Johann Sebastian Bach's Christmas Oratorio

Johann Sebastian Bach's Christmas Oratorio

Author: Markus Rathey

Publisher: Oxford University Press

Published: 2016-08-04

Total Pages: 433

ISBN-13: 019027526X

DOWNLOAD EBOOK

In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern "war on Christmas," discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the "Heilig Christ" plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition.


The Twelve Plays of Christmas

The Twelve Plays of Christmas

Author: Lowell Swortzell

Publisher: Hal Leonard Corporation

Published: 2001

Total Pages: 520

ISBN-13: 9781557834959

DOWNLOAD EBOOK

A collection of twelve traditional and modern plays suited for the classroom, sanctuary, theatre, or home.


Fifty Modern and Contemporary Dramatists

Fifty Modern and Contemporary Dramatists

Author: Maggie B. Gale

Publisher: Routledge

Published: 2014-11-27

Total Pages: 282

ISBN-13: 1317596218

DOWNLOAD EBOOK

Fifty Modern and Contemporary and Dramatists is a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama, theatre and literature and include such celebrated writers as: • Samuel Beckett • Caryl Churchill • Anna Deavere Smith • Jean Genet • Sarah Kane • Heiner Müller • Arthur Miller • Harold Pinter • Sam Shephard Each short essay is written by one of an international team of academic experts and offers a detailed analysis of the playwright’s key works and career. The introduction provides an historical and theatrical context to the volume, which provides an invaluable overview of modern and contemporary drama.


The Broadview Anthology of Medieval Drama

The Broadview Anthology of Medieval Drama

Author: Christina M. Fitzgerald

Publisher: Broadview Press

Published: 2012-12-05

Total Pages: 595

ISBN-13: 1554810566

DOWNLOAD EBOOK

The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernized in order to make the plays more accessible to readers today.


Christmas, Ideology and Popular Culture

Christmas, Ideology and Popular Culture

Author: Sheila Whiteley

Publisher: Edinburgh University Press

Published: 2008-04-26

Total Pages: 232

ISBN-13: 0748631879

DOWNLOAD EBOOK

How do we understand Christmas? What does it mean? This book is a lively introduction to the study of popular culture through one central case study. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. Chapters explore the ways in which the production of meaning is mediated by the social and cultural activities surrounding Christmas (watching Christmas films, television, listening or engaging with popular music and carols), its relationship to a set of basic values (the idealised construct of the family), social relationships (community), and the ways in which ideological discourses are used and mobilised, not least in times of conflict, terrorism and war.


The Abingdon Introduction to the Bible

The Abingdon Introduction to the Bible

Author: Dr. Joel S. Kaminsky

Publisher: Abingdon Press

Published: 2014-03-18

Total Pages: 380

ISBN-13: 1426751168

DOWNLOAD EBOOK

The Bible has profoundly influenced the western world. Many of its characters and stories are well known and yet, oddly enough, wide swaths of the Bible are unknown and misunderstood. The laws and teaching contained within it have shaped contemporary thinking and jurisprudence in ways many do not realize. Equally important, two of the world’s largest religions—Judaism and Christianity—consider the Hebrew Bible to be sacred and to contain enduring truths about beginnings and creation, life and death, the world, and what it means to be human. Introductions to the Bible tend toward extensive discussion with little to introduce the beginner to the Bible’s tremendous influence on contemporary society or to the complexities of reading ancient religious literature. Further, few discuss the differing ways Jews and Christians approach those parts of the Bible that they share in common or how each group appropriates materials from this common scriptural pool in divergent, conflicting, and often complex ways. As classroom teachers of introductory courses on the Bible, the authors of this volume will acquaint students with the tremendous influence that the Bible has had on culture and to address some of the critical questions in user-friendly, faith-respecting ways, in order to maximize students’ appreciation of the biblical text and their understanding of it. This introduction will introduce the beginner to the Bible with simplicity and precision, in an engaging manner. It will provide the reader with a quick overview of the issues related to reading and studying the Bible as an academic discipline while simultaneously illustrating the importance of the Bible for religion, western jurisprudence, ethics, and contemporary conceptions of the family, morality, and even politics. A CHOICE Magazine Outstanding Academic Title of 2014.


Beard Fetish in Early Modern England

Beard Fetish in Early Modern England

Author: Mark Albert Johnston

Publisher: Routledge

Published: 2016-04-15

Total Pages: 313

ISBN-13: 131717593X

DOWNLOAD EBOOK

Focusing on representations of beards in English Renaissance culture, this study elucidates how fetish objects validate ideological systems of power by materializing complex value in multiple registers. Providing detailed discussions of not only bearded men but also beardless boys, bearded women, and half-bearded hermaphrodites, author Mark Albert Johnston argues that attending closely to early modern English culture's treatment of the beard as a fetish object ultimately exposes the contingency of categories like sex, gender, age, race, and sexuality. Johnston mines a diverse cross-section of contemporary discourses -- adult and children’s drama, narrative verse and prose, popular ballads, epigrams and proverbs, historical accounts, pamphlet literature, diaries, letters, wills, court records and legal documents, medical and surgical manuals, lectures, sermons, almanacs, and calendars -- in order to provide proof for his cultural claims. Johnston’s evidence invokes some of the period’s most famous voices -- William Shakespeare, Ben Jonson, John Lyly, Phillip Stubbes, John Marston, George Chapman, Thomas Dekker, Thomas Middleton, and Samuel Pepys, for example -- but Johnston also introduces us to an array of lesser-known Renaissance authors and playwrights whose works support the notion that the beard was a palimpsestic site of contested meaning at which complex and contradictory values clash and converge. Johnston’s reading of Marxist, Freudian, and anthropological theories of the fetish phenomenon acknowledges their divergent emphases -- erotic, economic, racial and religious -- while suggesting that the imbrication of diverse registers that fetish accomplishes facilitates its cultural and psychic naturalizing function.