Dancing Carl, Gary Paulsen's first novel, was a ALA Best Book for Young Adults and a Notable Children's Trade Book for the Language Arts. In the winter, life in McKinley, Minnesota, revolves around the rinks, where kids play hockey and grown-ups skate to scratchy phonograph records. Then, the year Marsh and his best friend, Willy, are twelve, Carl appears at the rink, wearing a battered, old leather flight jacket and doing a strange dance that is both beautiful and disturbing to watch. It is Marsh and Willy who discover the terrible secret behind Carl's dance, a secret that threatens to destroy him. But a small miracle occurs, and Carl's dance becomes a fragile and tentative expression of hope and the healing power of love.
#1 bestselling author Karen Kingsbury tells the heartwrenching story of Cody Gunner, a widower fighting for stability, and the woman who wants to help him trust again -- even when trust is the most terrifying thing of all. Still aching over his wife's death, Cody Gunner can't bear the thought of also letting go of his Down's Syndrome brother, Carl Joseph. Cody wants his brother home, where he will be safe and cared for, not out on his own in a world that Cody knows all too well can be heartless and insecure. So when Carl Joseph's teacher, Elle, begins championing his independence, she finds herself at odds with Cody. But even as these two battle it out, they can't deny the instinctive connection they share, and Cody faces a crisis of the heart. What if Elle is the one woman who can teach Cody that love is still possible? If Cody can let go of his lingering anger, he might just see that sometimes the brightest hope of all lies just beyond the clouds.
In 1928, two very different best friends invented Mickey Mouse. And the success tore them apart. Walt Disney and Ub Iwerks’s friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both—when you don’t want to drop anvils on their heads. Discover the men behind the mouse, and the mystery behind the magic. A Mouse Divided is a stirring depiction of two underdogs. One invented Mickey Mouse—and one said he did. You’ll love Walt Disney more than you ever thought possible—until you don’t. And you’ll sympathize with Walt’s friend-turned-rival Ub Iwerks, always in Walt’s shadow. This true story of how the Disney empire was made is a captivating page-turner, endlessly fascinating and revealing. And it’s never been fully told—until now.
New Orleans is bustling with his music. Carl Lorenzio has brought his father's Dixieland hits to different heights. It's in the streets, in the magazines, in the airwaves, it's everywhere. Yet, there is a void inside him doubtful will ever again be satiated with love, a human quality he has lived without ever since he offered it to Ellie Ypsilanti in the sunlit shores of Santorini. He could have gone back to her, could have walked away from the traps. But the drumbeat had begun. It came steadily closer and louder, pushing him away from Ellie until there was no place left to go except Lois De Becher. Whatever gratifies him, Carl finds it onboard the colorful steamboats with his jazz band. As far as the Mississippi River will take him away from Lois and the old antebellum dwelling they call 'home.' But miracles do happen, and Carl has a reason to lift the resonance of his trumpet into merry altitudes once more. Yet, the sirens that lure through magic song are crawling closer and closer to bear their offerings with even more chaos than four decades ago. A tale of love, beauty, and mischief, a modern-day Odyssey from the 60s' to the 2000s', packed with images of scenery, voyages, flavors, and music. The music kind that twangs and trembles within the Aeolian passageways as sound, and the mystery of its magnetic pull and connection with the mystery of love that once it gets you in its clasp...you are aloft. And so the story begins . . .
William Studwell has struck gold again! Providing a heterogenous mixture of songs that mirrors the diversity of the United States and its culture, The Americana Song Reader is an entertaining and informative collection of over 130 historical essays on various American and foreign songs that have had a significant impact on U.S. popular culture. The essays give you basic historical data on the work, refer to any related or affiliated works, and touch upon the cultural context of its creation and popular usage in the United States. Presented in an offbeat, somewhat irreverent, yet scholarly style, the author has once again compiled a reference book that is fun to read. In addition to presenting information useful for reference, The Americana Song Reader contains anecdotes, ironic sidelights, poetry, and allusions to parodies. For ease of use, the book is divided into several sections. These sections, with some representative songs listed, include: Dancing Songs: “After the Ball,” “The Hokey Pokey,” “Sleeping Beauty Waltz” Marching Songs: “March of the Toys,” “When the Saints Go Marching In” Rural and Western Songs: “The Big Rock Candy Mountain,” “Jessie James,” “The Streets of Laredo” Songs That Excite or Amuse: “An American in Paris,” “1812 Overture,” “The Sidewalks of New York” Songs That Soothe or Bring Tears: “Beautiful Dreamer,” “I'm Always Chasing Rainbows,” “My Wild Irish Rose” Children's Songs: “Hansel and Gretel,” “Pop Goes the Weasel,” “Sing a Song of Sixpence” Circus Songs: “Barnum and Bailey's Favorite,” “Be a Clown,” “The Flying Trapeze” Drinking Songs: “Auld Lange Syne,” “Little Brown Jug,” “Ninety Nine Bottles of Beer” College Songs: “Iowa Corn Song,” “Notre Dame Victory Song,” “The Whiffenpoof Song” Song title index and author/group index Whether the music comes from New York City, remote rural areas of the South or West, or from Vienna or Paris, all music having some sort of impact on the lives of everyday Americans is in a very true way part of Americana. In The Americana Song Reader, you'll see the songs both as small pieces of the American culture puzzle and, collectively, as a large segment of the music of the country. This newest addition to William Studwell's collection of song readers will delight the general public, musicians, and librarians.
Florence Coustier grew up with an emotionally needy mother, four teasing brothers , and an alcoholic father who sexually abused her. Her mother believed Florence was retarded after delivering her two months premature weighing less than three pounds. Florence grew up believing that she was naturally stupid and received little attention or help from the educational system. Florence left home and moved to California in her early thirties. To stop her mother's constant pleas to return home, Florence married Henry Coustier. To Florence's disappointment, Henry had no idea as to any of the needs his wife might have. In her book, Florence seeks answers to her never-ending fear of any man who showed an interest in her, and why she so longed to be loved. It wasn't until she was in her fifties that Florence finally discovered-to her great surprise-her resilient, independent, and intelligent self.
The lights dim and soon the theatre becomes dark. The audience conversations end with a few softly dissipating whispers, and the movie begins. Nina Sayers, a young ballerina, dances the prologue to Tchaikovsky’s Swan Lake, a ballet expressing a story drawn from Russian folk tales about a princess who has been turned into a White Swan and can only be turned back if a man swears eternal fidelity to her. However, this is not that ballet. This is the beginning of Black Swan, a controversial movie employing symbolism in a complex interweaving of dance and film to reveal the struggles and paradoxes of everything from a female rite-of-passage to questions about where artistic expression should demand self-sacrifice and whether such sacrifice is worth the price. The dance floor is the stage of life, the place where physical actions take on the symbolic meanings of mythology and express the deepest archetypes of the human mind. This book explores how dance gives shape to those human needs and how it reflects, and even creates, the maps of meaning and value that structure our lives. Though the volume looks at all the forms of dance, it focuses on three main categories in particular: religious, social, and artistic. Since the American Musical and subsequent Musical Videos have both reflected and influenced our current world, they receive the most space—such acclaimed performers as Fred Astaire, Gene Kelly, Judy Garland, Ricky Nelson, Elvis Presley and Michael Jackson, such important composers and lyrists as Gershwin, Rodgers-and-Hammerstein, Porter, Berlin, Webber, Bernstein, the Beatles, and the Who, and such choreographers as Graham, Balanchine, Robbins and Fosse are examined in particular detail.
In the very heart of Europe lies a small country nestling among the mountains. It is unlike any other in the world. Its people speak four different languages; they believe in different religions; the government is not alike in different parts; yet the Swiss states are bound together by a bond stronger than unity of language or creed can possibly make. Our brave Swiss cousins believe in liberty for all and brotherly love. These make the most powerful of ties. In their mountains and valleys they have fought against the enemies who would have destroyed them, and the tyrants who would have made them slaves. They have driven out their foes again and again, for their cause was noble and unselfish, and to-day the republic formed by them can teach other countries many wise and worthy lessons. How the stories of William Tell and Arnold von Winkelried stir our hearts whenever we hear them repeated! These were only two of many heroes who have made the country famous for its bravery and unselfishness. Surely we shall be glad to turn our minds for a while to its fertile valleys, beautiful lakes, and the noble mountains among which the good monks live with their trusty dogs, that they may give aid and comfort to unfortunate travellers overtaken by cold and storm.Ê
