CSI: 1930s. Luke S. May (1892-1965) was one of the earliest consulting scientific detectives, specializing in forensic investigations. He was integral in the development of techniques, instruments, and facilities for scientific criminology. In Crime's Nemesis, May recounts the methods solving a variety of crimes, including murder and forgery. True crime fans will find these precursors to modern criminology a fascinating window to the development of crime-solving.
Forensic Criminology gives students of criminology and criminal justice an introduction to the forensic realm and the applied forensic issues they will face when working cases within the justice system. It effectively bridges the theoretical world of social criminology with the applied world of the criminal justice system. While most of the competing textbooks on criminology adequately address the application and the social theory to the criminal justice system, the vast majority do not include casework or real-world issues that criminologists face. This book focuses on navigating casework in forensic contexts by case-working criminologists, rather than broad social theory. It also allows criminology/criminal justice instructors outside of the forensic sciences the ability to develop and instruct a core course that might otherwise be considered beyond their expertise, or in conflict with forensic courses taught in chemistry, biology, or medical programs at their institutions because of its focus on criminology and criminal justice careers. With its practical approach, this textbook is well-suited for forensic criminology subjects being taught and developed in law, criminology, and criminal justice programs around the world. - Approaches the study of criminology from an applied standpoint, moving away from the purely theoretical - Contains relevant and contemporary case examples to demonstrate the application of forensic criminology - Provides an integrated philosophy with respect to criminology, forensic casework, criminal investigations, and the law - Useful for students and professionals in the area of criminology, criminal justice, criminal investigation, forensic science, and the law
Encouraged by the medicinal success of quinine, early 19th century scientists hoped strychnine, another plant alkaloid with remarkable properties, might also become a new weapon against disease. Physicians tried for over a century, despite growing evidence to the contrary, to treat everything from paralysis to constipation with it. But strychnine p
This book offers a history of crime and the criminal justice system in America, written particularly for students of criminal justice and those interested in the history of crime and punishment. It follows the evolution of the criminal justice system chronologically and, when necessary, offers parallels between related criminal justice issues in different historical eras. From its antecedents in England to revolutionary times, to the American Civil War, right through the twentieth century to the age of terrorism, this book combines a wealth of resources with keen historical judgement to offer a fascinating account of the development of criminal justice in America. A new chapter brings the story up to date, looking at criminal justice through the Obama era and the early days of the Trump administration. Each chapter is broken down into four crucial components related to the American criminal justice system from the historical perspective: lawmakers and the judiciary; law enforcement; corrections; and crime and punishment. A range of pedagogical features, including timelines of key events, learning objectives, critical thinking questions and sources, as well as a full glossary of key terms and a Who’s Who in Criminal Justice History, ensures that readers are well-equipped to navigate the immense body of knowledge related to criminal justice history. Essential reading for Criminal Justice majors and historians alike, this book will be a fascinating text for anyone interested in the development of the American criminal justice system from ancient times to the present day.
Expanding on ideas proposed by leading thinkers throughout the history of forensic science, Principles and Practice of Criminalistics: The Profession of Forensic Science outlines a logical framework for the examination of physical evidence in a criminalistics laboratory. The book reexamines prevailing criminalistics concepts in light of both techni
In a fascinating account, full of quiet heroics and grisly criminal details, the authors describe the difficult work of the tireless professionals who have devoted their careers to investigating and analyzing the deeds and personalities of the macabre psychopaths who haunt the nation's streets.
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice – the assumption that justice must be seen to be done – and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence.
Crime Reconstruction, Second Edition is an updated guide to the interpretation of physical evidence, written for the advanced student of forensic science, the practicing forensic generalist and those with multiple forensic specialists. It is designed to assist reconstructionists with understanding their role in the justice system; the development and refinement of case theory' and the limits of physical evidence interpretation. Chisum and Turvey begin with chapters on the history and ethics of crime reconstruction and then shift to the more applied subjects of reconstruction methodology and practice standards. The volume concludes with chapters on courtroom conduct and evidence admissibility to prepare forensic reconstructionists for what awaits them when they take the witness stand. Crime Reconstruction, Second Edition, remains an unparalleled watershed collaborative effort by internationally known, qualified, and respected forensic science practitioner holding generations of case experience among them. Forensic pioneer such as W. Jerry Chisum, John D. DeHaan, John I. Thorton, and Brent E. Turvey contribute chapters on crime scene investigation, arson reconstruction, trace evidence interpretation, advanced bloodstain interpretation, and ethics. Other chapters cover the subjects of shooting incident reconstruction, interpreting digital evidence, staged crime scenes, and examiner bias. Rarely have so many forensic giants collaborated, and never before have the natural limits of physical evidence been made so clear. - Updates to the majority of chapters, to comply with the NAS Report - New chapters on forensic science, crime scene investigation, wound pattern analysis, sexual assault reconstruction, and report writing - Updated with key terms, chapter summaries, discussion questions, and a comprehensive glossary; ideal for those teaching forensic science and crime reconstruction subjects at the college level - Provides clear practice standards and ethical guidelines for the practicing forensic scientist
A comprehensive introduction to all the key topics, perspectives, and themes that you will cover when studying criminology and criminal justice. An Introduction to Criminology provides you with a thorough grounding in the main traditions and perspectives within the discipline and introduces cutting edge emerging themes that will shape criminology for years to come. It features insight from over 30 international experts with each chapter written by leading specialists within the field, giving you an in-depth and authoritative account of each vital area of study, from organised crime and victimisation to life-course criminology, prisons, and youth justice. Key features: Covers emerging areas of criminology and contemporary issues such as cybercrime, cultural criminology, hate crime, human trafficking, and gendered violence. Contains a range of features to help you study, including case studies and questions, student voices and advice, reflective exercises and more. Supports lecturers by providing access to a suite of online resources, featuring exclusive video content from the SAGE Video Criminology Collection, critical thinking exercises, multiple choice tests, and sample essay questions. Essential reading for any student of criminology, this will be a go-to reference text throughout your studies.
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
