Here is a fully readable introduction to the basic technologies, infrastructures, costs, and applications for digital audio and video compression. Delivering a concise account of compression's terms, techniques, and tricks in an easy-to-read style, it covers the basic principles underlying digital signal processing and compression; how human beings see and hear; how audio and video are reproduced; all of the existing and emerging compression standards; video and audio compression techniques; and compression and reproduction requirements of different applications, including videoconferencing.
Compression technology has been employed for a long time, but until recently the technology was too complex for everyday applications. However, compression has now reached the stage where it can economically be applied to video and audio systems on a wide scale. This book recognises the wide applications of compression by treating the subject from first principles without assuming any particular background for the reader. An introductory chapter is included which suggests some applications of compression and how it works in a simplified form. In addition a fundamentals chapter contains all of the background necessary to follow the rest of the book. Theory is balanced with a wide range of practical applications in transmission and recording and throughout the book the reader will find notes of caution and outlines of various pitfalls for the unwary. Various descriptions are also included of the kinds of impairments which can result from the misuse of compression. John Watkinson is an independent consultant in digital video, audio and data technology. he is a fellow of the AES and presents lectures, conference papers and training courses worldwide. he is the author of numerous other Focal press books, including the Art of Digital Audio, the Art of Digital Video (both now in their second edition) and The Art of Data Recording, An Introduction to Digital Audio, An Introduction to Digital Video, The Digital Videotape recorder and RDAT. he is also co-author, with Francis Rumsey of The Digital Interface Handbook. covers basic principles no unnecessary mathematics includes a wide range of practical applications
Learn all about Codecs--how they work, as well as design and implementation with this comprehensive, easy-to-use guide to compression. After reading this book, you will be able to prepare and distribute professional audio and video on any platform including streamed to the web, broadcast on-air, stored in PVRs, Burned onto CD-ROMs or DVDs, delivered by broadband, or viewed in Kiosk applications, PDA devices, and mobile phones.
Arch Luther is one of the most respected authorities in this field, and in this comprehensive book he provides engineers with a firm grounding in digital technology for audio and video and shows how to apply it to various fields, including the digitally interactive Internet.
Video compression is not a new process; however, it is forever evolving. New standards, codecs, and ways of getting the job done are continually being created. Newcomers to video compression and seasoned veterans alike need to know how to harness the tools and use them for specific workflows for broadcast, the Web, Blu-rays, set-top boxes, digital cinema, and mobile devices. Here to guide you through the multitude of formats and confusing array of specifications, Andy Beach and Aaron Owen use a practical, straightforward approach to explaining video compression. After covering the fundamentals of audio and video compression, they explore the current applications for encoding, discuss the common workflows associated with each, and then look at the most common delivery platforms. The book includes examples from the authors’ projects as well as recipes that offer a way to define some of the best practices of video compression today. This invaluable resource gives you: proven techniques for delivering video online, or via disc or other devices. clear, straightforward explanations that cut through the jargon. step-by-step instructions for using a wide variety of encoding tools. workflow tips for performing either stand-alone or batch compressions. insight and advice from top compression professionals sprinkled throughout.
"Digital Compression for Multimedia" captures in a single reference the current standards for speech, audio, video, image, fax and file compression. It is intended for engineers and computer scientists designing and implementing compression techniques, system integrators, technical managers, and researchers. The essential ideas and motivation behind the various compression methods are presented and insight is provided into the evolution of the standards.
Achieve professional quality sound on a limited budget! Harness all new, Hollywood style audio techniques to bring your independent film and video productions to the next level. In Sound for Digital Video, Second Edition industry experts Tomlinson Holman and Arthur Baum give you the tools and knowledge to apply recent advances in audio capture, video recording, editing workflow, and mixing to your own film or video with stunning results. This fresh edition is chockfull of techniques, tricks, and workflow secrets that you can apply to your own projects from preproduction through postproduction. New to this edition: A new feature on "true" 24p shooting and editing systems, as well as single vs. double-system recording A strong focus on new media, including mini-DVDs, hard disks, memory cards, and standard and high-definition imagery Discussion of camera selection, manual level control, camera and recorder inputs, location scouting, and preproduction planning Instruction in connectors, real-time transfers, and file-based transfers from DVDs, hard drives, and solid state media. Blu-Ray and HD tape formats for mastering and distribution in addition to file-based, DV, and DVD masters. A revamped companion website, www.focalpress.com/cw/holman, featuring recording and editing exercises, examples and sample tracks Whether you are an amateur filmmaker who wants to create great sound or an advanced professional in need of a reference guide, Sound for Digital Video, Second Edition is an essential addition to your digital audio tool belt.
Described as "the most comprehensive book on digital audio to date", it is widely acclaimed as an industry "bible". Covering the very latest developments in digital audio technology, it provides an thorough introduction to the theory as well as acting as an authoritative and comprehensive professional reference source. Everything you need is here from the fundamental principles to the latest applications, written in an award-winning style with clear explanations from first principles. New material covered includes internet audio, PC audio technology, DVD, MPEG audio compression, digital audio broadcasting and audio networks. Whether you are in the field of audio engineering, sound recording, music technology, broadcasting and communications media or audio design and installation, this book has it all. Written by a leading international audio specialist, who conducts professional seminars and workshops around the world, the book has been road tested for many years by professional seminar attendees and students to ensure their needs are taken into account, and all the right information is covered. This new edition now includes: Internet audio PC Audio technology DVD MPEG Audio compression Digital Audio Broadcasting Audio networks Digital audio professionals will find everything they need here, from the fundamental principles to the latest applications, written in an award-winning style with clear explanations from first principles. John Watkinson is an international consultant in audio, video and data recording. He is a Fellow of the AES, a member of the British Computer Society and a chartered information systems practitioner. He presents lectures, seminars, conference papers and training courses worldwide. He is the author of many other Focal Press books, including: the Kraszna-Krausz award winning MPEG-2; The Art of Digital Audio; An Introduction to Digital Video; The Art of Sound Reproduction; An Introduction to Digital Audio; TV Fundamentals and Audio for Television. He is also co-author, with Francis Rumsey, of The Digital Interface Handbook, and contributor to the Loudspeaker and Headphone Handbook, 3rd edition.
One of the first books on the topic to demystify the various approaches to video compression, this title shows readers how to compress video according to the specific requirements of their projects. It allows them to learn some best practices by following the author's own tips and recipes.
