Conducting Brahms

Conducting Brahms

Author: Norman Del Mar

Publisher: Oxford University Press, USA

Published: 1993

Total Pages: 248

ISBN-13:

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After two volumes of reflections on conducting the orchestral music of Beethoven, Normal Del Mar now turns to the music of Brahms. His own interpretations, over a career of half a century, have been hailed as unusually sincere and thoughtful. As before, Del Mar's insights will be of greatinterest to practicing musicians and lovers of these great works.


Conducting the Brahms Symphonies

Conducting the Brahms Symphonies

Author: Christopher Dyment

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 270

ISBN-13: 1783271000

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How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.


Performing Brahms

Performing Brahms

Author: Michael Musgrave

Publisher: Cambridge University Press

Published: 2003-10-02

Total Pages: 436

ISBN-13: 9780521652735

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A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.


Brahms's A German Requiem

Brahms's A German Requiem

Author: R. Allen Lott

Publisher: Eastman Studies in Music

Published: 2020

Total Pages: 511

ISBN-13: 1580469868

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Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.


A Practical Guide for Performing, Teaching, and Singing the Brahms "Requiem"

A Practical Guide for Performing, Teaching, and Singing the Brahms

Author: Leonard Van Camp

Publisher: Alfred Music

Published:

Total Pages: 180

ISBN-13: 9781457489198

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This book is intended to help those who are contemplating performing or studying the Brahms Requiem. It provides historical information, performance considerations, musical analysis, and resource material for all who enjoy the musicology behind this magnificent work. It is especially directed toward conductors, but it is also useful for choristers and soloists as well. A wonderful instructional tool!


Johannes Brahms

Johannes Brahms

Author: Heather Platt

Publisher: Routledge

Published: 2012-07-26

Total Pages: 578

ISBN-13: 1135847088

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First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.


Brahms and His World

Brahms and His World

Author: Peter Clive

Publisher: Scarecrow Press

Published: 2006-10-02

Total Pages: 641

ISBN-13: 1461722802

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As an influential and well-connected composer, Johannes Brahms (1833-1897) had encountered, befriended, and collaborated with hundreds of people over his significant career. In Brahms and His World: A Biographical Dictionary, author Peter Clive provides extensive and up-to-date information on the composer's personal and professional association with some 430 persons. These persons include relatives, friends, acquaintances, and physicians; fellow musicians and composers whom Brahms particularly admired and in the editions of whose works he was involved; conductors, instrumentalists, and singers who took part in notable or first performances of his works; poets whose texts he set to music; publishers and artists; and even the rulers of certain German states with whom he had significant contact. Offering information not usually available in Brahms biographies, this volume combines findings from both primary and secondary sources, giving insights into Brahms' character, his life, and his career, and shedding light on the educated middle and upper class culture of the nineteenth century. A comprehensive chronology of Brahms' life, a bibliography, and two indexes round out this important reference guide.


Brahms

Brahms

Author: Walter Frisch

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 244

ISBN-13: 9780300099652

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In this title, Walter Frisch provides a sensitive, analytical commentary on Braham's four symphonies as well as a consideration of their place within his oeuvre, within the symphonic repertory of his day, and within the broader musical culture of 19th-century Germany and Austria.


A Brahms Reader

A Brahms Reader

Author: Michael Musgrave

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 404

ISBN-13: 9780300091991

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Johannes Brahms (1833-1897) was prominent not only as a composer but as a pianist, conductor, editor, scholar, collector, and friend of many notables. He was also, in private, an articulate critic, connoisseur of other arts, and traveler. In this enlightening book, the eminent Brahms scholar Michael Musgrave presents a comprehensive and original account of the composer's private and professional lives. Drawing on an array of documentary materials, Musgrave weaves together diverse strands to illuminate Brahms's character and personality; his outlook as a composer; his attitudes toward other composers; his activities as pianist and conductor; his scholarly and cultural interests; his friendships with Robert and Clara Schumann and others; his social life and travel; and critical attitudes toward his music from his own time to the present. The book quotes extensively from Brahms's own words and those of his circle. Musgrave mines the composer's letters, reminiscences of his contemporaries, early biographies, reviews, and commentary by friends, critics, and scholars to create an unparalleled source of information about Brahms. The author sets the materials in context, identifies sources in detail, includes a glossary of information on principal individuals, and notes recent research on the composer. This engaging biographical work, with a gallery of illustrations, will appeal to general music lovers as well as to scholars with a special interest in Brahms.


The Cambridge Companion to Brahms

The Cambridge Companion to Brahms

Author: Michael Musgrave

Publisher: Cambridge University Press

Published: 1999-05-27

Total Pages: 352

ISBN-13: 1139825305

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This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.