Dionysus Since 69
Dionysus Since 69

Author: Edith Hall

Publisher: OUP Oxford

Published: 2004-01-08

Total Pages: 500

ISBN-13: 019155541X

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Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

The Ancient Dancer in the Modern World
The Ancient Dancer in the Modern World

Author: Fiona Macintosh

Publisher: Oxford University Press

Published: 2010

Total Pages: 534

ISBN-13: 0199548102

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The first systematic study of the impact of ideas about ancient Greek and Roman dance on modern theatrical and choreographic practices. With contributions from experts in a range of fields, the volume presents a wide conspectus on an under-explored but central aspect of classical reception, dance and theatre history, and the history of ideas.

Dionysus Resurrected
Dionysus Resurrected

Author: Erika Fischer-Lichte

Publisher: John Wiley & Sons

Published: 2014-01-07

Total Pages: 256

ISBN-13: 1405175788

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Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides’ The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself. Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself The first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play Establishes the importance of The Bacchae within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist

The Dionysian Vision of the World
The Dionysian Vision of the World

Author: Friedrich Nietzsche

Publisher: U of Minnesota Press

Published: 2015-11-01

Total Pages: 50

ISBN-13: 1937561267

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Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.

The Oxford Handbook of Greek Drama in the Americas
The Oxford Handbook of Greek Drama in the Americas

Author: Kathryn Bosher

Publisher: Oxford University Press

Published: 2015-11-05

Total Pages: 1047

ISBN-13: 0191637335

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The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present. The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries. With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, H?ctor Daniel-Levy, and Heron Coelho. This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.

Remembering Dionysus
Remembering Dionysus

Author: Susan Rowland

Publisher: Routledge

Published: 2016-07-28

Total Pages: 202

ISBN-13: 1317209621

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Dionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life. Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine creativity that offers zoe, or rebirth participating in an archetype of instinctual life. This god demands to be honoured inside our knowing and being, just as he (re)joins us to wild nature. This revealing book will be invigorating reading for Jungian analysts, psychotherapists, arts therapists and counsellors, as well as academics and students of analytical psychology, depth psychology, Jungian and post-Jungian studies, literary studies and ecological humanities.

Dionysos
Dionysos

Author: Richard Seaford

Publisher: Routledge

Published: 2006-08-21

Total Pages: 205

ISBN-13: 1134344503

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Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos – one of the most studied figures of the ancient Greek gods. Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before. As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

Brill's Companion to Euripides (2 vols)
Brill's Companion to Euripides (2 vols)

Author: Andreas Markantonatos

Publisher: BRILL

Published: 2020-08-31

Total Pages: 1227

ISBN-13: 9004435352

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Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.

Machiavelli in Tumult
Machiavelli in Tumult

Author: Gabriele Pedullà

Publisher: Cambridge University Press

Published: 2018-08-30

Total Pages: 305

ISBN-13: 1107177278

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Reconstructs the origins of the idea that social conflict, and not concord, makes political communities powerful.