Go to DMC!! By all appearances, Soichi Negishi is a sweet, well-mannered boy who likes Swedish pop music, trendy boutiques, and all things fashionable. But at the same time he's also Krauser II, front man for Detroit Metal City, an indie death metal band whose popularity increases by the day. Once the DMC makeup goes on and Soichi takes the stage, his natural talent as a death metal god can't help but flourish. Is this the band he's truly destined to be in? The Mega Brutal Final Volume!
Go to DMC!! By all appearances, Soichi Negishi is a sweet, well-mannered boy who likes Swedish pop music, trendy boutiques, and all things fashionable. But at the same time he's also Krauser II, front man for Detroit Metal City, an indie death metal band whose popularity increases by the day. Once the DMC makeup goes on and Soichi takes the stage, his natural talent as a death metal god can't help but flourish. Is this the band he's truly destined to be in? Because I love youuu!
A young college grad buys a house in Detroit for $500 and attempts to restore it—and his new neighborhood—to its original glory in this “deeply felt, sharply observed personal quest to create meaning and community out of the fallen…A standout” (Kirkus Reviews, starred review). Drew Philp, an idealistic college student from a working-class Michigan family, decides to live where he can make a difference. He sets his sights on Detroit, the failed metropolis of abandoned buildings, widespread poverty, and rampant crime. Arriving with no job, no friends, and no money, Philp buys a ramshackle house for five hundred dollars in the east side neighborhood known as Poletown. The roomy Queen Anne he now owns is little more than a clapboard shell on a crumbling brick foundation, missing windows, heat, water, electricity, and a functional roof. A $500 House in Detroit is Philp’s raw and earnest account of rebuilding everything but the frame of his house, nail by nail and room by room. “Philp is a great storyteller…[and his] engrossing” (Booklist) tale is also of a young man finding his footing in the city, the country, and his own generation. We witness his concept of Detroit shift, expand, and evolve as his plan to save the city gives way to a life forged from political meaning, personal connection, and collective purpose. As he assimilates into the community of Detroiters around him, Philp guides readers through the city’s vibrant history and engages in urgent conversations about gentrification, racial tensions, and class warfare. Part social history, part brash generational statement, part comeback story, A $500 House in Detroit “shines [in its depiction of] the ‘radical neighborliness’ of ordinary people in desperate circumstances” (Publishers Weekly). This is an unforgettable, intimate account of the tentative revival of an American city and a glimpse at a new way forward for generations to come.
The first book in the thrilling fantasy series about arson investigator Anya Kalinczyk, the fires she fights and the demons she hunts. Truth burns. Unemployment, despair, anger—visible and invisible unrest feed the undercurrent of Detroit’s unease. A city increasingly invaded by phantoms now faces a malevolent force that further stokes fear and chaos throughout the city. Anya Kalinczyk spends her days as an arson investigator with the Detroit Fire Department, and her nights pursuing malicious spirits with a team of eccentric ghost hunters. Anya—who is the rarest type of psychic medium, a Lantern—suspects a supernatural arsonist is setting blazes to summon a fiery ancient entity that will leave the city in cinders. By Devil’s Night, the spell will be complete, unless Anya—with the help of her salamander familiar and the paranormal investigating team—can stop it. Anya’s accustomed to danger and believes herself inured to loneliness and loss. But this time she’s risking everything: her city, her soul, and a man who sees and accepts her for everything she is. Keeping all three safe will be the biggest challenge she’s ever faced.
Millionaire and unlicensed P.I. Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen gunsNafter all, what could possibly go wrong?
After Katase was turned down by the girl he had a secret crush on, he decides it's time for him to become a more vicarious man. He then travels to the beach in hopes of getting a crash course in confidence, but it's becoming extremely evident that he's in the deep end with no game! See, this beach is packed with bodacious babes with bangin' bods, and there's no way Katase can stand a chance.
A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.
