Fascism and Neofascism
Fascism and Neofascism

Author: E. Weitz

Publisher: Springer

Published: 2016-09-27

Total Pages: 293

ISBN-13: 1137041226

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The dramatic transformations of the the 1990s - the end of the Cold War, the establishment of political liberties and market economies in Eastern Europe, German unification - quickly led commentators to proclaim the end of all ideologies and the complete triumph of liberal capitalism. Just as quickly, however, right-wing extremism began a surge in Europe that has not significantly abated to this day. Fascism and Neofascism is a collection of essays that is distinctive in two important ways. First, unlike most volumes, which cover either historical fascism or the recent radical right, Fascism and Neofascism spans both periods. Secondly, this volume also aims to bring newer modes of inquiry, rooted in cultural studies, into dialogue with more 'traditional' ways of viewing fascism. The editors' approach is deliberately interdisciplinary, even eclectic.

Fascism and Communism
Fascism and Communism

Author: Franöois Furet

Publisher: U of Nebraska Press

Published: 2004-01-01

Total Pages: 124

ISBN-13: 9780803269149

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In his major work on communism, the international bestseller The Passing of an Illusion, the eminent French historian Franöois Furet devoted a lengthy footnote to German historian Ernst Nolte?s interpretation of fascism. Nolte responded, a correspondence ensued, and the result was the remarkable exchange presented in this volume. Fascism and Communism offers readers the rare opportunity to witness and learn from a confrontation between two of the world?s most distinguished historians over one of the most serious subjects of our time. Each from a different perspective, Furet and Nolte offer compelling arguments for the common genealogy of these two ideologies as well as reasons for the intellectual community?s rejection of this explosive thesis throughout the twentieth century. This discussion leads to a deeper understanding of the nature of totalitarianism as well as the trajectory and interpretation of modern European history.

The Evolution of Jazz in Britain, 1880–1935
The Evolution of Jazz in Britain, 1880–1935

Author: Catherine Tackley (née Parsonage)

Publisher: Routledge

Published: 2017-07-05

Total Pages: 322

ISBN-13: 1351544756

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As a popular music, the evolution of jazz is tied to the contemporary sociological situation. Jazz was brought from America into a very different environment in Britain and resulted in the establishment of parallel worlds of jazz by the end of the 1920s: within the realms of institutionalized culture and within the subversive underworld. Tackley (n Parsonage) demonstrates the importance of image and racial stereotyping in shaping perceptions of jazz, and leads to the significant conclusion that the evolution of jazz in Britain was so much more than merely an extension or reflection of that in America. The book examines the cultural and musical antecedents of the genre, including minstrel shows and black musical theatre, within the context of musical life in Britain in the late nineteenth and early twentieth centuries. Tackley is particularly concerned with the public perception of jazz in Britain and provides close analysis of the early European critical writing on the subject. The processes through which an evolution took place are considered by looking at the methods of introducing jazz in Britain, through imported revue shows, sheet music, and visits by American musicians. Subsequent developments are analysed through the consideration of modernism and the Jazz Age as theoretical constructs and through the detailed study of dance music on the BBC and jazz in the underworld of London. The book concludes in the 1930s by which time the availability of records enabled the spread of 'hot' music, affecting the live repertoire in Britain. Tackley therefore sheds entirely new light on the development of jazz in Britain, and provides a deep social and cultural understanding of the early history of the genre.

Northern Sun, Southern Moon
Northern Sun, Southern Moon

Author: Mike Heffley

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 420

ISBN-13: 9780300106930

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Until the 1960s American jazz, for all its improvisational and rhythmic brilliance, remained rooted in formal Western conventions originating in ancient Greece and early Christian plainchant. At the same time European jazz continued to follow the American model. When the creators of so-called free jazz--Ornette Coleman, Cecil Taylor, John Coltrane, Albert Ayler, Sun Ra, Anthony Braxton, and others--liberated American jazz from its Western ties, European musicians found their own distinctive voices and created a vital, innovative, and independent jazz culture. Northern Sun, Southern Moon examines this pan-Eurasian musical revolution. Author and musician Mike Heffley charts its development in Scandinavia, Holland, England, France, Italy, and especially (former East and West) Germany. He then follows its spread to former Eastern-bloc countries. Heffley brings to life an evolving musical phenomenon, situating European jazz in its historical, social, political, and cultural contexts and adding valuable material to the still-scant scholarship on improvisation. He reveals a Eurasian genealogy worthy of jazz's well-established African and American pedigrees and proposes startling new implications for the histories of both Western music and jazz.