foretold the rise to power of Joseph Stalin, an aspect of Leontiev's legacy that previously had not received the attention it merits. Elevating Leontiev to his proper place in the Russian literary pantheon, Cronin demonstrates that the man was not, as is often maintained, an amoralist and a political reactionary but rather a deeply moral thinker and a radical conservative.
