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Author: Thomas DeFrantz
Publisher: Oxford University Press, USA
Published: 2006
Total Pages: 324
ISBN-13: 9780195301717
DOWNLOAD EBOOKHe also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Author: Deidre Sklar
Publisher: Univ of California Press
Published: 2001-03-16
Total Pages: 252
ISBN-13: 9780520227910
DOWNLOAD EBOOKThis book -- at once personal and analytical -- explores, in vibrant detail and compelling depth, the capacity of movement to express the way that human beings experience their lives and identities. In recounting her exploration of a town in the American Southwest, Deidre Sklar examines themes common to cultures around the world."—Benjamin S. Orlove, editor of The Allure of the Foreign
Author: Sally Banes
Publisher: Routledge
Published: 2013-11-05
Total Pages: 298
ISBN-13: 1134833172
DOWNLOAD EBOOKDancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
Author: Ursula K. Le Guin
Publisher: Open Road + Grove/Atlantic
Published: 2017-07-18
Total Pages: 361
ISBN-13: 0802165664
DOWNLOAD EBOOK“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
Author: Barbara Ehrenreich
Publisher: Metropolitan Books
Published: 2007-12-26
Total Pages: 338
ISBN-13: 1429904658
DOWNLOAD EBOOKFrom the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation
Author: Susan Leigh Foster
Publisher: Univ of California Press
Published: 1986
Total Pages: 342
ISBN-13: 9780520063334
DOWNLOAD EBOOKWinner of the Dance Perspectives Foundation de la Torre Bueno Prize Recent approaches to dance composition, seen in the works of Merce Cunningham and the Judson Church performances of the early 1960s, suggest the possibility for a new theory of choreographic meaning. Borrowing from contemporary semiotics and post-structuralist criticism, Reading Dancing outlines four distinct models for representation in dance which are illustrated, first, through an analysis of the works of contemporary choreographers Deborah Hay, George Balanchine, Martha Graham, and Merce Cunningham, and then through reference to historical examples beginning with court ballets of the Renaissance. The comparison of these four approaches to representation affirms the unparalleled diversity of choreographic methods in American dance, and also suggests a critical perspective from which to reflect on dance making and viewing.
Author: John Campbell
Publisher: Rowman & Littlefield Publishers
Published: 2013-06-06
Total Pages: 243
ISBN-13: 1442221585
DOWNLOAD EBOOKNigeria, the United States’ most important strategic partner in West Africa, is in grave trouble. While Nigerians often claim they are masters of dancing on the brink without falling off, the disastrous administration of President Goodluck Jonathan, the radical Islamic insurrection Boko Haram, and escalating violence in the delta and the north may finally provide the impetus that pushes it into the abyss of state failure. In this thoroughly updated edition, John Campbellexplores Nigeria’s post-colonial history and presents a nuanced explanation of the events and conditions that have carried this complex, dynamic, and very troubled giant to the edge. Central to his analysis are the oil wealth, endemic corruption, and elite competition that have undermined Nigeria’s nascent democratic institutions and alienated an increasingly impoverished population. However, state failure is not inevitable, nor is it in the interest of the United States. Campbell provides concrete new policy options that would not only allow the United States to help Nigeria avoid state failure but also to play a positive role in Nigeria’s political, social, and economic development.
Author: Brenda Pugh McCutchen
Publisher: Human Kinetics
Published: 2006
Total Pages: 568
ISBN-13: 9780736051880
DOWNLOAD EBOOKBrenda McCutchen provides an integrated approach to dance education, using four cornerstones: dancing and performing, creating and composing, historical and cultural inquiry and analysing and critiquing. She also illustrates the main developmental aspects of dance.
Author: Billy Idol
Publisher: Simon and Schuster
Published: 2014-10-07
Total Pages: 336
ISBN-13: 1451628528
DOWNLOAD EBOOKA Rolling Stone Top 10 Best Music Books of the Year “That’s what I’m talking about…Of all these memoirs, Dancing With Myself was the only one that stimulated my envy—made me want to be Billy Idol for five minutes….He’s a genuine romantic, writing in a kind of overheated journalese about his London punk rock roots…and then falling head over heels for America.” —James Parker, The New York Times Book Review In this highly original memoir—following Billy Idol from his childhood in England to his rise to fame at the height of the punk-pop revolution—the iconic superstar tells the real story behind the sex, drugs, and rock 'n' roll that he is so fabulously famous for, in his own utterly indelible voice. An early architect of punk rock’s sound, style, and fury, whose lip-curling sneer and fist-pumping persona vaulted him into pop’s mainstream as one of MTV’s first megastars, Billy Idol remains, to this day, a true rock ‘n’ roll icon. Now, in his New York Times bestselling autobiography, Dancing with Myself, Idol delivers an electric, “refreshingly honest” (Daily News, New York) account of his journey to fame—from his early days as front man of the pioneering UK punk band Generation X to the decadent life atop the dance-rock kingdom he ruled—delivered with the same in-your-face attitude and fire his fans have embraced for decades. Beyond adding his uniquely qualified perspective to the story of the evolution of rock, Idol is a brash, lively chronicler of his own career. A survivor’s tale at its heart, this sometimes chilling and always riveting account of one man’s creative drive joining forces with unbridled human desire is unmistakably literary in its character and brave in its sheer willingness to tell. With it, Billy Idol is destined to emerge as one of the great writers among his musical peers. “I am hopelessly divided between the dark and the good, the rebel and the saint, the sex maniac and the monk, the poet and the priest, the demagogue and the populist. Pen to paper, I’ve put it all down, every bit from the heart. I’m going on out a limb here, so watch my back.” —Billy Idol
Author: Mark Curry
Publisher: NewMark Books
Published: 2009
Total Pages: 268
ISBN-13: 0615276504
DOWNLOAD EBOOKHe has recorded with the biggest stars in the music business. He wrote many of the hits that made Sean "Puffy" Combs one of the richest men alive. On the surface, the multi-million dollar empire that Puff built looks like the stuff of dreams. But after working with Puff for a decade, Curry discovered that Bad Boy Entertainment is not, as Puff promised, a place where dreams come true. No, rather it is a shell game comprised of contracts designed to rob artists of their time, dreams and publishing rights. [i]Dancing With the Devil[/i] reveals startling new details about key events in the fast paced, controversial (and sometimes deadly) world of Hip-Hop. In revealing the dark side of the industry, Curry hopes to provide a road map for reforms necessary to prevent artists ending up in poverty, in prison or in the grave.Mark Curry has appeared on the following albums:[i]Gangsta Shi-[/i][i]Dangerous MC's[/i][i]American Dream[/i]Mark Curry has appeared on the following singles:[i]Bad Boy for Life[/i]
