No amateur or math authority can be without this ultimate compendium of classic puzzles, paradoxes, and puzzles from America's best-loved mathematical expert. 320 line drawings.
A true pioneer in the field of recreational mathematics, Martin Gardner has been wrangling words for decades, and his latest opus is nothing short of extraordinary. From amazing anagrams and silly spoonerisms to alphamagic squares and cryptarithms, this mind-bending compendium is chock-full of whimsical forms of wordplay that are sure to have sesquipedalian scholars and limber-minded logophiles racking their brains in delight.
Leading politicians, diplomats, clerics, planters, farmers, manufacturers, and merchants preached a transformative, world-historical role for the Confederacy, persuading many of their compatriots to fight not merely to retain what they had but to gain their future empire. Impervious to reality, their vision of future world leadership—territorial, economic, political, and cultural—provided a vitally important, underappreciated motivation to form an independent Confederate republic. In Colossal Ambitions, Adrian Brettle explores how leading Confederate thinkers envisioned their postwar nation—its relationship with the United States, its place in the Americas, and its role in the global order. Brettle draws on rich caches of published and unpublished letters and diaries, Confederate national and state government documents, newspapers published in North America and England, conference proceedings, pamphlets, contemporary and scholarly articles, and more to engage the perspectives of not only modern historians but some of the most salient theorists of the Western World in the eighteenth and nineteenth centuries. An impressive and complex undertaking, Colossal Ambitions concludes that while some Confederate commentators saw wartime industrialization as pointing toward a different economic future, most Confederates saw their society as revolving once more around coercive labor, staple crop production, and exports in the war’s wake.
A collection of oft-repeated urban legends brings together the best of modern myths, from the stoned baby sitter who mistook a baby for a turkey to the fabulously expensive recipe for chocolate chip cookies.
Peter Mason takes a bold, multidisciplinary approach in this account of the idea of the colossal in culture. He gathers instances of the colossal throughout history—including the obelisks of Egypt, the Colossus of Rhodes, the Roman Colosseum, the heads of the Olmecs, and the stone statues of Easter Island—using historical and archaeological evidence to position them within the context of time and culture. Mason establishes a vision of the colossal that encompasses both the colossal in scale and another, overlooked sense of the word: the archaic Greek kolossos, a ritual effigy, and its modern equivalents. Combining fascinating detail with a rigorous account that spans three millennia, The Colossal argues that the artist who best understood and tapped into the kolossos was Alberto Giacometti. Mason shows that the Swiss sculptor and painter’s work articulated themes of death and mourning in ways rarely seen since the art of archaic Greece, themes most evident in his enigmatic work, The Cube. From the monolithic sculptures of long-dead civilizations to Giacometti’s imposing and unsettling heads, The Colossal is an innovative book that traces unexplored thematic threads through visual history.
In this generously illustrated book, acclaimed Berkeley art historian Darcy Grimaldo Grigsby gives us the definitive account of a history that leads from Napoleon's encounter with the gigantic monuments of ancient Egypt to the building of the wonders of the industrial world: the Statue of Liberty, Suez Canal, Eiffel Tower, and Panama Canal. Passionately argued, peerless in its research, its synthesis, and its depth of understanding, Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal is a magisterial addition to serious study of the modern world.
Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album's cover, disappeared. Even though Colossal Youth received positive reviews and sold surprisingly well, Young Marble Giants quickly slid into the margins of rock 'n' roll history-relegated to cult status among post-punk and indie rock fans. Their lasting appeal owes itself to the band's singular approach and response to punk rock. Instead of employing overt political ideology and abrasive sounds to rebel against the status quo, Young Marble Giants filled their songs with restraint, ambiguity, and silence. The trio opened up their music to new sounds and ideas that redefined punk's rules of rebellion. Where did their rebellious ideas and impulses come from? By tracing Colossal Youth's artistic origins from Ancient Greece to the 20th-century avant-garde, Michael Blair and Joe Bucciero uncover the intricacies of Young Marble Giants' idiosyncratic take on music in the post-punk age. Emerging from the gaps in between the notes are new ways of hearing the history of punk, the political and economic turbulence of the late 1970s, and the world that surrounds us right now.
The physics of transition metal oxides has become a central topic of interest to condensed-matter scientists ever since high temperature superconductivity was discovered in hole-doped cuprates with perovskite-like structures. Although the renewed interest in hole-doped perovskite manganites following the discovery of their colossal magnetoresistance (CMR) properties, began in 1993 about a decade after the discovery of high temperature superconductivity, their first investigation started as early as 1950 and basic theoretical ideas were developed during 1951-1960. Experience in sample preparation and characterization, and in growth of single crystals and epitaxial thin films, gained during the research on high temperature superconductors, and the development of theoretical tools, were very efficiently used in research on CMR manganites. In early nineties it appeared to many condensed matter physicists that although the problem of high temperature superconductivity is a difficult one to solve, a quantitative understanding of CMR phenomena might be well within reach. This book is intended to be an account of the latest developments in the phys ics of CMR manganites. When I planned this book back in 2000, I thought that research on the physics of CMR manganites would be more or less consolidated by the time this would be published. I was obviously very optimistic indeed. We are now in 2003 and we still do not have a quantitative understanding of the central CMR effect. Meanwhile the field has expanded. It is still a very active field of research on both the experimental and theoretical fronts.