Looney illustrates how the three great Renaissance poets from Ferrara are products of a cultural milieu which literary historians have typically ignored. Through these poets, who sought to incorporate details of classical literature into their idiom, Looney analyzes the impact of Renaissance humanism on popular culture.
This classic survey of one of the most dramatic eras in American history is most notable, perhaps, for the insight it offers into the mindset of the era itself. First published from 1893 through 1906, in the immediate aftermath of the events it covers, it was criticized even then for the author's clear bias-Rhodes believed it was a mistake to have given black men the right to vote after the Civil War. Today, it remains a fascinating look at the times through a prism that is itself of historical interest. This eight-volume set is a replica of the 1920 "new" edition. Volume VII covers: [ Boss Tweed's New York [ the Credit Mobilier [ the Union Pacific Railroad [ financial panics [ fire in Chicago in 1871 and Boston in 1872 [ civil rights in the South [ the Negro in politics [ Hayes or Tilden: the disputed presidency [ and much more. After earning a fortune in iron, coal, and steel, American author JAMES FORD RHODES (1848-1927) retired to write about history, for which he won the Loubat Prize from the Berlin Academy of Sciences (1901) and the gold medal from the National Institute of Arts and Letters (1910). He is also the author of the single-volume History of the Civil War, 1861-1865 (1918), available from Cosimo.
To commemorate the 150th Anniversary of the end of the Civil War, Diversion Books is publishing seminal works of the era: stories told by the men and women who led, who fought, and who lived in an America that had come apart at the seams. The events leading up to the Civil War reveal a country divided by more than just a belief in, or revulsion of, slavery. It reveals a country still forming, even as it fissures and breaks apart. It reveals an industrial north and an agricultural south evolving into enemies even as they mutually benefit one another. It reveals politicians playing to their bases, riling up young men especially to take up arms against their fellow countrymen. This astonishing historical work chronicles all this and more, exploring the fractious ideologies and the most important figures who led the country into its bloodiest conflict.
These essays are collected from the Fourth International Conference on Literature and Psychology held at Kent State University, 7-9 August 1987. In selecting the essays for this first collection to emerge from the varied conferences now being sponsored by the Kent State University Center for Literature and Psychoanalysis, Vera Camden has brought together representative contributions from two major contemporary schools of psychoanalytic criticism: object relations and Lacanian theory. These essays define the questions which emerge when both schools are brought into the kind of association engendered by this conference, offering not so much a resolution to opposing positions as a fuller articulation of the space each occupies and a fluidity of discussion which has characterized psychoanalysis since Freud's earliest discoveries. Each contributor is concerned with the place of the unconscious in the determination of the human subject and its representations. Whether the approach is primarily clinical or literary, each identifies and analyzes the anguish of the incomplete self--a sell which looks to construct, identify, regain, or even deny meaning. A crucial difference emerges among these authors as to how the experience of human alienation and the quest for identify is to be analyzed. Some would suggest, after Jacques Lacan, that the task of analysis is to recognize the illusion of the unitary self and to reconcile the individual to that state. Others would contend the task of analysis is to recover, by the transference relationship, the lost unity missing in childhood and reflect in adult object-relations. These essays range from clinical perspectives in psychosis and creativity to critical readings of Joyce and Shakespeare to recent applications of brain research to traditional psychoanalytic notions of the human subject. The richness and variety in this collection bear witness to the continuing impact of psychoanalysis on literary and cultural studies.
Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers.
Although the Russian novelist and playwright Leonid Leonov had published extensively before 1917 he considered that his literary career began only in 1922 with the short story Buryga. His talent developed rapidly in the comparatively free cultural climate of the first decade of the Revolution and by 1927 his characteristic style and themes were already formed. It was in this year, however, that the Communist Party began to impose its demands on the artists and intellectuals. Leonov's beliefs and values were incompatible with the Soviet version of Marxism but he tried to affirm them indirectly in his work through structure, imagery and allusion, while outwardly conforming to official demands. This manoeuvring inevitably led him into some questionable compromises which in turn damaged his reputation, both at home and abroad. Leonov himself was painfully conscious of the moral dilemmas involved and his later works return again and again to the question: is it possible to compromise without being compromised? There are fourteen chapters in the volume, each devoted to one or more of Leonov's works, setting the successive stages of his evolution against a background of changing cultural and political policies.