Dickens and the Grotesque (Routledge Revivals)
Dickens and the Grotesque (Routledge Revivals)

Author: Michael Hollington

Publisher: Routledge

Published: 2015-08-11

Total Pages: 276

ISBN-13: 1317619714

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First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.

Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)
Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)

Author: Colin Trodd

Publisher: Routledge

Published: 2018-02-01

Total Pages: 348

ISBN-13: 1351044451

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Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.

Routledge Revivals: Barnaby Rudge (1987 )
Routledge Revivals: Barnaby Rudge (1987 )

Author: Thomas Jackson Rice

Publisher: Routledge

Published: 2018-02-01

Total Pages: 248

ISBN-13: 1351047426

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Originally published in 1987 Barnaby Rudge is a comprehensive collection of bibliographical resources surrounding Dickens fifth novel Barnaby Rudge. The book addresses what the author terms, a ‘prevalent lack of research’ surrounding the novel. The collection lists bibliographic references which not only looks at the novel itself, but also covers older resources that interested Dicken’s first critics, such as the originality of the settings and characters. The book’s core focus is examining the novel’s historical subject matter in the context of the social and political context in which it was written. The book acts as a core resource for research on Barnaby Rudge.

The Gothic's Gothic (Routledge Revivals)
The Gothic's Gothic (Routledge Revivals)

Author: Benjamin Franklin Fisher IV

Publisher: Routledge

Published: 2016-05-05

Total Pages: 402

ISBN-13: 1317206584

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First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.

Edinburgh Companion to Charles Dickens and the Arts
Edinburgh Companion to Charles Dickens and the Arts

Author: Claire Wood

Publisher: Edinburgh University Press

Published: 2024-05-31

Total Pages: 572

ISBN-13: 1474441653

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The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.

Eros and Psyche (Routledge Revivals)
Eros and Psyche (Routledge Revivals)

Author: Karen Chase

Publisher: Routledge

Published: 2014-06-03

Total Pages: 226

ISBN-13: 1317675479

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How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors – Charlotte Brontë, Charles Dickens and George Eliot – depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy. The title begins with Brontë’s early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.

Dickens and the Grotesque (Routledge Revivals)
Dickens and the Grotesque (Routledge Revivals)

Author: Michael Hollington

Publisher: Routledge

Published: 2015-08-11

Total Pages: 214

ISBN-13: 1317619706

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First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.

The Routledge History of Literature in English
The Routledge History of Literature in English

Author: Ronald Carter

Publisher: Psychology Press

Published: 2001

Total Pages: 598

ISBN-13: 9780415243179

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This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.

Dombey and Son
Dombey and Son

Author: Charles Dickens

Publisher:

Published: 1848

Total Pages: 564

ISBN-13:

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Paul Dombey is a cold, unbending, pompous merchant, and a widower with two children - Paul and Florence. His chief ambition is to perpetuate the firm-name. He dreams of passing his business on to his son. Dombey dotes on his son, and neglects and mistreats his daughter.The "son" in the title of the book is incapable of ever joining the firm. A sickly and odd child, Paul dies at the age of six. Dombey pours his resentment and anger out on his daughter, whom he pushes away despite her efforts to earn her father's love.Eventually Dombey remarries, after literally acquiring his new wife from her father in a commercial transaction. Dombey is as bad a husband as he is a father and his marriage is loveless. His new bride hates Dombey and eventually runs off with Canker, his business manager. Dombey characteristically blames Florence for this reversal, and strikes her, causing Florence to run away as well.Abandoned by everyone, Dombey loses his business and goes half insane, living in his decaying house. Dombey is eventually reconciled to his daughter, who always a doormat forgives her father........