Cross-Cultural Issues in Art

Cross-Cultural Issues in Art

Author: Steven Leuthold

Publisher: Routledge

Published: 2010-12-16

Total Pages: 533

ISBN-13: 1136854541

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Cross-Cultural Issues in Art provides an engaging introduction to aesthetic concepts, expanding the discussion beyond the usual Western theorists and Western examples. Steven Leuthold discusses both contemporary and historical issues and examples, incorporating a range of detailed case studies from African, Asian, European, Latin American, Middle Eastern and Native American art. Individual chapters address broad intercultural issues in art, including Art and Culture, Primitivism and Otherness, Colonialism, Nationalism, Art and Religion, Symbolism and Interpretation, Style and Ethnicity, A Sense of Place, Art and Social Order, Gender, and the Self, considering these themes as constructs that frame our understanding of art. Cross-Cultural Issues in Art draws upon ideas and case studies from cultural and critical studies, art history, ethno-aesthetics and area studies, visual anthropology, and philosophy, and will be useful for undergraduate and postgraduate courses in these fields.


Cross-Cultural Issues in Art

Cross-Cultural Issues in Art

Author: Steven Leuthold

Publisher: Routledge

Published: 2010-12-16

Total Pages: 334

ISBN-13: 113685455X

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This book provides an engaging introduction to aesthetic concepts, expanding the discussion beyond the usual Western theorists and Western examples.


Making Waves

Making Waves

Author: Laurinda S. Dixon

Publisher: Brepols Publishers

Published: 2019

Total Pages: 0

ISBN-13: 9782503584409

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Making Waves: Crosscurrents in the Study of Nineteenth-Century Art points the way toward futher appreciation and understanding of an era that still resonates strongly in our contemporary culture. Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu's example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety. Laurinda S. Dixon is Professor Emerita of Art History at Syracuse University, New York. Her scholarship considers the intersection of art and science- particularly alchemy, herbalism, medicine, astrology, and music- from the fifteenth through the nineteenth centuries. She is the author of many articles, book chapters, and ten books.


For America

For America

Author: Jeremiah William McCarthy

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 305

ISBN-13: 0300244282

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Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.


American Art at the Nineteenth-century Paris Salons

American Art at the Nineteenth-century Paris Salons

Author: Lois Marie Fink

Publisher: Cambridge University Press

Published: 1990

Total Pages: 430

ISBN-13: 9780521384995

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This book is a study of 19th-century American art within the context of French art as presented at the Paris Salons--annual exhibitions of contemporary art which, at the time, were the most important events in the Western world. 48 color plates; l52 halftones.


Is Architecture Art?

Is Architecture Art?

Author: John Macarthur

Publisher: Bloomsbury Publishing

Published: 2024-10-31

Total Pages: 241

ISBN-13: 1350147729

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Is architecture an art, like literature or music? Or is it more akin to science or engineering? Can buildings be artworks, just like paintings and sculptures, or does their fundamentally functional nature mean they cannot be considered pure works of art? Questions of architecture, art, and aesthetics do not allow for simple answers. But by asking such questions, we can usefully reveal the ways in which the concepts and meanings of architecture have changed over the centuries, and how they continue to change in the contemporary era. Is Architecture Art? explores the key conceptual questions about the aesthetic appreciation of architecture and its persistently contested status as an artform. It engages the work of thinkers ranging from Hume and Kant to Adorno, Tafuri, and Rancière, and draws on accessible and thought-provoking accounts of historical and contemporary architectural and art theory. Taking novel approaches to issues that will be familiar to the practising architect, it shows how aesthetics and art theory can open up and illuminate architectural theory, issue by issue. Is Architecture Art? will provoke discussion and debate among architects and architectural theorists, and force a new understanding of the purpose of architectural practice in the contemporary era as the concepts of 'art', 'the arts', and of the creative economy have shifted and blurred as never before.


The Mobility of People and Things in the Early Modern Mediterranean

The Mobility of People and Things in the Early Modern Mediterranean

Author: Elisabeth A. Fraser

Publisher: Routledge

Published: 2019-07-23

Total Pages: 221

ISBN-13: 1351042041

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For centuries artists, diplomats, and merchants served as cultural intermediaries in the Mediterranean. Stationed in port cities and other entrepôts of the Mediterranean, these go-betweens forged intercultural connections even as they negotiated and sometimes promoted cultural misunderstandings. They also moved objects of all kinds across time and space. This volume considers how the mobility of art and material culture is intertwined with greater Mediterranean networks from 1580 to 1880. Contributors see the movement of people and objects as transformational, emphasizing the trajectory of objects over single points of origin, multiplicity over unity, and mutability over stasis.