An action-packed story of the days when ranchers vied with the native peoples to rule the plains of North America. Reproductions of Western art will introduce readers to Marrin's vivid re-creation of history. His accurate, carefully researched text makes it a valuable reference tool as well. Illustrated with photos, prints, and paintings.
From slaughters, shootouts, and massacres to maulings, lynchings, and natural disasters, Cowboys, Mountain Men, and Grizzly Bears cuts to the chase of what draws people to the history and literature of the Wild West. Matthew P. Mayo, noted author of Western novels, takes the fifty wildest episodes in the region’s history and presents them in one action-packed volume. Set on the plains, mountains, and deserts of the West, and arranged chronologically, they capture all the mystique and allure of that special time and place in America’s history. Read about: John Colter’s harrowing escape from the Blackfeet Hugh Glass’s six-week crawl to civilization after a grizzly attack Janette Riker’s brutal winter in the Rockies John Wesley Powell’s treacherous run through the rapids of the Grand Canyon The Earp Brothers’ hot-tempered gun battle at Tombstone General Custer’s ill-advised final clash with the Sioux
Who were the Indians of the Old West? Everyone knows them - the hawk-faced men with braided hair and war feathers, their copper skin stretched over high cheekbones. The tribal names are familiar too: Comanche, Cheyenne, Sioux, Kiowa, and others - all resonant of fierce valour, calling up images of painted horsemen with lances and bows. To most whites they represented the model of all Western Indians: the men trained from birth to hunt and fight; the women raised to sustain the warriors, sharing in celebrations of victory or slashing their bodies in moments of grief. For some tribes these images were true, but only partly true. For the Western Indians as a whole, they were only the most visible and spectacular manifestations of a broader, more complex story.
Will Wright explores the continuing popularity of the myth of the Wild West, demonstrating how, as a cultural icon, it speaks deeply to a desire for individualism and liberty. The author discusses the myth through market and social theory.
For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.
Describes in texts and illustrations the development of large ranches in the western plains, the impact of these establishments on the economy of the area, their organization, and some famous ranches and their owners.
In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.
