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Author: Andrew Rodney
Publisher: Taylor & Francis
Published: 2005
Total Pages: 480
ISBN-13: 0240806492
DOWNLOAD EBOOKThis book provides clear concepts geared to the photographer backed up with a number of tutorials, which will reinforce the concepts for the reader. It keeps theory as well as 'colour geek speak' to a minimum.
Author: Tim Grey
Publisher: John Wiley & Sons
Published: 2006-12-26
Total Pages: 272
ISBN-13: 9780470113134
DOWNLOAD EBOOK"Color Confidence is one book that no photographer, especially me, can afford to be without!" Art Morris, Photographer (www.birdsasart.com) Establishing a successful color management workflow that produces predictable results is an important -- yet tricky -- undertaking. Most photographers are all too familiar with the frustration of a print not matching the image on the monitor. In Color Confidence, digital imaging expert Tim Grey provides the crucial information you need to get the color you want, every time. His results-oriented guide shows you how to manage color effectively across all devices. He demystifies complicated topics and takes you through each component of a color-managed workflow step-by-step. Designed for busy photographers, this full-color guide cuts through the theory, focusing on the practical information you need to make the best color decisions from capture to output.
Author: Tom Ashe
Publisher: CRC Press
Published: 2014-01-03
Total Pages: 732
ISBN-13: 1136086374
DOWNLOAD EBOOKFirst published in 2012. We have all felt the frustration of wasting time, paper and effort hen our prints or web images don't match the images we see on our monitors. Fortunately, you're holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you'll need to post professional images and make stunning prints that showcase you artistic vision. In Color Managment & Quality Outprint, Tom P. Ashe, a color expert and gifted teacher, shows you how to color manage your files from input all the way through output, by clearly explaining how color works in our minds, on our monitors and computers and through our printers.
Author: Edward J Giorgianni
Publisher: John Wiley & Sons
Published: 2008-11-20
Total Pages: 432
ISBN-13: 0470994363
DOWNLOAD EBOOKAll successful imaging systems employ some form of color management for previewing, controlling and adjusting color throughout the image-production process. Today’s increasingly complex systems pose challenging problems: they must support numerous devices and media having disparate color properties, and they also must provide for the interchange of images among dissimilar systems. In this book, the authors address and solve these problems using innovative methods of representing color in the digital domain. The second edition of this popular book explains the capabilities and limitations of existing color management systems and provides comprehensive practical solutions for communicating color within and among imaging systems, from the simplest to the most complex. Beginning with the fundamentals of color and human color perception, the book progresses to in-depth analyses of the nature of color images, digital color encoding, color management systems and digital color interchange. Fully revised and updated, this second edition of Digital Color Management features new and expanded coverage including: electronic displays and electronic imaging systems; scene-based and appearance-based color encoding methods; color management for digital cinema; a Unified Paradigm—a comprehensive, integrated color-managed environment for the color-imaging industry; four new chapters, two new appendices, and more than 80 new figures. This book is an essential resource for engineers, programmers and imaging professionals designing and engineering color-imaging systems and for others simply looking to increase their understanding of the field. Scientists, researchers, advanced undergraduates and graduate students involved in imaging technology also will find this book of significant interest and usefulness. Reviews for the first edition: ‘The absence of unnecessary jargon, the impeccable writing style, the material depth leads only to one conclusion: If you buy one digital color book this year, buy this one.’ W. David Schwaderer, Digital Camera Magazine ‘It [Digital Color Management] fulfils the need among engineers and scientists for a comprehensive understanding of color management, imaging, media, viewing conditions, appearance and communication.’ Arthur S. Diamond, Imaging News
Author: Ted Padova
Publisher: John Wiley & Sons
Published: 2006-06-06
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKColor is the soul of the image. It deserves perfection. Whether you're a professional or a serious amateur, you recognize the importance of color. This book is about perfecting color at every level, from setting up a shot to editing the image to printing. Illustrated with the spectacular photography of coauthor Don Mason, this volume doesn't rehash the Photoshop® basics you already know. Instead, it shares professional methods and color correction techniques designed to reveal the soul of your subjects and the art in your images. Understand color modes, bit depth, and dynamic range Create an optimum color environment with controlled lighting, monitor calibration, and color output profiles Make the best use of Camera Raw and Adobe® Bridge Correct tone and brightness and sharpen images Remedy the effects of improper exposure on color Explore the artistic options of black-and-white editing Achieve image, camera, and printer resolution for professional-quality prints Increase dynamic range by merging images. Learn methods for getting perfect skin tones. Add color tints to improve tonal ranges.
Author: Jan-Peter Homann
Publisher: Springer Science & Business Media
Published: 2008-09-25
Total Pages: 213
ISBN-13: 3540693777
DOWNLOAD EBOOKThe use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
Author: Abhay Sharma
Publisher: John Wiley & Sons
Published: 2018-07-02
Total Pages: 392
ISBN-13: 1119223687
DOWNLOAD EBOOKAn accessible but technically rigorous guide to color management for all users in all market segments Understanding Color Management, 2nd Edition explains the basics of color science as needed to understand color profiling software, color measuring instruments, and software applications, such as Adobe Photoshop and proofing RIPs. It also serves as a practical guide to International Color Consortium (ICC) profiles describing procedures for managing color with digital cameras, LCD displays, inkjet proofers, digital presses and web browsers and tablets. Updates since the first edition include new chapters on iPads, tablets and smartphones; home-cinema projection systems, as well as, with the industrial user in mind, new additional chapters on large-format inkjet for signage and banner printing, flexography, xerography and spot color workflows. Key features: Managing color in digital cameras with Camera Raw and DNG. Step-by-step approach to using color management in Adobe Photoshop CC. M0, M1, M2 instrument measurement modes explained. Testing of low cost, iPhone color measuring instruments. Updated to include iccMAX (Version 5.0) ICC profiles. G7 calibration explained with practical examples. Conventional printing conditions described - SNAP, GRACoL, SWOP, Fogra, CRPC. New sections on Pantone EXTENDED GAMUT Guide. Introduction to XML for color management applications. Understanding Color Management, 2nd Edition is a valuable resource for digital photographers, keen amateurs and end-users, graphic designers and artists, web masters, production and prepress operators and supervisors, color scientists and researchers, color consultants, and manufacturers. It is a must-have course text for college and university students of graphics arts, graphic communications, digital photography, print media, and imaging arts and sciences. The Society for Imaging Science and Technology (imaging.org) is an international professional society whose mission is to keep members and others aware of the latest scientific and technological developments in the greater field of imaging. A major objective of the Wiley-IS&T series is to advance this goal at the professional level. The broad scope of the series focuses on imaging in all its aspects, with particular emphasis on digital printing, electronic imaging, image assessment and reproduction, image archiving and preservation, color science, pre-press technologies, and hybrid imaging systems.
Author: Bruce Fraser
Publisher: Pearson Education
Published: 2004-09-08
Total Pages: 753
ISBN-13: 0132777959
DOWNLOAD EBOOKEvery graphics professional worth his or her salt knows the importance of color management. No matter how much thought artist and client put into the color scheme for a given project, all of that work is for naught if you can't get your results to match your expectations. Enter Real World Color Management, Second Edition. In this thoroughly updated under-the-hood reference, authors Bruce Fraser, Chris Murphy, and Fred Bunting draw on their years of professional experience to show you everything you need to know about color management. Whether your final destination is print, Web, or film, Real World Color Management, Second Edition takes the mystery out of color management, covering everything from color theory and color models to understanding how devices interpret and display color. You'll find expert advice for building and fine-tuning color profiles for input and output devices (digital cameras and scanners, displays, printers, and more), selecting the right color management workflow, and managing color within and across major design applications. Get Real World Color Management, Second Edition--and get ready to dazzle!
Author: Peter Krogh
Publisher: "O'Reilly Media, Inc."
Published: 2009-04-27
Total Pages: 496
ISBN-13: 1449343716
DOWNLOAD EBOOKOne of the main concerns for digital photographers today is asset management: how to file, find, protect, and re-use their photos. The best solutions can be found in The DAM Book, our bestselling guide to managing digital images efficiently and effectively. Anyone who shoots, scans, or stores digital photographs is practicing digital asset management (DAM), but few people do it in a way that makes sense. In this second edition, photographer Peter Krogh -- the leading expert on DAM -- provides new tools and techniques to help professionals, amateurs, and students: Understand the image file lifecycle: from shooting to editing, output, and permanent storage Learn new ways to use metadata and key words to track photo files Create a digital archive and name files clearly Determine a strategy for backing up and validating image data Learn a catalog workflow strategy, using Adobe Bridge, Camera Raw, Adobe Lightroom, Microsoft Expression Media, and Photoshop CS4 together Migrate images from one file format to another, from one storage medium to another, and from film to digital Learn how to copyright images To identify and protect your images in the marketplace, having a solid asset management system is essential. The DAM Book offers the best approach.
Author: Sam Jost
Publisher: XinXii
Published: 2016-07-31
Total Pages: 127
ISBN-13: 3945030110
DOWNLOAD EBOOK“What a fantastic book! It’s about color management for photographers. Sam explains why color management is essential for achieving accurate colors in photos and how to go about it. Neither in my printing technology lectures nor on the Internet have I found this topic explained as well as it is here. In fact, I found that after an enjoyable hour reading, I had learned quite a lot, and gained a far deeper understanding of the topic. If you don’t believe that Sam can put across this rather dry material with a smile in his eye, then just turn to page 15.” Birgit Engelhardt Photographer and enthusiastic reader of this book
