Dichtung und Dichter Der Zeit
Author: Albert Soergel
Publisher:
Published: 1925
Total Pages: 954
ISBN-13:
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Anglo-German Interactions in the Literature of the 1890s
Author: Patrick Bridgwater
Publisher: Routledge
Published: 2017-12-02
Total Pages: 231
ISBN-13: 1351198696
DOWNLOAD EBOOK"This is a study of what the main ""aesthetic"" writers of late 19th-century Britain made of German literature, and of how Germany in turn reacted to them. The impact of Anglo-Scottish art nouveau in fin-de-siecle Austria and Germany made it predictable that Keats, Pater and Rossetti, among others, would be well received, but no one could have known in advance that by the time of their deaths, Swinburne and Wilde would be more highly regarded in Germany than in Britain. Bridgwater's documented study casts light on the central cultural issues of the day, including ideas of morality, truth and subjectivism in art, comparing Pater and Wilde with Nietzsche, and George Moore, that chameleon of the decadent 90s, with Schopenhauer."
Heinrich Mann: The development of the 'sociocritical' novel to a 'political' novel in the early work
Author: Alexander v. Fenner
Publisher: diplom.de
Published: 2014-04-11
Total Pages: 71
ISBN-13: 3836612917
DOWNLOAD EBOOKInhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]
The German Tradition in Literature 1871-1945
Author: Ronald Gray
Publisher: Cambridge University Press
Published: 1965-01-02
Total Pages: 398
ISBN-13: 9780521051330
DOWNLOAD EBOOKFor Dr Gray German literature since 1871 has been dominated by one intellectual trend: the tendency to think in polar opposites which are felt to be both diametrically opposed and yet capable of fusion, of synthesis. In tracing this trend in literature, he is led to enquire how far the same preoccupations were linked with the German history of the time. In short, did the main literary tradition help to create an atmosphere in which the tyranny of 1933 to 1945 could establish itself. In this 1965 text, Dr Gray uses a combination of broad survey and detailed analysis. The opening chapters isolate and define the tradition, and in a wide sweep show its influence wherever it is to be found in modern German literature, relating it to contemporary events. There are detailed studies of Thomas Mann and Rilke, Hofmannsthal's Der Schwierige and English resistance to German literature.
Germany, 1866-1945
Author: Gordon Alexander Craig
Publisher: Oxford : Clarendon Press
Published: 1978
Total Pages: 854
ISBN-13: 9780198221135
DOWNLOAD EBOOKA history of the rise and fall of united Germany, which lasted only 75 years from its establishment by Bismark in 1870. Suitable for A Level and upwards. In the OXFORD HISTORY OF MODERN EUROPE series.
German Literature Through Nazi Eyes (RLE Responding to Fascism)
Author: G Atkins
Publisher: Routledge
Published: 2010-11-01
Total Pages: 210
ISBN-13: 1136960368
DOWNLOAD EBOOKThe influence of Nazism on German culture was a key concern for many Anglo-American writers, who struggled to reconcile the many contributions of Germany to European civilization, with the barbarity of the new regime. In German Literature Through Nazi Eyes, H.G. Atkins gives an account of how the Nazis undertook a re-evaluation of German literature, making it sub-ordinate to their own interests. All reference to Jewish writers and influence was virtually eliminated, and key writers such as Goethe and Lessing were re-interpreted. What was left was a military history that was avowedly militant and propagandist.
Writing Between the Lines
Author: Eric Robertson
Publisher: BRILL
Published: 2023-12-11
Total Pages: 212
ISBN-13: 9004650652
DOWNLOAD EBOOKThis book is the first major study in English of René Schickele's work. Hailed by his contemporaries as one of the foremost German-language novelists of the inter-war period, and celebrated for his Expressionist poetry and his controversial First World War drama Hans im Schnakenloch, Schickele also produced socio-critical essays and pioneering editorial work for the pacifist journal Die Weißen Blätter. From his literary débuts in fin-de-siècle Strasbourg to the French and German prose fiction of his anti-Nazi exile, Schickele's work reflects his bilingual, bicultural upbringing: his vision of Alsace as a symbolic broker of Franco-German peace finds its clearest expression in the trilogy of novels Das Erbe am Rhein. Schickele remains a paradoxical figure, in his own words, a 'citoyen français und deutscher Dichter' (French citizen and German poet). Through readings of all the major texts, Eric Robertson's study situates Schickele's work within its socio-political and historical context. Particular attention is paid to the personal and political implications of his adoption of German as literary idiom and his reversion to the French mother tongue during the 1930s; Schickele's copious diaries and his correspondence with fellow writers including Thomas Mann, Heinrich Mann and Stefan Zweig are shown to be especially revealing. Schickele's œuvre holds a unique and hitherto underrated place in the European writing of his era.
Thomas Mann's Death in Venice
Author: Ellis Shookman
Publisher: Boydell & Brewer
Published: 2003
Total Pages: 321
ISBN-13: 157113056X
DOWNLOAD EBOOKStudy of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.
The New International Year Book
Author:
Publisher:
Published: 1912
Total Pages: 952
ISBN-13:
DOWNLOAD EBOOKBanned in Berlin
Author: Gary D. Stark
Publisher: Berghahn Books
Published: 2012
Total Pages: 345
ISBN-13: 0857453114
DOWNLOAD EBOOKImperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.
