Spanning 44 years of Bunin's writing, these stories give glimpses into the vanished past of aristocratic Russia, replete with country estates, artsy Moscow life and a changing social structure. Some of Bunin's post-1920 stories, such as Ida, Sunstroke and The Elagin Affair, reflect the lives of Russian and European sophisticates, focusing on their love affairs and concern with elegant and refined living. His later stories - In Paris and On one Familiar Street - explore the alienation of those who cannot forget worlds they have lost.
The Nobel PrizeDwinning author's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time, with an Introduction and Notes by Thomas Gaiton Marullo. A harrowing description of the forerunners of the concentration camps and the Gulag. Marc Raeff"
A short novel by the Nobel Prize-winning Russian author Ivan Bunin, written in 1909 and first published in 1910 by the Saint Petersburg magazine Sovremenny Mir (issues Nos. 3, 10-11) under the title Novelet. The Village caused much controversy at the time, though it was highly praised by Maxim Gorky (who from then on regarded the author as the major figure in Russian literature), among others, and is now generally regarded as Bunin's first masterpiece. Composed of brief episodes set in its author's birthplace at the time of the 1905 Revolution, it tells the story of two peasant brothers, one a brute drunk, the other a gentler, more sympathetic character. Bunin's realistic portrayal of the country life jarred with the idealized picture of "unspoiled" peasants which was common for the mainstream Russian literature, and featured the characters deemed 'offensive' by many, which were "so far below the average in terms of intelligence as to be scarcely human".
Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.
An achievement of twentieth-century Russian émigré literature, Dark Avenues--translated here for the first time into English in its entirety--by Ivan Bunin, Russia’s first Nobel Prize winner.
"The Gentleman from San Francisco" is easily the best known of Ivan Bunin's stories and has achieved the stature of a masterpiece. But Bunin's other stories and novellas are not to be missed. Over the last several years a great many of them have been freshly and brilliantly translated by Graham Hettlinger. Together, along with four new pieces, they are now published in a one-volume paperback collection of Bunin's greatest writings. In Mr. Hettlinger's renderings readers will see why Bunin was regarded by many of his contemporaries as the rightful successor to Tolstoy and Chekhov as a master of Russian letters.
