Non-Commercial digital piracy has seen an unprecedented rise in the wake of the digital revolution; with wide-scale downloading and sharing of copyrighted media online, often committed by otherwise law-abiding citizens. Bringing together perspectives from criminology, psychology, business, and adopting a morally neutral stance, this book offers a holistic overview of this growing phenomenon. It considers its cultural, commercial, and legal aspects, and brings together international research on a range of topics, such as copyright infringement, intellectual property, music publishing, movie piracy, and changes in consumer behaviour. This book offers a new perspective to the growing literature on cybercrime and digital security. This multi-disciplinary book is the first to bring together international research on digital piracy and will be key reading for researchers in the fields of criminology, psychology, law and business.
EBOOK AND PRINT ON DEMAND COPIES ARE AVAILABLE VIA REDSHELF The practice of illegally downloading copyrighted materials continues to spread globally, costing the entertainment industry and governments billions of dollars each year. Why do some people take part in this behavior? Award-winning authors, Dr. George E. Higgins and Dr. Catherine D. Marcum, address this question in Digital Piracy: An Integrated Theoretical Approach. This book provides practitioners working in information technology outside of academia, students, and scholars in multiple disciplines an integrated approach to understanding why this behavior occurs. Drawing from the empirical literature and theories from several disciplines including business, economics, information technology, sociology, law and criminology, this book brings the known facts about digital piracy in America together in one place. This book takes an important step by presenting an integrated theory, derived from the theoretical and research literatures, for understanding digital piracy that provides suggestions for reducing instances of digital piracy behavior. The teacher's manual will be available electronically on a CD or via email. Please contact Beth Hall at [email protected] to request a copy. "Relying on data sources like the Uniform Crime Reports, the National Crime Victimization Survey, and data provided by the Business Software Alliance, and merging economic, sociological, criminological, and information technology and computer science theories of piracy, the authors succeed in showing the prevalence of distinct piracy forms. Moreover, Higgins and Marcum succeed in developing and offering directions to apply an integrated explanatory framework of digital piracy.... Summing Up: Recommended. Upper-division undergraduates and above." -- CHOICE Magazine
This book builds an empirical basis towards creating broader prevention and intervention programs in curbing digital piracy. It addresses the psychosocial, cultural and criminological factors associated with digital piracy to construct more efficient problem-solving mechanisms. Digital piracy including online piracy involves illegal copying of copyrighted materials. This practice costs the software industry, entertainment industry, and governments billions of dollars every year. Reports of the World Intellectual Property Organization (WIPO) and Business Software Alliance (BSA) view piracy largely in the light of economic factors; the assumption being that only those who cannot afford legitimate copies of software, music, and movies indulge in it. Drawing on research and theories from various disciplines like psychology, sociology, criminology, and law, the authors have designed an empirical study to understand the contribution of psychological, cultural and criminological factors to digital piracy. The chapters include data from India and China, which continue to be on the Special 301 report priority watch list of the WIPO, and Serbia, which has been on the watch list 4 times. They examine the role of self-control, self-efficacy, perceived punishment severity, awareness about digital piracy, peer influence, neutralization techniques, novelty seeking, pro-industry factors and other socio-demographic factors in predicting digital piracy. This book addresses a large readership, comprising academics and researchers in psychology, criminology and criminal justice, law and intellectual property rights, social sciences, and IT, as well as policymakers, to better understand and deal with the phenomenon of digital piracy.
The complex world of online piracy and peer-to-peer file sharing is skillfully condensed into an easy-to-understand guide that provides insight into the criminal justice approach to illegal file sharing, while offering guidance to parents and students who have concerns about potential legal action in response to file-sharing activities. While the actual impact of digital piracy is nearly impossible to precisely calculate, the threat of financial damage from illegal peer-to-peer (P2P) file sharing to the world's highest-grossing entertainment firms (and even entire industries!) has garnered attention from government, industry, and academic leaders and criminal justice professionals. Oftentimes, those providing access to computers and file sharing capabilities-parents, schools, libraries-don't know about or understand these activities and, therefore, put themselves and their families at risk for criminal and civil prosecution. This work describes the technological, legal, social, and ethical facets of illegal peer-to-peer file sharing. Geared toward parents, teachers, librarians, students, and any other computer user engaged in file sharing, this book will help readers to understand all forms of traditional and digital copyright violations of protected music, movies, and software. To date over 18,000 P2P users have been sued by the Recording Industry Association of America (RIAA). Most of these users have been college students and parents of high-school students. While word of these law suits are spreading, and many parents fear that their children may be using a family computer to illegally download and share copyrighted works, few supervising adults have the technical knowledge needed to determine whether and to what extent pirating may be occurring via a computer and Internet connection they are legally responsible for. Additionally, while P2P networks are filled with millions of users with billions of copyrighted files, few users understand the ways in which they are illegally using computers and other mobile electronic devices to download protected content. While describing both technical and social issues, this book primarily focuses on the social aspects of illegal file sharing, and provides technical concepts at a general level. Fisk skillfully condenses the complex nature of file sharing systems into an easy-to-understand guide, provides insight into the criminal justice approach to illegal file sharing, and offers guidance to parents and students who have concerns about potential legal action in response to file sharing activities.
Non-Commercial digital piracy has seen an unprecedented rise in the wake of the digital revolution; with wide-scale downloading and sharing of copyrighted media online, often committed by otherwise law-abiding citizens. Bringing together perspectives from criminology, psychology, business, and adopting a morally neutral stance, this book offers a holistic overview of this growing phenomenon. It considers its cultural, commercial, and legal aspects, and brings together international research on a range of topics, such as copyright infringement, intellectual property, music publishing, movie piracy, and changes in consumer behaviour. This book offers a new perspective to the growing literature on cybercrime and digital security. This multi-disciplinary book is the first to bring together international research on digital piracy and will be key reading for researchers in the fields of criminology, psychology, law and business.
Media Piracy in Emerging Economies is the first independent, large-scale study of music, film and software piracy in emerging economies, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia. Based on three years of work by some thirty five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.
Looks at the evolution of digital piracy, discusses how major players in the entertainment industries are working to protect their copyrights, and considers the future of digital content.
Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.
A study of digital piracy - the infringement of copyrighted content such as music, films, software, broadcasts, books, etc. - where the end product does not involve the use of hard media such as CDs or DVDs.
Digital piracy. It's a global war. It touches you every day, even if you've never downloaded an MP3. And it's just begun. It's a war between media conglomerates and teenagers. A battle to the death between billion-dollar tech companies and billion-dollar content providers. It's artists battling artists, nations battling nations. This book covers it all. Every side. All the implications. The economics. The law. The ethics. The players. And above all, the realities, including the extraordinary findings of a new 57-country digital piracy research project and fresh survey and focus group research conducted specifically for this book. The media universe is shaking to its very foundations. One book helps you make sense of what's happened and what's next: Pirates of the Digital Millennium. The war over digital piracy and intellectual property is being fought everywhere on earth. It's the world's #1 technology story. It just might be today's #1 culture and entertainment story, too. Now, best-selling authors John Gantz and Jack Rochester take on the subject from every side: culture, ethics, law, business, even geopolitics. They start with facts, not uninformed opinion: facts drawn from IDC's unprecedented 57-country survey of digital piracy and its impact, as well as fresh focus group and survey research conducted specifically for this book. You'll travel from the streets of Bangkok to the halls of Congress, secret duplicating factories in Paraguay to America's suburban bedrooms. You'll discover what "fair use" really means, then sort through the morality of digital copying. You'll read every side of the debate. You'll also read something unprecedented in debates about piracy: some real, fair solutions. Will big media survive? Can you sue your customers into submission? The cultural impact of strict copyright law Does strict copyright law protect creativity or shackle it? Are we killing our #1 export market? If we can't export creative content, what can we export? DMCA: The secret history Making political sausage: How the Digital Millennium Copyright Act made it through Congress Eliot Ness or the Keystone Kops? Law enforcement versus piracy: shoveling against the tide Through the fog: The future of intellectual property Sensible "grand compromises" that just might work. Publisher.
