Celia and Alice share everything - their secrets, their hopes and now their increasing horror that a killer is on the loose, abducting schoolgirls just like them. Three bodies have been found, each shrouded in hand-woven fabric. From within the depths of a police investigation, clues start to emerge. As Alice and Celia discover the truth, danger is closer than anyone knows. Who can be trusted at a time like this? "Cry Blue Murder" is a haunting and poignant psychological thriller that pushes the boundaries of trust and betrayal, from two exciting new voices in Australian young adult fiction.
When a recent spate of horrific murders is linked to a long-ago series of brutal crimes she hoped would never resurface, Chattanooga grief counselor Audrey Sherrod, who moonlights for the local police, soon discovers that the worst is yet to come. Original.
In Cry of Murder on Broadway, Julie Miller shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights. On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the new and luxurious Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him, just missing his heart. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. The would-be murderer also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to "seduction" and to advocate for the rights of workers. Cry of Murder on Broadway describes how New Yorkers, besotted with the drama of the courtroom and the lurid stories of the penny press, followed the trial for entertainment. Throughout all this, Norman gained the sympathy of New Yorkers, in particular the jury, which acquitted her in less than ten minutes. Miller deftly weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.
Two boys run into the woods—but only one returns—in this new mystery from the award-winning “first-rate British crime writer” (The Washington Post). In the summer of 1996, two boys run from a playground into the adjoining woods, but only one comes out. DS Tom Thorne takes on the case—which quickly spirals out of control when two people connected to the missing boy are murdered. As London prepares to host the European Soccer Championships, Thorne fights to keep on top of a baffling investigation while also dealing with the ugly fallout of his broken marriage . . . A prequel to Mark Billingham’s acclaimed debut Sleepyhead―which the Sunday Times voted one of the 100 books that shaped the decade―this chilling, compelling novel is the latest in “a series to savor” (Booklist). “With each of his books, Mark Billingham gets better and better. These are stories and characters you don’t want to leave.” ―Michael Connelly, author of the Harry Bosch series “Mark Billingham has brought a rare and welcome blend of humanity, dimension, and excitement to the genre.” ―George Pelecanos, bestselling author and Emmy-nominated writer
Once a thriving body of innovative and fluid music, jazz is now the victim of destructive professional and artistic forces, says Eric Nisenson. Corruption by marketers, appropriation by the mainstream, superficial media portrayal, and sheer lack of skill have all contributed to the demise of this venerable art form. Nisenson persuasively describes how the entire jazz ”industry” is controlled by a select cadre with a choke hold on the most vital components of the music. As the listening culture has changed, have spontaneity and improvisation been sacrificed? You can agree or disagree with Nisenson's thesis and arguments, but as Booklist says, ”his passion is engrossing.”
You have to stop me from hurting anyone else. I don’t want to do these horrible things. Help me before I’m forced to do it again. And I will do it again because I have no choice. I’ve never had a choice. In a busy shopping centre, a little girl clutches a teddy bear, clinging to it in the absence of her mother, Katrina. Hours later, Katrina’s body is discovered in an abandoned building. For Detective Kim Stone, it looks like a quick, functional kill. But Kim’s instincts tell her there’s more to this senseless murder than meets the eye. What was the motive for killing a young mother out shopping with her child? Days later, a second victim is found in a local park, her neck broken just like Katrina’s and her six-year-old son missing. With her colleague, Detective Stacey Wood, working on another unsolved crime and a member of the team grieving the loss of a close relative, Kim is struggling to make inroads on what is fast becoming a complex case. And when a handwritten letter from the killer lands on Kim’s desk addressed to her, and pleading for help, she knows time is running out to bring the little boy home alive. With the support of a handwriting analyst and profiler, Kim and the team begin to get inside the mind of the killer and make a shocking discovery. Some of the victims have scratch marks on their wrists. But these are no random scratches. The killer is using them to communicate with someone. The question is… with whom? And if Kim doesn’t find them soon, another innocent soul will die. The multi-million-copy bestselling Detective Kim Stone series is every bit as addictive, original and exciting as readers say and you’ll be hooked from the very first page. Nobody does it better than the Queen of Crime, Angela Marsons. Read what everyone is saying about Deadly Cry: ‘Whoopee The queen of crime is back…this book is a reminder to all her fans what a brilliant crime series this is…Unlike some long running crimes series, each book always brings something new to the table, whether it be its characters, the plot, or jaw dropping moments that take the reader by surprise.’ The Book Review Café, ⭐⭐⭐⭐⭐ ‘Utterly fabulous! I loved this book so much. The whole series is fantastic and it just gets better and better with every book. Read this in one sitting as I was literally glued to it. Highly recommend, if I could give it more than 5 stars I would.’ Linda Strong Book Reviews, ⭐⭐⭐⭐⭐ ‘Angela Marsons writes the type of books that I will literally drop everything just so I can read it.’ Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘I honestly don’t know how Angela Marsons gets better and better with each book…My jaw dropped over and over again and I’m just sitting here so shocked at the end!’ With A Book In Our Hand, ⭐⭐⭐⭐⭐ ‘I could read Kim Stone books every day and never get bored, I read this in a day as couldn't put it down.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Angela Marsons is the Queen of Crime, and every police team needs a Kim Stone! With a strong, fast paced storyline, this book will bring tears to your eyes, then have you covering those same eyes for fear of what may happen on the next page!!’ stardustbookreviews, ⭐⭐⭐⭐⭐ ‘Reading this series is like catching up with old friends…Yet another brilliant work by the amazing Angela Marsons!’ Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘Oh how much have I missed Kim Stone… you are guaranteed a story that will grab a hold of you from the start and keep you invested in the outcome right to the very last page.’ Jen Med’s Book Reviews, ⭐⭐⭐⭐⭐ ‘Quite simply, Angela Marsons is THE QUEEN of Crime Fiction…Every book of Angie’s is a masterpiece of storytelling, each so different in theme and incredibly enjoyable to read.’ Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘I really love this series. It’s like catching up with friends when I start a new book.’ Alice May Reviews, ⭐⭐⭐⭐⭐ ‘This is a series that I will never get tired of. The author has a real talent of keeping each book fresh and exciting with characters you can't help but root for. Long live Kim Stone!’ Goodreads reviewer, ⭐⭐⭐⭐⭐
The world knows Parisian private investigator Aimée Leduc, heroine of 15 mysteries in this New York Times bestselling series, as a très chic, no-nonsense detective—the toughest and most relentless in the City of Lights. Now, author Cara Black dips back in time to reveal how Aimée first came to inherit Leduc Detective . . . November 1989: Aimée Leduc is in her first year of college at Paris’s preeminent medical school. She lives in a 17th-century apartment that overlooks the Seine with her father, who runs the family detective agency. But the week the Berlin Wall crumbles, so does Aimée’s life as she knows it. First, someone has sabotaged her lab work, putting her at risk of failing out of the program. Then, she finds out her aristo boyfriend is getting engaged to another woman. And finally, Aimée’s father takes off to Berlin on a mysterious errand. He asks Aimée to help out at the detective agency while he’s gone—as if she doesn’t already have enough to do. But the case Aimée finds herself investigating—a murder linked to a transport truck of Nazi gold that disappeared in the French countryside during the height of World War II—has gotten under her skin. Her heart may not lie in medicine after all—maybe it’s time to think harder about the family business.
A DEAD WOLF A DRUG DEAL GONE WRONG A LETHAL FEMALE ASSASSIN The first book in a new series by Hans Rosenfeldt, creator of the TV series The Bridge as well as Netflix’s Emmy Award–winning Marcella. Hannah Wester, a policewoman in the remote northern town of Haparanda, Sweden, finds herself on the precipice of chaos. When human remains are found in the stomach of a dead wolf, Hannah knows that this summer won’t be like any other. The remains are linked to a bloody drug deal across the border in Finland. But how did the victim end up in the woods outside of Haparanda? And where have the drugs and money gone? Hannah and her colleagues leave no stone unturned. But time is scarce and they aren’t the only ones looking. When the secretive and deadly Katja arrives, unexpected and brutal events start to pile up. In just a few days, life in Haparanda is turned upside down. Not least for Hannah, who is finally forced to confront her own past.
TOM THORNE IS BACK . . . AND SO IS HIS WORST NIGHTMARE A gripping, grisly read. Mark Billingham is a terrific crime writer' ----- ANTHONY HOROWITZ Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life... He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable. PRAISE FOR MARK BILLINGHAM 'Mark Billingham is a master of psychology' Ian Rankin 'Fast-paced and twisting' Paula Hawkins 'At the very least it should reach the shortlist of this year's Booker prize' The Times
