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Author: Wu Hung
Publisher: The Museum of Modern Art
Published: 2010
Total Pages: 474
ISBN-13: 0870706470
DOWNLOAD EBOOKInvaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Author: Wu Hung
Publisher: Duke University Press
Published: 2010
Total Pages: 0
ISBN-13: 9780822349433
DOWNLOAD EBOOKDespite the liveliness and creativity of avant-garde Chinese art in the post-Mao era and its prominence in the world of international contemporary art, until now there has been no systematic introduction to this important work in any Western language. Moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications. Contemporary Chinese Art remedies this situation by bringing together carefully selected primary texts in English translation. Arranged in chronological order, the texts guide readers through the development of avant-garde Chinese art from 1976 until 2006. Because experimental Chinese art emerged as a domestic phenomenon in the 1970s and 1980s and its subsequent development has been closely related to China's social and economical transformation, this volume focuses on art from mainland China. At the same time, it encompasses the activities of mainland artists residing overseas, since artists who emigrated in the 1980s and 1990s were often key participants in the early avant-garde movements and have continued to interact with the mainland art world. The primary documents include the manifestos of avant-garde groups, prefaces to important exhibitions, writings by representative artists, important critical and analytical essays, and even some official documents. Each chapter and section begins with a concise preface explaining the significance of the texts and providing the necessary historical background; the volume includes a timeline summarizing important art phenomena and related political events. Publication of the Museum of Modern Art
Author: Peggy Wang
Publisher: U of Minnesota Press
Published: 2021-01-26
Total Pages: 325
ISBN-13: 1452963347
DOWNLOAD EBOOKA revelatory reclaiming of five iconic Chinese artists and their place in art history During the 1980s and 1990s, a group of Chinese artists (Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao) ascended to new heights of international renown. Even as their fame increased, they came to be circumscribed by simplistic Western interpretations of their artworks as social and political critiques, a perspective that privileged stories of dissidence over deep engagement with the art itself. Through in-depth case studies of these five artists, Peggy Wang offers a corrective to previous appraisals, demonstrating how their works address fundamental questions about the forms, meanings, and possibilities of art. By the end of the 1980s, Chinese artists were scrutinizing earlier waves of Western influence and turning instead to their own heritage and culture to forge their own future histories. As the national trauma of the 1989 Tiananmen Square massacre converged with the mounting expansion of the global art world, these artists turned to art as a profoundly generative site for grappling with their place in the world. Wang demonstrates how they consciously and energetically sought to make their own ideas about art and art history visible in contemporary art. Wang’s argument is informed by extensive primary research, including close examination of the artworks, analysis of Chinese language documents and archives, and deeply personal interviews with the artists. Their words uncover layers of meaning previously obscured by the popular and often recycled assessments that many of these works have received until now. Beyond Wang’s reinterpretation of these individual artists, she contributes to an urgent conversation on the future direction of art history: how do we map engagements between art from different parts of the world that are embedded within different art histories? What does it mean for histories of contemporary art—and art history more generally—to be inclusive? The new understandings offered in this book can and should be engaged when considering current hierarchies in histories of Chinese art, the global art world, and the intersections between them.
Author: Richard King
Publisher: UBC Press
Published: 2010
Total Pages: 318
ISBN-13: 0774815426
DOWNLOAD EBOOKChapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.
Author: Minglu Gao
Publisher: MIT Press
Published: 2011-04-29
Total Pages: 422
ISBN-13: 0262294710
DOWNLOAD EBOOKA groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
Author: Melissa Chiu
Publisher: Yale University Press
Published: 2008
Total Pages: 278
ISBN-13:
DOWNLOAD EBOOKTakes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
Author: Doryun Chong
Publisher: Moma Primary Documents
Published: 2012
Total Pages: 0
ISBN-13: 9780822353683
DOWNLOAD EBOOK"Brings together critical historical documents, many of which are translated into English for the first time, in Japanese arts from the end of World War II through the next four and a half decades."--Page 14.
Author: Richard Vinograd
Publisher:
Published: 2018-05-29
Total Pages: 232
ISBN-13: 9781503606845
DOWNLOAD EBOOKInk arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques. Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting. The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.
Author: Anneka Lenssen
Publisher: MoMA Primary Documents
Published: 2018
Total Pages: 0
ISBN-13: 9781633450387
DOWNLOAD EBOOKModern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear here for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region's intertwined political and cultural developments during the twentieth century. Modern Art in the Arab World is an essential addition to the investigation of modernism and its global manifestations. Publication of the Museum of Modern Art Distributed by Duke University Press
Author: Christian Henriot
Publisher: BRILL
Published: 2012-11-09
Total Pages: 541
ISBN-13: 9004228209
DOWNLOAD EBOOKIn Visualizing China, the authors launch a broad inquiry aimed at a synergistic understanding of the story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, from the 1840s to the 1960s.
