NEW YORK TIMES BESTSELLER • “The Copper Beech is as soothing as a cup of tea.”—People In the little Irish town of Shancarrig, the young people carve their initials—and those of their loves—into the copper beech tree in front of the schoolhouse. But not even Father Gunn, the parish priest, who knows most of what goes on behind Shancarrig’s closed doors, or Dr. Jims, the village doctor, who knows all the rest, realize that not everything in the placid village is what it seems. Unexpected passions and fears are bringing together many lives, such as the sensitive new priest and Miss Ross, the slight, beautiful schoolteacher . . . Leonora, the privileged daughter of the town’s richest family, and Foxy Dunne, whose father did time in jail . . . and Nessa Ryan, whose parents run Ryan’s Hotel, and two very different young men. For now the secrets in Shancarrig’s shadows are starting to be revealed, from innocent vanities and hidden loves to crimes of the heart . . . and even to murder. Praise for The Copper Beech “A book with a difference . . . You’ll take it home to lend to your best friend.”—The New York Times Book Review “Binchy makes you laugh, cry, and care. Her warmth and sympathy render the daily struggles of ordinary people heroic and turn storytelling into art.”—San Francisco Chronicle “The Copper Beech finds author Maeve Binchy at her Irish storytelling best!”—Cleveland Plain Dealer
A rare book. An ancient code. A new trilogy that “starts off with promise” (Pittsburgh Post-Gazette) from the New York Times bestselling master of passion and the paranormal. Within the pages of very rare books some centuries old lie the secrets of the paranormal. Abby Radwell’s unusual psychic talent has made her an expert in such volumes—and has sometimes taken her into dangerous territory. After a deadly incident in the private library of an obsessive collector, Abby receives a blackmail threat, and rumors swirl that an old alchemical text known as The Keyhas reappeared on the black market. Convinced that she needs an investigator who can also play bodyguard, she hires Sam Coppersmith, a specialist in paranormal crystals and amber—“hot rocks.” Passion flares immediately between them, but neither entirely trusts the other. When it comes to dealing with a killer who has paranormal abilities, and a blackmailer who will stop at nothing to obtain an ancient alchemical code, no one is safe.
A suspicious death. A ghost in a mirror. The New York Times bestselling Dark Legacy novel from the author known for crafting stories of burning passion and chilling suspense... The death of her friend and mentor, Evelyn Ballinger, brings psychic counselor Gwen Frazier back to the small town of Wilby, Oregon, and brings back memories she would rather forget. Two years ago, a killer stalked the members of one of Ballinger’s research studies—including Gwen, who survived while two others didn’t. Now, she’s sure that Ballinger’s death is related. Sent by a friend to help Gwen, psychic investigator Judson Coppersmith arrives in Wilby barely in control of his own talent and his own life, and haunted by urgent dreams. His attraction to Gwen is primal, but there are secrets he must keep to protect himself from surrendering to her completely, even as their investigation draws them into dreamscapes, into decades of deception and into the paranormal fires of a desire too strong to resist...
In this joyful and impactful picture book, a transgender boy prepares for the first day of school and introduces himself to his family and friends for the first time. Calvin has always been a boy, even if the world sees him as a girl. He knows who he is in his heart and in his mind but he hasn't yet told his family. Finally, he can wait no longer: "I'm not a girl," he tells his family. "I'm a boy--a boy in my heart and in my brain." Quick to support him, his loving family takes Calvin shopping for the swim trunks he's always wanted and back-to-school clothes and a new haircut that helps him look and feel like the boy he's always known himself to be. As the first day of school approaches, he's nervous and the "what-ifs" gather up inside him. But as his friends and teachers rally around him and he tells them his name, all his "what-ifs" begin to melt away. Inspired by the authors' own transgender child and accompanied by warm and triumphant illustrations, this authentic and personal text promotes kindness and empathy, offering a poignant and inclusive back-to-school message: all should feel safe, respected, and welcomed.
A Time Best YA Book of All Time (2021) In this “searing work of historical fiction” (Booklist), Coretta Scott King Award-winning author Sharon M. Draper tells the epic story of a young girl torn from her African village, sold into slavery, and stripped of everything she has ever known—except hope. Amari's life was once perfect. Engaged to the handsomest man in her tribe, adored by her family, and fortunate enough to live in a beautiful village, it never occurred to her that it could all be taken away in an instant. But that was what happened when her village was invaded by slave traders. Her family was brutally murdered as she was dragged away to a slave ship and sent to be sold in the Carolinas. There she was bought by a plantation owner and given to his son as a "birthday present". Now, survival is all Amari can dream about. As she struggles to hold on to her memories, she also begins to learn English and make friends with a white indentured servant named Molly. When an opportunity to escape presents itself, Amari and Molly seize it, fleeing South to the Spanish colony in Florida at Fort Mose. Along the way, their strength is tested like never before as they struggle against hunger, cold, wild animals, hurricanes, and people eager to turn them in for reward money. The hope of a new life is all that keeps them going, but Florida feels so far away and sometimes Amari wonders how far hopes and dreams can really take her.
Maddie Temple finds her life spiraling out of control as the mental link she shares with her twin sister pushes her closer and closer toward madness and her only hope for redemption lies with a psychiatrist who could end her career.
“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”— the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home —a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular. In tones at once laden and magically transforming, he self-consciously plots his own Great Migration: “if you see me dancing a twos step/I’m sending a starless code/we’re escaping everywhere.” These are poems to be read aloud.
