Detective Coogan knows well that there are some pretty shady freaks out there in the big city... but he doesn’t know that some of those freaks aren’t human! He learns it the hard way, and ends up on the wrong side of a bullet in this new series from comic book legends Steve Niles and Bernie Wrightson that mixes horror and noir into a tightly wound nightmare of twists and turns.
(#1 of 3) Detective Coogan knows well that there are some pretty shady freaks out there in the big city but he doesn't know that some of those freaks aren't human. He learns it the hard way, and ends up on the wrong side of a bullet in this new series that mixes horror and noir into a tightly wound nightmare of twists and turns.
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." —De'Shawn Charles Winslow, author of In West Mills Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time—or lynching—for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York. When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother's white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father's black genealogy. But in the process, Johnson suddenly realized that her mother's whole white family was—and always had been—missing. When she began to pry, her mother's 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.
THE FINAL NOVEL IN THE #1 NEW YORK TIMES BESTSELLING SOOKIE STACKHOUSE SERIES—the inspiration for the HBO® original series True Blood. When a shocking murder rocks the small town of Bon Temps, Louisiana, psychic cocktail waitress Sookie Stackhouse learns that she has more than one enemy waiting to get vengeance for the past. Beacuse nothing is ever clear-cut in Bon Temps. What passes for truth is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough...
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
THE DAYS BETWEEN Christmas and New Year’s Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Praise for The Book of Dead Days: “Beautifully paced and sometimes blood-soaked. . . . A very tangible sense of evil.”—The Guardian “Subtle menace and power.”—The Independent “Packed with drama, mystery, and intrigue.”—The Bookseller
Thrills and chills descend on the town of Nightshade during Halloween in this fourth book in the series, following Dead Is So Last Year. As the creepy little town of Nightshade prepares to celebrate its 200th anniversary—on Halloween, of course—many of its paranormal residents are receiving mysterious blackmail letters. Psychic teen Daisy Giordano and her sisters set out to find out who is behind the threats. But launching an investigation isn’t easy for Daisy with her overprotective father watching her every move. Though she’s is happy to have him back after the years he spent being held captive by an anti-paranormal group called the Scourge, Dad is having a difficult time adjusting to home life—and the fact that his little girl is now a senior in high school. He even disapproves of Daisy’s boyfriend, Ryan. Can their relationship take the strain? And Daisy’s got even more on her plate: A talented amateur chef, she has won cooking lessons with celebrity chef Circe Silvertongue. After nosing around (with a little help from Circe’s pet pig), Daisy begins to suspect the temperamental chef’s secrets aren’t only in her ingredients . . . Praise for the Dead Is series “[Perez] delivers a wise-cracking, boy-lusting, determined sleuth of a high school protagonist . . . this quick, lighter-than-air spoof of the undead, cheerleaders and popularity is pure pleasure.”—Publishers Weekly “A fun ride from start to finish. Perez’s smart and sassy style soars.”—Mary E. Pearson, author of the Remnant Chronicles “[A] quick, lively romp . . . Teens looking for a breezy read will find plenty to like here.”—Booklist
A significant book about one girl's struggle with suicide, from National Book Award finalist Julie Anne Peters. Daelyn is fifteen years old, and in her mind she is a failure. She tried slitting her wrists, and she was rescued. She tried swallowing chemicals, and after burning through her esophagus enough to lose the ability to speak, she was rescued. But this time will be different. As readers see Daelyn's touching friendship with a quirky seventeen-year-old boy develop and her newfound willingness to share all of the pain she has held inside of her, they may just see a glimmer of hope. Will Daelyn see it though? Raw and heartfelt, this is an inside look into the mind of a teen who has lost the will to fight and the parents that will do anything they can to help her survive. Still, there are some things that even loving parents can't protect you from—yourself. Please note that due to the sensitive nature of the material in this book, we will be providing back matter from key experts. We hope that this book will help to open a dialogue about this increasingly prevalent issue.
Ally Ryan would rather be in Maryland. She would rather be anywhere, in fact, than Orchard Hill, site of her downfall. Well, not hers exactly—but when your father’s hedge fund goes south and all your friends lose their trust funds, things don’t look so sunny for you. Her mother moved her to Maryland to flee the shame, but now they’re moving back. Back to the country-club, new-car-every-year, my-family-came-over-on-the-Mayflower lifestyle that Ally has outgrown. One bright spot, however, is gorgeous, intense Jake Graydon. But it won’t be easy for the two of them to be together—not if his friends (her former friends) have anything to say about it. Is Ally ready to get thrown back into the drama of the life she left behind?
"Don't believe anything they say." Those were the last words Alice's older sister, Annie, said to her before she turned her back on their parents and left home forever. Alice spent four years waiting and wondering when the impossibly glamorous sister she idolized would return to her--and what her Hollywood-insider parents had done to drive her away. Now it's 1948 and Alice isn't a kid anymore. When she gets the phone call from the hospital, she knows it's up to her to help Annie, in a coma after being beaten and left for dead in MacArthur Park. The search for Annie's attacker leads Alice into a dark and dangerous world of tough-talking private eyes, psychopathic movie stars, and troubled starlets--and onto the trail of a young runaway who is the sole witness to an unspeakable crime. What this girl knows could shut down a criminal syndicate and put Annie's attacker behind bars--if Alice can find her first. And she isn't the only one looking. Debut novelist Mary McCoy evokes the dangerous glamour of Hollywood's Golden Age, a corrupt world where the people who live in the nicest houses have the dirtiest secrets and no drive into the sunset can erase the crimes of past.
