Articles chiefly on the dance styles accompanying Maharas, a form of Rāsalīlā, Vaishnava drama, from Manipur, India, and the contribution of Sija Laioibi, b. 1771, Vaishnava woman saint and princess from the royal state.
The Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal has a project to map the cultural heritage of North-East India. One volume is planned on each state. Manipur is one of the unique multi-ethnic states of North-East India which has a complex but distinctive cultural heritage of its own. This book presents the different facets of the cultural heritage of the border state of Manipur ingrained within its historicity, identity and political ecology. This book will be of much value for scholars across the disciplinary frames and pave the way for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Dance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of contemporary dance practice in India. Incorporating a multidisciplinary approach, it includes contributions from scholars, writers and commentators as well as short essays and interviews with Indian artists and performers; the latter add personal perspectives and insights to the broad themes discussed. Young Indian dance artists are courageously charting out new trajectories in dance, diverging from the time-worn paths of tradition. The classical forms of Bharatnatyam, Kathak, Odissi and Manipuri, to name a few, are rich resources for choreographers exploring contemporary dance. This volume speaks about their struggles of working within and outside tradition as they grapple with national and international audience expectations as well as their own values and sense of identity. The artists represented here continue to question the uneasy relationship that exists between the insular world of dance and outside reality. Simultaneously, they are actively creating new dance languages that are both articulate in a performative context and demand examination by researchers and critics.
Beyond the Heteronorm: Interrogating Critical Alterities in Global Art and Literature explores exclusionary practices inspired by the construct of gender and how these conventions often misconstrue and convolute sex, gender, and sexual orientation. The contributors to this collection examine literary and visual representations of critical alterities from around the globe to produce empathic and inclusive analyses of experiences shared between diverse subordinated and minoritized socio-cultural entities and collectives. Organized into three parts, the chapters critique the concepts of personhood, performativity, and the post-binary. This edited collection deconstructs gender essentialism and embraces gender inclusivity in both theory and practice.
This encyclopaedia work in five volumes covers all related and relevant information about the scheduled tribes in India. The comprehensive, exclusive and exhaustive work will be an invaluable reference tool for scholars, researchers, planners, administrator, policy makers, govt. official and the others.
The culture of a people is the way of life of that people. Culture is a very wide term. It does not mean simply dance and music. It includes customs, beliefs, language, literature, paintings, the way of cooking food, the manner of taking food and many other things which make the people distinct from other peoples. Thus Manipuri culture is a very wide subject. But in this article, we are not expected to discuss the whole gamut of Manipuri culture. We will discuss its background by knowing which we will understand Manipuri culture more clearly and easily.
The present book examines cultural diversities of Northeast India. The sixteen essays included in the volume cover various aspects of cultural forms and their practices among the communities of Northeast. The present volume is expected to serve as a bridge between vanishing cultural forms and their commodification, on the one hand, and their cultural ritual origins, evolution and significance in identity formation, on the other. The book analyses continuity of cultural forms, their representations and often their reinventions under globalisation. Further, the book underlines historical forces such as colonialism and religious conversion that have transformed communities and their cultural practices. Yet some of the pre-colonial, ritual-performative traditions hold on. Through insightful analyses, this book offers an informed view of the region’s historical, ethnic and cultural practices. It is expected that the volume will be useful for scholars and students interested in Northeast studies.