Silver
Silver

Author: Joel Langford

Publisher:

Published: 1991

Total Pages: 128

ISBN-13: 9781850762942

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Miller's Silver and Sheffield Plate Marks
Miller's Silver and Sheffield Plate Marks

Author: John Bly

Publisher: Mitchell Beazley

Published: 2007-02-28

Total Pages: 192

ISBN-13: 9781845333669

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Thanks to the unique hallmarking system, it is possible to tell when, where, by whom, and with what quality of metal most pieces of silver and Sheffield plate were made. This compact, pocket-sized guide from Miller’s shows how to decipher this system, and to read the history behind the marks. A full introduction explains how to understand the marks and distinguish between silver, plate, and electroplate, followed by a look at all the marks of the major British, Irish, and American assay guilds. The pages are packed with lists of key manufacturers, designers, and patterns, and are supported by detailed glossaries. Full color photographs throughout of sample silverware and marks help to date and authenticate pieces.

Trademarks on Base-metal Tableware
Trademarks on Base-metal Tableware

Author: Eileen Woodhead

Publisher: National Historic Sites Parks Service Environment Canada

Published: 1991

Total Pages: 354

ISBN-13:

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Over the past decade the Metal Unit of the Material Culture Section, Archaeology Research Division, Canadian Parks Service, has maintained a reference file identifying marks found on metal artifacts. This document is a selection of marks on file that relate primarily to tableware items, from the late 18th century to about 1900.

Silver in England
Silver in England

Author: Philippa Glanville

Publisher: Routledge

Published: 2013-11-05

Total Pages: 400

ISBN-13: 1136611703

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First Published in 2005. Silver is unique among the decorative arts in that its raw material is both inherently valuable and infinitely reusable. Its ownership has been a social bench-mark and its form has exercised the skills of sculptors, designers, chasers and engravers, but ultimately it could be, and normally was, melted down and refashioned quite without sentiment. Because of this constant recycling, the survival of any individual object is quite random and unrelated to its uniqueness or otherwise in its period. Hitherto plate historians have focused on individual objects almost to the exclusion of the context - social or economic - from which they came but now that context is seen as crucial in understanding historic plate. So in the first section of this book each chapter considers contemporary attitudes and usage.