Scottish Art since 1960

Scottish Art since 1960

Author: Craig Richardson

Publisher: Routledge

Published: 2017-07-05

Total Pages: 230

ISBN-13: 1351549790

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Craig Richardson here addresses key areas of cultural politics and identity in a way that not only illuminates the development of Scottish art, but teases out another strand of the plurality of developments which led to the success of artists throughout the UK in the 1990s. It is of the highest relevance whether one's perspective is that of the development of the Scottish art, British art or European art of this period. The book adds significantly to our knowledge of the art of this period in a way that will aid not only our historical understanding but our understanding of the dynamics of art practice today. Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted 'exemplary' works which outlines a self-conscious definition of the interrogative term 'Scottish art.' Among the artists whose work is discussed are John Latham, Simon Starling, Alan Johnston, Roderick Buchanan, Glen Onwin, Christine Borland, William Johnstone, Joan Eardley, Alexander Moffat, Douglas Gordon, Alan Smith, Graeme Fagen, Ross Sinclair and many others. The discussion culminates in a critically original demonstration of the scope for further research and practice within the subject, facilitating national cultural debate on the character of Scottish-national visual art.


The Modern Scot

The Modern Scot

Author: Tom Normand

Publisher: Routledge

Published: 2017-11-22

Total Pages: 215

ISBN-13: 1351749323

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This title was first published in 2000: An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art. This in-depth analysis of a dynamic episode in Scottish visual culture looks at the work of, among others, William Johnstone, William McCance and John Duncan Fergusson.


Scottish Artists in an Age of Radical Change

Scottish Artists in an Age of Radical Change

Author: Bill Hare

Publisher: Luath Press Ltd

Published: 2019-08-15

Total Pages: 478

ISBN-13: 1912387654

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The visual arts throughout the post-war era have made an invaluable contribution to the cultural development of modern and contemporary Scotland. Joan Eardley, Alan Davie, Eduardo Paolozzi, Ian Hamilton Finlay, Boyle Family, Craigie Aitchison, Barbara Rae John Bellany, Alexander Moffat, John McLean, Bill Scott, Joyce Cairns, Steven Campbell, Ken Currie, Lys Hansen, Alison Watt, Douglas Gordon and Kevin Harman – these are some of the artists whose work reflects the radical and complex transformations of the post-war period. These Scottish artists not only observed and absorbed the socio-economic and technological changes taking place during this era, but also devised a wide range of innovative ways to represent and creatively re-present those changes and their powerful impact on our times. Through a compilation of in-depth interviews with the artists themselves and accompanying critical essays, Bill Hare here examines the richly diverse work of these important figures in modern and contemporary visual culture, revealing the intellectual power and artistic imagination of those who have created one of the greatest eras in the history of Scottish art.


Scottish Art (Second) (World of Art)

Scottish Art (Second) (World of Art)

Author: Murdo MacDonald

Publisher: Thames & Hudson

Published: 2021-04-13

Total Pages: 404

ISBN-13: 0500776040

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Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.