A memoir by a Saudi Arabian woman who became the unexpected leader of a movement to support women's rights describes how fundamentalism influenced her radical religious beliefs until her education, a job, and legal contradictions changed her perspectives.
Finding Nouf's Katya Hijazi and Nayir Sharqi return for another thrilling, fast-paced mystery that provides a rare and intimate look into women's lives in the Middle East. Women in Saudi Arabia are expected to lead quiet lives circumscribed by Islamic law and tradition. But Katya, one of the few women in the medical examiner's office, is determined to make her work mean something. When the body of a brutally beaten woman is found on the beach in Jeddah, the city's detectives are ready to dismiss the case as another unsolvable murder-chillingly common in a city where the veils of conservative Islam keep women as anonymous in life as this victim is in death. If this is another housemaid killed by her employer, finding the culprit will be all but impossible. Only Katya is convinced that the victim can be identified and her killer found. She calls upon her friend Nayir for help, and soon discovers that the dead girl was a young filmmaker named Leila, whose controversial documentaries earned her many enemies. With only the woman's clandestine footage as a guide, Katya and Nayir must confront the dark side of Jeddah that Leila struggled to expose: an underworld of prostitution, violence, exploitation, and jealously guarded secrets. Along the way, they form an unlikely alliance with an American woman whose husband has disappeared. Their growing search takes them from the city's car-clogged streets to the deadly vastness of the desert beyond.!--EndFragment--
From an award-winning scholar, a vibrant portrait of a pivotal moment in the history of the feminist movement From the declaration of the "Year of the Woman" to the televising of Anita Hill's testimony, from Bitch magazine to SisterSong's demands for reproductive justice: the 90s saw the birth of some of the most lasting aspects of contemporary feminism. Historian Lisa Levenstein tracks this time of intense and international coalition building, one that centered on the growing influence of lesbians, women of color, and activists from the global South. Their work laid the foundation for the feminist energy seen in today's movements, including the 2017 Women's March and #MeToo campaigns. A revisionist history of the origins of contemporary feminism, They Didn't See Us Coming shows how women on the margins built a movement at the dawn of the Digital Age.
"East of Mecca is a harrowing story of love and betrayal, a family's tragic undoing, the transcendant power of friendship, and the ultimate price of oppression"--Back cover.
New York Times bestselling author Tosca Lee brings a modern twist to an ancient mystery surrounding Elizabeth Bathory, the most notorious female serial killer of all time. Emily Jacobs is the descendant of a serial killer. Now, she’s become the hunted. She’s on a quest that will take her to the secret underground of Europe and the inner circles of three ancient orders—one determined to kill her, one devoted to keeping her alive, and one she must ultimately save. Filled with adrenaline, romance, and reversals, The Progeny is the present-day saga of a 400-year-old war between the uncanny descendants of “Blood Countess” Elizabeth Bathory, the most prolific female serial killer of all time, and a secret society dedicated to erasing every one of her descendants. It is a story about the search for self filled with centuries-old intrigues against the backdrop of atrocity and hope.
A passionate manifesto decrying misogyny in the Arab world, by an Egyptian American journalist and activist When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled "Why Do They Hate Us?" it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake: one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the "toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend." A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.
The cities of Saudi Arabia are among the most gender segregated in the world. In recent years the Saudi government has felt increasing international pressure to offer greater roles for women in society. Implicit in these calls for reform, however, is an assumption that the only "real" society is male society. Little consideration has been given to the rapidly evolving activities within women's spaces. This book joins young urban women in their daily lives—in the workplace, on the female university campus, at the mall—to show how these women are transforming Saudi cities from within and creating their own urban, professional, consumerist lifestyles. As young Saudi women are emerging as an increasingly visible social group, they are shaping new social norms. Their shared urban spaces offer women the opportunity to shed certain constraints and imagine themselves in new roles. But to feel included in this peer group, women must adhere to new constraints: to be sophisticated, fashionable, feminine, and modern. The position of "other" women—poor, rural, or non-Saudi women—is increasingly marginalized. While young urban women may embody the image of a "reformed" Saudi nation, the reform project ultimately remains incomplete, drawing new hierarchies and lines of exclusion among women.