Copper Thunderbird
Author: Marie Clements
Publisher:
Published: 2007
Total Pages: 86
ISBN-13:
DOWNLOAD EBOOKA multilayered drama based on the persona of famed Ojibwa artist Norval Morrisseau. Cast of 5 women and 4 men.
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Thunderbird
Author: Jane Miller
Publisher: Copper Canyon Press
Published: 2013-08-26
Total Pages: 1
ISBN-13: 1619320584
DOWNLOAD EBOOKOur childhood such a large cellar with no bulb. Jane Miller brings a painterly eye to the elegiac in an ambitiously linked sequence that explores ecstasy and desire, memory and loss, the ancient and the ultramodern. Suggesting the thunderbird of Native American lore as readily as modern American warfare, Thunderbird is a book of mourning and loss redeemed by the body and the mind. Jane Miller is the author of nine books of poetry, including A Palace of Pearls (Copper Canyon Press, 2005), which won the Audre Lorde Prize. Miller teaches at the University of Arizona and lives in Tucson, Arizona.
The Memory of Nature in Aboriginal, Canadian and American Contexts
Author: Françoise Besson
Publisher: Cambridge Scholars Publishing
Published: 2014-06-12
Total Pages: 382
ISBN-13: 1443861618
DOWNLOAD EBOOKThis volume engages the reader’s interest in the relationship that binds man to nature, a relationship which makes itself manifest through certain literary or visual artefacts produced by Native or non-Native writers and artists. It ranges from the study of literatures (mainly from Canada – including Quebec and Acadia – but also from Britain, the United States of America, France, Turkey, and Australia) to the exploration of films, photographs, paintings and sculptures produced by Aboriginal artists from North America. Thanks to a relational paradigm founded on spatial and temporal enlargement, it re-imagines the critical outlook on indigenous production by instigating a dialogue between endogenous and exogenous scholars, novelists and artists, and by weaving together interdisciplinary approaches spanning anthropology, geology, ecocriticism and the study of myths. From the writings by Scott Momaday to those by Tomson Highway, from Pauline Johnson to Louise Erdrich, or from the photographs by William McFarlane Notman and Edward Burtynsky or the films by Randy Redroad to the paintings by Emily Carr, it explores art as the sedimentation of nature. It simultaneously interrogates the representation of nature and the nature of representation as a geological and generic process inscribed in the history of mankind. Without eclipsing differences and imposing a reified Eurocentric critical discourse upon indigenous productions, this volume does not colonize indigenous texts or indulge in cultural appropriation of works of art, but looks for historical, mythological or geological traces of the past; a past characterized by the intimacy between man and animal, man and rock, or man and plant, a past which is allowed to resurface through the creative and critical outlooks that are bestowed upon its subjacent or subterranean existence. It resurfaces, not as nostalgic memory but as an interactive fertilization giving the present a new life in which the non-human provides a key to the understanding of the human bond to nature.
Wavelengths of Your Song
Author: Eleonore Schönmaier
Publisher: McGill-Queen's Press - MQUP
Published: 2013
Total Pages: 190
ISBN-13: 0773541705
DOWNLOAD EBOOKIntuitive environmentalism from the Canadian North is carried forth into creative global adventuring.
Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840-2010
Author: Mary D. Edwards
Publisher: McFarland
Published: 2020-05-29
Total Pages: 236
ISBN-13: 1476637962
DOWNLOAD EBOOKThe notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.
Ancient Sauk, Ojibway and Winnebago Cosmology: Myth, Mounds and Artifacts: A Theory of Ancestoral Diffusion
Author: J. Price Ph.D.
Publisher: eBooks2go, Inc.
Published: 2020-02-22
Total Pages: 134
ISBN-13: 1545750602
DOWNLOAD EBOOKThis text describes Ojibway, Sauk, and Winnebago (Ho Chunk) Creation Legends, Indian Mounds, and artifacts to describe an east-west trade theory that reflects the development of the Sauk Tribe in America, China, and India. It also describes the use of Indian Mounds as astronomical clocks that physically describe their legends.
Anthropomorphic Images in Rock Art Paintings and Rock Carvings
Author: Terence Meaden
Publisher: Archaeopress Publishing Ltd
Published: 2020-02-27
Total Pages: 335
ISBN-13: 1789693586
DOWNLOAD EBOOKIn rock art, humanlike images appear widely throughout the ages. The artworks discussed in this book range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites, in which exists the possibility of recovering the meanings intended by the artists.
Mythologizing Norval Morrisseau
Author: Carmen L. Robertson
Publisher: Univ. of Manitoba Press
Published: 2016-05-03
Total Pages: 316
ISBN-13: 0887554997
DOWNLOAD EBOOKMythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Indigenous Women’s Theatre in Canada
Author: Sarah MacKenzie
Publisher: Fernwood Publishing
Published: 2020-11-15T00:00:00Z
Total Pages: 192
ISBN-13: 1773634313
DOWNLOAD EBOOKDespite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada. Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned. In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women’s dramatic writing and production work in direct opposition to such representational and manifest violence.
The Ojibwa of Southern Ontario
Author: Peter S. Schmalz
Publisher: University of Toronto Press
Published: 1991-01-01
Total Pages: 388
ISBN-13: 9780802067784
DOWNLOAD EBOOKThe Ojibwa have lived in Ontario longer than any other ethnic group. Until now, however, their history has never been fully recorded. Peter Schmalz offers a sweeping account of the Ojibwa in which he corrects many long-standing historical errors and fills in numerous gaps in their story. His narrative is based as much on Ojibwa oral tradition as on the usual historical sources. Beginning with life as it was before the arrival of Europeans in North America, Schmalz describes the peaceful commercial trade of the Ojibwa hunters and fishers with the Iroquois. Later, when the Five Nations Iroquois attacked various groups in southern Ontario in the mid-seventeenth century, the Ojibwa were the only Indians to defeat them, thereby disproving the myth of Iroquois invincibility. p>In the eighteenth century the Ojibwa entered their golden age, enjoying the benefits of close alliance with both the French and the English. But with those close ties came an increasing dependence on European guns, tools, and liquor at the expense of the older way of life. The English defeat of the French in 1759 changed the nature of Ojibwa society, as did the Beaver War (better known as the Pontiac Uprising) they fought against the English a few years later. In his account of that war, Schmalz offers a new assessment of the role of Pontiac and the Toronto chief Wabbicommicot. The fifty years following the Beaver War brought bloodshed and suffering at the hands of the English and United Empire Loyalists. The reserve system and the establishment of special schools, intended to destroy the Indian culture and assimilate the Ojibwa into mainstream society, failed to meet those objectives. The twentieth century has seen something of an Ojibwa renaissance. Schmalz shows how Ojibwa participation in two world wars led to a desire to change conditions at home. Today the Ojibwa are gaining some control over their children's education, their reserves, and their culture.
