Continental Strangers
Continental Strangers

Author: Gerd Gemünden

Publisher: Columbia University Press

Published: 2014-01-21

Total Pages: 297

ISBN-13: 0231536526

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Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

Continental Strangers
Continental Strangers

Author: Gerd GemŸnden

Publisher: Columbia University Press

Published: 2014-02-18

Total Pages: 298

ISBN-13: 0231166796

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Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer’s The Black Cat (1934), William Dieterle’s The Life of Emile Zola (1937), Ernst Lubitsch’s To Be or Not to Be (1942), Bertold Brecht and Fritz Lang’s Hangmen Also Die (1943), Fred Zinneman’s Act of Violence (1948), and Peter Lorre’s Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

Unsettled Scores
Unsettled Scores

Author: Sally Bick

Publisher: University of Illinois Press

Published: 2019-12-20

Total Pages: 242

ISBN-13: 025205167X

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The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.

Aliens and Englishness in Elizabethan Drama
Aliens and Englishness in Elizabethan Drama

Author: Lloyd Edward Kermode

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 215

ISBN-13: 0521899532

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Examines a variety of plays between 1550-1600 to demonstrate how they asserted ideas and ideals of 'Englishness' for audiences.

Shaping the Stranger Churches
Shaping the Stranger Churches

Author: Silke Muylaert

Publisher: BRILL

Published: 2020-10-20

Total Pages: 280

ISBN-13: 9004439536

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Silke Muylaert explores the struggles of the Netherlandish migrant churches in England in engaging with the Reformation and the Revolt in their fatherland.

Peter Lilienthal
Peter Lilienthal

Author: Claudia Sandberg

Publisher: Berghahn Books

Published: 2021-07-16

Total Pages: 222

ISBN-13: 1800730926

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Best known for his 1979 film David, Peter Lilienthal was an unusual figure within postwar filmmaking circles. A child refugee from Nazi Germany who grew up in Uruguay, he was uniquely situated at the crossroads of German, Jewish, and Latin American cultures: while his work emerged from West German auteur filmmaking, his films bore the unmistakable imprints of Jewish thought and the militant character of New Latin American cinema. Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, inclusive European film culture.

Phenomenologies of the Stranger
Phenomenologies of the Stranger

Author: Richard Kearney

Publisher: Fordham Univ Press

Published: 2011

Total Pages: 356

ISBN-13: 0823234614

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What is strange? Or better, who is strange? When do we encounter the strange? This volume takes the question of hosting the Stranger to the deeper level of embodied imagination and the senses.It asks: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility (given the common root of hostis as both host and enemy)? How do humans sensethe dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous sixthsense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do embodied imaginariesof hospitality and hostility entail? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace?

The Sun and Her Stars
The Sun and Her Stars

Author: Donna Rifkind

Publisher: Other Press, LLC

Published: 2020-01-28

Total Pages: 561

ISBN-13: 1590517229

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National Jewish Book Award Finalist The little-known story of screenwriter Salka Viertel, whose salons in 1930s and 40s Hollywood created a refuge for a multitude of famous figures who had escaped the horrors of World War ll. Hollywood was created by its “others”; that is, by women, Jews, and immigrants. Salka Viertel was all three and so much more. She was the screenwriter for five of Greta Garbo's movies and also her most intimate friend. At one point during the Irving Thalberg years, Viertel was the highest-paid writer on the MGM lot. Meanwhile, at her house in Santa Monica she opened her door on Sunday afternoons to scores of European émigrés who had fled from Hitler—such as Thomas Mann, Bertolt Brecht, and Arnold Schoenberg—along with every kind of Hollywood star, from Charlie Chaplin to Shelley Winters. In Viertel's living room (the only one in town with comfortable armchairs, said one Hollywood insider), countless cinematic, theatrical, and musical partnerships were born. Viertel combined a modern-before-her-time sensibility with the Old-World advantages of a classical European education and fluency in eight languages. She combined great worldliness with great warmth. She was a true bohemian with a complicated erotic life, and at the same time a universal mother figure. A vital presence in the golden age of Hollywood, Salka Viertel is long overdue for her own moment in the spotlight.