Skulduggery, Valkyrie and Omen return in the 14th and penultimate novel in the internationally bestselling Skulduggery Pleasant series – and their most epic test yet...
A brand new Skulduggery Pleasant novella for World Book Day: a hilarious and thrilling standalone story in the internationally bestselling series – perfect for new readers, and essential for Skulduggery fans...
From #1 New York Times bestselling author Chris Colfer comes a graphic novel in the Land of Stories series featuring Goldilocks—as you've never seen her before! When we first meet her in The Land of Stories:The Wishing Spell, Goldilocks is a beautiful and tough-as-nails outlaw. Discover her origin story and more in this brand new, lushly illustrated full-color graphic novel, as she takes you on adventures where she may or may not break a few laws along the way. Once upon a time, the kingdoms of the fairy-tale world lived in perfect harmony under the guidance of the Happily Ever After Assembly. But not all creatures and territories have been invited to this peaceful union. Monsters and criminals have found refuge in the Dwarf Forests, a land without rulers or law. When a plot by the Charming brothers is unveiled and threatens to push society's unwanted from their homes, the fairy-tale world's harmony and Goldilocks' home are put in jeopardy . . . New and returning fans of the Land of Stories will fall in love with the adventures of Goldilocks before she met Alex and Conner Bailey. Fans will recognize familiar characters including Porridge, Jack, and Queen Red Riding Hood; and a ragtag team of misfits is introduced, including Puss in Boots, Little Miss Muffet, Pinocchio, and more.
Racing to his New Mexico ranch home after a disturbing phone call, retired Santa Fe police chief Kevin Kerney is horrified to learn that his horse-training partner, Riley Burke, has been murdered by an escaped prisoner, prompting Kerney to team up with his half-Apache son. 40,000 first printing.
Traditional thinking on metaphors has divided them into two camps: dead and alive. Conventional expressions from everyday language are classified as dead, while much rarer novel or poetic metaphors are alive. In the 1980s, new theories on the cognitive processes involved with the use of metaphor challenged these assumptions, but with little empirical support. Drawing on the latest research in linguistics, semiotics, philosophy, and psychology, Cornelia Müller here unveils a new approach that refutes the rigid dead/alive dichotomy, offering in its place a more dynamic model: sleeping and waking. To build this model, Müller presents an overview of notions of metaphor from the classical period to the present; studies in detail how metaphors function in speech, text, gesture, and images; and examines the way mixed metaphors sometimes make sense and sometimes do not. This analysis leads her to conclude that metaphors may oscillate between various degrees of sleeping and waking as their status changes depending on context and intention. Bridging the gap between conceptual metaphor theory and more traditional linguistic theories, this book is a major advance for the field and will be vital to novices and initiates alike.
The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For millennia, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. This book addresses the perpetual relevance of images' enigmatic life-likeness through studies that engage with a variety of visual material by asking the same question: what qualifies animation? Covering a wide range of image practices, such as early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema and BioArt, the twelve chapters, written by scholars of art history and visual culture, demonstrate that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.
Christians claim that Jesus of Nazareth rose bodily from the grave, three days after being brutally executed. If that claim isn't true, Jesus was nothing more than a good man, and the whole of the Christian faith collapses in a pile of dust. But what if it is true? Daniel Clark shows how Jesus' resurrection is the key which unlocks answers to some of life's biggest questions: *Is there anybody out there? *Why is there so much suffering in the world? *Does life have a meaning or purpose?Using real-life stories of those who have come to believe in Jesus' resurrection, he explores the evidence so that we can make our own, informed conclusion. If Jesus is alive rather than dead, then another altogether more startling question emerges
"In this book, David Ray Griffin examines the evidence for the claim - made by everyone from former CIA agent Robert Baer to Oliver North - that bin Laden is surely no longer with us. He analyzes the purported messages from bin Laden and finds that, as many have suspected, they do not provide evidence of bin Laden's existence after 2001. This leads naturally to the question: if Osama bin Laden did indeed die in 2001, how and why have dozens of "messages from bin Laden" appeared since then?"--BOOK JACKET.
Federal Deputy Sullivan Hart arrived too late to rescue his father. But the elder Hart managed to identify his killers before his death - by scrawling the phrase Los Pistoleros in his own blood. Since the end of the Civil War, this outlaw gang has been involved in everything from cattle rustling to running guns - without getting caught. Sullivan Hart aims to end that lucky streak. But Sullivan isn't the only man on the hunt. Quick Charlie Sims, gambler and con man, has his own debt to settle with Los Pistoleros. And he's got to do it without letting lawmen like Sullivan Hart get involved. Because Charlie Sims is a wanted man, too . . .