From Trauma to Repair offers an inside look at a three-year certified psychotherapeutic training program in the successful Therapy Cycle Process. Dr. Lois Reiersol, an American psychotherapist, with a Ph.D. in Clinical Psychology, and her Norwegian husband, Odd, also a psychotherapist, developed this psychotherapeutic program after establishing the Solverv Psychotherapy Institute in Oslo, Norway, more than twenty-five years ago. The book explains the theory and practice of TCP. Dr. Reiersol responded to a demand from people who want to learn more about this program, including nurses, doctors, social workers, teachers, homeopaths, physical therapists, clergy, psychologists, and others from the general public. For this reason, the book is written to appeal to a wide audience. Dr. Reiersol and her husband have been invited to hold workshops, not only all over Norway, but also in Sweden, England, Israel, and the United States. Through the use of dialogue and explanations, the reader comes to understand the therapeutic procedures of Wished-for Role Figures, Negative Role Figures, Supportive Role Figures, Self-Talk, and Symbolic Figures/Objects. The Therapy Cycle Process is a proven therapeutic program that has helped clients to develop an improved self-image and more fulfilling relationships with others.
“Phantoms is gruesome and unrelenting…It’s well realized, intelligent, and humane.”—Stephen King They found the town silent, apparently abandoned. Then they found the first body, strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California. At first they thought it was the work of a maniac. Or terrorists. Or toxic contamination. Or a bizarre new disease. But then they found the truth. And they saw it in the flesh. And it was worse than anything any of them had ever imagined...
With great power comes a whole lot of trouble… Drake Sinclair has always had superpowers. Inexplicable. Powerful. Dangerous. He’s always been desperate to know why. But he’s not ready for the one person with answers to be a psychopath with a murderous vendetta. Still, Drake will do anything to discover the origins of his abilities and protect his new friends and the girl he’s falling for. Even if that means finding Lucius Sykes, the notorious psychopath ‘gifted’ with the same powers as Drake by a long-destroyed illegal organization called Project Midnight. Except, Project Midnight is back. And they’ll also do anything to finish what they started. Pulse-pounding action, Marvel-level snark, superhero origins, and romance collide in this intense young adult superhero fantasy!
Indrajal Comics began publishing self-titled monthly issues in March 1964. Each of the first 10 issues had 16 pages of Phantom comics. The stories had to be edited to fit this short format. The remaining 12 pages were dedicated to other content, similar to Gold Key's style. In the next 19 issues it became 20-24 pages. As the series continued, different characters would share the spotlight. Characters such as Flash Gordon, Mandrake the Magician, Bahadur, Kerry Drake, Rip Kirby, Garth, Mike Nomad and Buz Sawyer appeared - as well as Disney characters Robin Hood and Mickey Mouse along with Goofy, but the majority of the series spotlighted The Phantom. So much so that the series is often erroneously referred to as "The Phantom" instead of the correct "Indrajal Comics". In due course the publication became fortnightly and then weekly by 1981. The numbering of books which was simply sequential in the beginning then changed to have the typical volume and a number. Indrajal Comics #444 was labeled as Vol.20 and No.1. The front cover design changed with distinct banner containing the title "Indrajal Comics" with a small circle showing the face of the main charracter. A total of 803 Indrajal Comics were published, excluding #123 and #124 which were not printed due to industrial strike action. More than half of these issues contained Phantom stories. The publishing stopped in 1990. The cover artwork for the first 50 or so issues of Indrajal Comics was done by B.Govind, with the back cover featuring a pin-up poster. His artwork became very popular and even said to have matched the artwork on the covers of international phantom publications such as Gold key or Frew. To avoid confusion among Indian readers, there were some minor changes done to the name of the Phantom's location and some characters in stories published in Indrajal Comics. The term " Bengali" or "Bengalla" or "Bengal" was changed to "Denkali" and in some issues "Dangalla" as well. This was since there is a state called "Bengal" in India and this may lead the readers to wonder about the "Pygmy" people that don't exist in Bengal. The name of the "Singh Brotherhood" was changed to "Singa Brotherhood" and the killer of the father of the current (21st) Phantom was changed from "Rama" to "Ramalu" although the latter too is one of the common names in India. Apart from English, Indrajal Comics published the stories in at least a dozen other Indian languages including Hindi, Bengali, Tamil and Kannada. Contents: Indrajal Comics #15 The Unknown Commander May 1, 1965 Indrajal Comics #14 The Mystery Of The Rattle April 1, 1965 Indrajal Comics #13 The Phantom And Samaris March 1, 1965 Indrajal Comics #12 The Phantom Is Chained February 1, 1965 Indrajal Comics #11 The Phantom's Treasure January 1, 1965 Indrajal Comics #10 The Phantom's Ring December 1, 1964 Indrajal Comics #9 Thugs in Denkali November 1, 1964 Indrajal Comics #8 The Playmate October 1, 1964 Indrajal Comics #7 The Man-Eating Plant September 1, 1964 Indrajal Comics #6 The Lunar Cult August 1, 1964 Indrajal Comics #5 The Phantom's Isle Of Eden July 1, 1964 Indrajal Comics #4 The Phantom And The Impostor June 1, 1964 Indrajal Comics #3 The Challenge Of Cannibals May 1, 1964 Indrajal Comics #2 Prince Orq April 1, 1964 Indrajal Comics #1 The Phantom's Belt March 1, 1964 This collection was only possible thanks to all the comic fans around the world! Please note that these are scans of old comic books & as such will show wear & tear with age, most fans feel this only adds to the experience but if you are looking for perfect copies unfortunately they do not exist, we believe this is the best available.
Fans of The Historian won’t be able to put down this spellbinding literary horror story in which a Columbia professor must use his knowledge of demonic mythology to rescue his daughter from the Underworld. Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed. That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home. But what happens in Venice will change everything. First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane… but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind. When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me. What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.
An exploration of the many forms of the ancient myth of the Wild Hunt and its influence in pagan and early Christian Europe • Recounts the myriad variations of this legend, from the Cursed Huntsman and King Herla to phantom armies and vast processions of sinners and demons • Explains how this belief was an integral part of the pagan worldview and was thus employed by the church to spread Christian doctrine • Reveals how the secret societies of medieval Europe reenacted these ghostly processions for soul travel and prophecies of impending death Once upon a time a phenomenon existed in medieval Europe that continuously fueled local lore: during the long winter nights a strange and unknown troop could be heard passing outside over the land or through the air. Anyone caught by surprise in the open fields or depths of the woods would see a bizarre procession of demons, giants, hounds, ladies of the night, soldiers, and knights, some covered in blood and others carrying their heads beneath their arms. This was the Wild or Infernal Hunt, the host of the damned, the phantom army of the night--a theme that still inspires poets, writers, and painters to this day. Millennia older than Christianity, this pagan belief was employed by the church to spread their doctrine, with the shapeshifters' and giants of the pagan nightly processions becoming sinners led by demons seeking out unwary souls to add to their retinues. Myth or legend, it represents a belief that has deep roots in Europe, particularly Celtic and Scandinavian countries. The first scholar to fully examine this myth in each of its myriad forms, Claude Lecouteux strips away the Christian gloss and shows how the Wild Hunt was an integral part of the pagan worldview and the structure of their societies. Additionally, he looks at how secret societies of medieval Europe reenacted these ghostly processions through cult rituals culminating in masquerades and carnival-like cavalcades often associated with astral doubles, visions of the afterlife, belief in multiple souls, and prophecies of impending death. He reveals how the nearly infinite variations of this myth are a still living, evolving tradition that offers us a window into the world in which our ancestors lived.
The steward Lei Jin had gone all out to rescue the young master, Jiang Feng, who had learned the essence of the Jiang Family's spear, had gone to the capital with an ancestral cold iron spear to avenge his father. But two enemies, one of whom was already the head of the capital, and the other the prime minister of the imperial court. Close]
How is a well meaning mother to protect her daughter from a culture where the birth of a baby girl is met with despair because the only future open to her is that of sexual assault and teenage pregnancy, which would doom her to a life of illiteracy and poverty as it has doomed her lineage before her? Genital mutilation has many causes but at the root of all of them is fear. A fear that pushes a mother to do the unthinkable to a daughter that she loves? What does a scapegoat do with the fate she has been handed? Accept it and roll with it, or reject it? How is she to reject it when the acceptance of her role is needed for her culture's psychic equilibrium? In the theater of the mind where all springs forth, is there such a thing as an innocent victim, and a victimizer? Feasts of Phantoms is a novel that explores of all of these questions.
