Virtually all of the composer's works for piano solo: 4 piano sonatas, "Invitation to the Dance," 8 sets of variations, "Grande Polonaise," others. Authoritative C. F. Peters edition.
The noted American composer’s best, most characteristic piano works, including all 4 sonatas and 4 suites—Woodland Sketches, Sea Pieces, Fireside Tales, and New England Idyls—reprinted from original editions.
DIVVirtually all of the composer's works for piano solo: 4 piano sonatas, "Invitation to the Dance," 8 sets of variations, "Grande Polonaise," others. Authoritative C. F. Peters edition. /div
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
A great musical tradition flourished in the late 19th- and early-20th–century Russia, nurturing such renowned composers as Mussorgsky, Tchaikovsky, Rachmaninov, and Prokofiev. Unfortunately, many superb compositions by lesser Russian composers have been eclipsed by the works of these giants. In this volume, University of Kentucky musicologist Dmitry Feofanov presents eleven overlooked masterpieces — important Russian piano works of the late 18th to 20th centuries virtually unobtainable elsewhere. Here is Mikhail Glinka's Prayer, a rare program piece by the founder of Russian opera, the first composer whose music was performed in the West; German-born Johann Hässler's Sonata-Fantasie, Op. 4, which anticipates Beethoven in structure; and Sergey Liapunov's Transcendental Etude, Op. 11, No. 10, a stunning tour de force of piano technique. Also included in this impressive collection: Balakirev: Rêverie Glazunov: Prelude and Fugue in D Minor, Op. 62 Griboyedov: Two Waltzes Kalinnikov: Nocturne in F-Sharp Minor Liadov: Prelude, Op. 11, No.1 Medtner: Sonata in G Minor, Op. 22 Schlözer: Etude in A-flat, Op. 1, No. 2 Taneyev: Prelude and Fugue, Op. 29 All scores are authoritative, reprinted from rare Russian texts, many of which are now out of print — with new translations of performance instructions. Short biographies of each composer and background information on each piece round out this fine, modestly priced performance and study edition — sure to appeal to pianists, students, music historians, and music lovers everywhere.
Features 64 works from the golden age of rag, most long unavailable, including rare works by James Scott, Cy Seymour, E.J. Stark, Bob Hoffman, Harry L. Cook, Max Hoffmann, and 51 other composers, among them several women. Original cover, too.
This collection of specially commissioned essays offers an accessible introduction to the history of the piano, performance styles, and its vast repertoire. Part 1 reviews the evolution of the piano, from its earliest forms up to the most recent developments, including the acoustics of the instrument. Part 2 explores the varied repertory in its social and stylistic contexts, including contemporary music, with a final chapter on jazz, blues and ragtime. The Companion also contains a glossary of important terms and will be a valuable source for the piano performer, student and enthusiast.